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Related Music Theory Alchemy

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The chord progression in the chorus of “Say Goodbye” by Beck features a simple, yet unique combination of major and minor chords. It is primarily built around the key of G major, but includes a chromatic twist with the inclusion of the A# major chord. The progression is fairly repetitive, which provides a stable and recognizable backbone for the chorus.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Nine Inch Nails – Right Where It Belongs – Chorus

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Chord Progression

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]

Chord Progression Analysis

Here’s a breakdown of the specific chord names and their corresponding Roman numerals:

G minor (vi) – Bb Major (I) – F Major (V) – C Major (V/ii)

“`code
Chord Function:
G minor – Tonic parallel
Bb Major – Tonic
F Major – Dominant
C Major – Dominant of the ii (Secondary dominant)
“`

Similar Chord Progressions

There are a number of artists and songs that use similar four-chord progressions:

1. “I Will Follow You Into the Dark” by Death Cab for Cutie also uses a vi-I-V-IV chord progression in the key of C major:

Am (vi) – C (I) – G (V) – F (IV)

2. “No Woman, No Cry” by Bob Marley uses a I-V-vi-IV progression in the key of C major:

C (I) – G (V) – Am (vi) – F (IV)

3. “Don’t Stop Believin’” by Journey also uses a I-V-vi-IV progression, but in the key of E major:

E (I) – B (V) – C#m (vi) – A (IV)

Each of these songs are in different genres from “Right Where It Belongs,” but all rely on similar four-chord progressions for their harmonic foundations.

Musical Analysis

The repeated four-chord progression creates a loop effect that is hypnotic in nature and is often characteristic of Nine Inch Nails’s music. This progression is also notable for the use of a secondary dominant (C Major, the V/ii), which briefly modulates the key center to ii (C minor) before the progression loops back to vi (Gm).

Overall Analysis

The chorus of “Right Where It Belongs” by Nine Inch Nails is built upon a repeating four-chord progression of Gm-Bb-F-C. This song is in the key of Bb major (with two flats in the key signature, Bb and Eb). All the chords used in this song are derived from the Bb major scale, which makes this a diatonic chord progression. There is no borrowed or chromatic harmony in this song.

Style Analysis

The style of this song is typical of the industrial rock genre, with a strong reliance on synthesized sounds and heavy drum beats for its instrumentation. The chord progression itself, while relatively simple, represents the darker and more melancholic musical aesthetic that Nine Inch Nails is known for, with its use of minor and major chords.

Chords in the Chorus section of Right Where It Belongs by Nine Inch Nails are:

[‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’, ‘Gm’, ‘Bb’, ‘F’, ‘C’]