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Related Music Theory Alchemy

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Nine Inch Nails’ “Closer” is a unique blend of industrial rock, electronica, and alternative styles that has propelled the song to prominence as one of the band’s most famous and frequently played tracks. The song is in the key of E major and features a recurring chord progression throughout its various sections.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

Nine Inch Nails – Every Day Is Exactly The Same – Verse 2

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Chord Progression

[‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’]

Chord Progression Analysis

The chord progression in Verse 2 is: E, C, E, C, E, C, G, F (repeated three times, followed by E). Considering that this is based in the key of E minor, the roman numeral analysis, with full chord names would be:

“`
E minor (‘i’), C major (‘VI’), E minor (‘i’), C major (‘VI’), E minor (‘i’), C major (‘VI’), G major (‘III’), F major (‘bII’)
“`
The F major chord is a borrowed chord, often called a ‘Neapolitan chord’. It’s not in the key of E minor but is frequently used in music for its distinctive sound, and to create tension that resolves back to the tonal center. In this case, the F major adds an unexpected twist to the otherwise monotonous progression, before resolving back to E minor.

Similar Chord Progressions

Well-known songs that utilize a similar chord progression, albeit in different keys, include Radiohead’s “Creep” and the Pixies’ “Where Is My Mind”. Both songs feature a four-chord progression that includes major chords I, III, VI (flat), and iv.

Radiohead’s “Creep” (G, B, C, Cm) – with roman numerals it is:

“`
G major (‘I’), B major (‘III’), C major (‘IV’), C minor (‘$iv’)
“`

Pixies’s “Where Is My Mind” (E, Abm, A, B):

“`
E major (‘I’), Ab minor (‘biii’), A major (‘IV’), B major (‘V’)
“`

While there aren’t exact matches, they share a similar sense of dissonance through the unusual jumps and additional minor chord present within a major key that is quite akin to the E minor to C major transition seen in “Every Day Is Exactly The Same”.

Musical Analysis

In the context of harmonic analysis, the verse primarily alternates between E minor and C major. This constant alternation creates a sense of unease, in accordance with the song’s theme. The inclusion of G major provides some relief to this tension. The F major chord acts as a tool of surprise, adding to the distressing nature of the song.

Overall Analysis

The song “Every Day Is Exactly The Same” by Nine Inch Nails has a dark and moody atmosphere, characterized by the repetitive chord progression that sets the gloomy tone. This prolific use of chords throughout snippets of the song creates a musical portrait of monotony and disillusion which is reflective of the song’s title and lyrics. Looking at the chords provided from the second verse, this mood is accomplished through the consistent use of minor tonalities and alternation between two power chords – E and C.

Style Analysis

It’s important to note that Nine Inch Nails is known for utilizing dissonance and suspense in their music to create unique and distinctive sounds. This is reflected in the song’s structure and chord progression. Overall, the song’s mood and style are a hallmark of the industrial rock genre, with the repetitive chord sequence underscoring the angst and frustration evident in the lyrics.

Chords in the Verse 2 section of Every Day Is Exactly The Same by Nine Inch Nails are:

[‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’, ‘C’, ‘E’, ‘C’, ‘E’, ‘C’, ‘G’, ‘F’, ‘E’]