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Related Music Theory Alchemy

“Right Where It Belongs” by Nine Inch Nails features a non-diatonic chord progression that creates a sense of tension and resolution. The progression makes use of borrowed chords from parallel keys, contributing to its distinctive sound. The overall key of the song is D minor.

“Closer” by Nine Inch Nails, released in 1994, is a well-known song distinguished by its catchy synth lines, explosive percussion, and provocative lyricism. Hinged on a distinct, repeating synth bassline, the song employs a fundamental chord progression epitomizing the alternative rock and industrial genres. Its tonal centre revolves around the key of C# minor.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

Nine Inch Nails – Right Where It Belongs – Chorus

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Chord Progression

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the specific chord names and their corresponding Roman numerals:

G minor (vi) – Bb Major (I) – F Major (V) – C Major (V/ii)

“`code
Chord Function:
G minor – Tonic parallel
Bb Major – Tonic
F Major – Dominant
C Major – Dominant of the ii (Secondary dominant)
“`

Similar Chord Progressions

There are a number of artists and songs that use similar four-chord progressions:

1. “I Will Follow You Into the Dark” by Death Cab for Cutie also uses a vi-I-V-IV chord progression in the key of C major:

Am (vi) – C (I) – G (V) – F (IV)

2. “No Woman, No Cry” by Bob Marley uses a I-V-vi-IV progression in the key of C major:

C (I) – G (V) – Am (vi) – F (IV)

3. “Don’t Stop Believin’” by Journey also uses a I-V-vi-IV progression, but in the key of E major:

E (I) – B (V) – C#m (vi) – A (IV)

Each of these songs are in different genres from “Right Where It Belongs,” but all rely on similar four-chord progressions for their harmonic foundations.

Musical Analysis

The repeated four-chord progression creates a loop effect that is hypnotic in nature and is often characteristic of Nine Inch Nails’s music. This progression is also notable for the use of a secondary dominant (C Major, the V/ii), which briefly modulates the key center to ii (C minor) before the progression loops back to vi (Gm).

Overall Analysis

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

Style Analysis

The style of this song is typical of the industrial rock genre, with a strong reliance on synthesized sounds and heavy drum beats for its instrumentation. The chord progression itself, while relatively simple, represents the darker and more melancholic musical aesthetic that Nine Inch Nails is known for, with its use of minor and major chords.

Chords in the Chorus section of Right Where It Belongs by Nine Inch Nails are:

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]