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“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

The chord progression in “Breathe” by Pink Floyd is relatively simple, mostly alternating between two chords – Em and A7. However, this simplicity is quite effective in creating a relaxed, dreamy feel which is consistent with the overall theme of the song. This is a characteristic feature of Pink Floyd’s music, using simple chords and progressions to create a powerful emotional impact.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

Pink Floyd – Goodbye Blue Sky – Verse 1

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Chord Progression

Am, B/A, Am, A7, D, A, D, Bm, D, Bm

Chord Progression Analysis

A minor (i) – B major/A (VI/iv) – A minor (i) – A dominant 7th (V7) – D major (IV) – A major (I) – D major (IV) – B minor (ii) – D major (IV) – B minor (ii)

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VI/iv = borrowed chord from the parallel minor of the relative major (A major)
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Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:
A minor (i) – A major (I) – G major (VII) – E minor (v) – D major (IV) – A major (I) – C# minor (iii) – F# minor (vi)

2. “Stairway to Heaven” by Led Zeppelin (intro section):
A minor (i) – G sharp diminished 7th (vii°7) – C major (III) – D major (IV) – F major (VI) – A minor (i) – G major (VII) – A minor (i)

While these progressions by The Beatles and Led Zeppelin are not exact matches to “Goodbye Blue Sky,” they share similar harmonic devices and modulations that create a similar sense of movement and emotion.

Musical Analysis

The progression starts with A minor, establishing the key as A minor. The second chord, B major/A, is a borrowed chord (VI/iv) from the parallel minor of the relative major (A major) that creates tension. The progression then returns to A minor before moving to A dominant 7th, functioning as a secondary dominant chord leading to D major, which is a common modulation from A minor to D major (IV).

The progression then moves to A major (I) before repeating D major (IV) and then going to B minor (ii), a diatonic chord in the key of A major. This suggests a shift to the relative major key of A major. Finally, the progression alternates between D major (IV) and B minor (ii) before continuing with the rest of the song.

Overall Analysis

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

Style Analysis

The chord progression used in “Goodbye Blue Sky” is an example of Pink Floyd’s innovative style when it comes to harmony and modulation. The borrowed chord and the modulation from A minor to D major and then to the relative major key (A major) makes the progression more complex and brings emotional depth to the song. This helps to create the overall haunting atmosphere of the piece.

Chords in the Verse 1 section of Goodbye Blue Sky by Pink Floyd are:

Am, B/A, Am, A7, D, A, D, Bm, D, Bm