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Nine Inch Nails

“Every Day Is Exactly The Same” by Nine Inch Nails utilizes a unique four-chord cycle in its chorus – ‘E’, ‘A’, ‘C’, ‘G’. The song is in the key of E minor, and therefore, the functional analysis would interpret this progression as i-IV-bVI-III. The bVI and III are borrowed chords from the parallel major scale. This chord progression creates a moody atmosphere that aligns with the overall melancholic and introspective theme of the song.

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Nine Inch Nails

The chord progression in “Closer” by Nine Inch Nails is primarily centered around the Cm7 chord throughout the verses and pre-choruses, with the chorus briefly moving to the F major chord before returning back to Cm7. The song is in the key of C minor, and the chords used are mostly diatonic to the key, creating a dark and somewhat haunting atmosphere. The progression is simplistic but effective, establishing a strong sense of forward motion and tension that is fitting for the industrial rock style of the song.

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Kali Uchis

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

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The Rolling Stones

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

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The Beatles

“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

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Nine Inch Nails – Every Day Is Exactly The Same – Verse 2

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Chord Progression

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

Chord Progression Analysis

The verse sections utilize a common alternation between tonic (i) and submediant (VI) chords, creating a sense of tension and resolution, which is typical for the music of Nine Inch Nails. The G major and F major chords in the verse sections introduce variety and give a unique character to the song. The chorus and bridge sections maintain the tension of the verses while expanding the harmonic palette with chords like A major (IV) and G major (III).

Similar Chord Progressions

Musical Analysis

“Every Day Is Exactly The Same” reflects the signature Nine Inch Nails sound, which is characterized by a blending of rock, electronic, and industrial music elements. The repeated use of i-VI chord alternation contributes to an overall sense of melancholy and resignation, and the distinctive use of the borrowed F major chord contributes to the song’s dark, moody atmosphere.

Overall Analysis

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Style Analysis

1) Radiohead – “Karma Police”
Verse: A minor (i), A minor7/G (i7/♭VII), E minor (iv), D major (♭III)

2) Linkin Park – “Numb”
Verse: E minor (i), C major (VI), G major (III), D major (VII)

3) The Smashing Pumpkins – “1979”
Verse: E flat major (I), G minor (iii), C minor (vi), B flat major (V)

Chords in the Verse 2 section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

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