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Related Music Theory Alchemy

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

This iconic Britpop song predominantly features the use of traditional tonal harmony found in pop songs throughout the late 20th century, and the verse specifically recalls the harmonic patterns utilized in the 1950s and 60s. The defining feature of this song (as is the case with many Oasis tunes) is the use of returning, resounding repetitions of simple chord sequences.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

Oasis – Dont Look Back In Anger – Verse 2

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Chord Progression

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]

Chord Progression Analysis

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These are the chords and their roman numerals per your request, please manage that all chords listed are triads (three notes) unless indicated otherwise (like the E7 which has four notes):

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C (I),
G (V),
Am (vi),
E7 (V7/vi), *borrowed chord,
F (IV),
G (V),
C (I),
Am (vi),
G (V),
C (I),
G (V),
Am (vi),
E7 (V7/vi), *borrowed chord,
F (IV),
G (V),
C (I),
Am (vi),
G (V)
“`
The E7 in this context is a secondary dominant – it is the V7 of the vi chord, Am. It provides a strong pull towards the Am chord and gives the progression a bit of tension and release. In other words, we “borrow” the V7 from the key of A minor.

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Similar Chord Progressions

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The aforementioned Andalusian cadence is a ubiquitous chord progression found in multiple genres and songs. As such, here are a few songs with

Musical Analysis

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This progression shows a mix of tonic (I and vi), subdominant (IV), and dominant (V) harmonies, providing a rich harmonic variety within a major tonal center. The composition also uses secondary dominants (V7/vi) which adds a bit of harmonic tension that is then resolved – known as a tonicization – giving the progression an interesting twist.

The particular progression C-G-Am-E7 is also called the Andalusian Cadence, a progression used frequently in both popular and classical music from several cultural traditions, including Flamenco.

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Overall Analysis

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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Style Analysis

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Oasis popularized the Britpop genre in the late 90s and early 2000s, which fused British pop and rock music. The chord progression found in “Don’t Look Back In Anger” is emblematic of their style – harmony rich, and reminiscent of the Beatles.

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Chords in the Verse 2 section of Dont Look Back In Anger by Oasis are:

[‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’, ‘C’, ‘G’, ‘Am’, ‘E7’, ‘F’, ‘G’, ‘C’, ‘Am’, ‘G’]