Music Theory Alchemy

Search

Related Music Theory Alchemy

The given chord progression is from the song “Every Day Is Exactly The Same” by Nine Inch Nails. The overall structure of the song consists of verses, choruses, and a bridge, each with distinct chord progressions that contribute to the song’s moody, melancholic atmosphere. The song is mostly in the key of E minor, with some borrowed chords from the parallel major key.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Nine Inch Nails – Every Day Is Exactly The Same – Verse 2

Add To Favorites Remove From Favorites

Chord Progression

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E

Chord Progression Analysis

The verse sections utilize a common alternation between tonic (i) and submediant (VI) chords, creating a sense of tension and resolution, which is typical for the music of Nine Inch Nails. The G major and F major chords in the verse sections introduce variety and give a unique character to the song. The chorus and bridge sections maintain the tension of the verses while expanding the harmonic palette with chords like A major (IV) and G major (III).

Similar Chord Progressions

Musical Analysis

“Every Day Is Exactly The Same” reflects the signature Nine Inch Nails sound, which is characterized by a blending of rock, electronic, and industrial music elements. The repeated use of i-VI chord alternation contributes to an overall sense of melancholy and resignation, and the distinctive use of the borrowed F major chord contributes to the song’s dark, moody atmosphere.

Overall Analysis

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

Style Analysis

1) Radiohead – “Karma Police”
Verse: A minor (i), A minor7/G (i7/♭VII), E minor (iv), D major (♭III)

2) Linkin Park – “Numb”
Verse: E minor (i), C major (VI), G major (III), D major (VII)

3) The Smashing Pumpkins – “1979”
Verse: E flat major (I), G minor (iii), C minor (vi), B flat major (V)

Chords in the Verse 2 section of Every Day Is Exactly The Same by Nine Inch Nails are:

E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E, C, E, C, E, C, G, F, E