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Related Music Theory Alchemy

The song “Closer” by Nine Inch Nails is a dark and provocative piece built upon a relentless, driving chord progression and sinuous melodies. The downbeat feel and chromaticism contribute to the brooding, unsettling mood of the song, which is a hallmark of the industrial rock genre. The piece is in the key of B minor.

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

** The Beatles are well known for their creative and unusual use of chords and harmonies. In “Lucy in The Sky With Diamonds”, there is a clear example of their innovative harmonic vocabulary. They employ a variety of common, borrowed, and chromatic mediant chords to create a remarkable soundscape that complements the psychedelic theme of the song.

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“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

The chord progression in question is from the verse 2 of Weezer’s “The Good Life.” It is a pop-rock song in the key of G major, and the progression features common chords found in the key, with one borrowed chord – B7 – to add a touch of tension and harmonic interest.

Chord Progression Analysis (with Roman Numerals):
G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – E Major (VI) – G Major (I) – D Major (V) – A minor (ii) – B7 (`V7/iii`)

The borrowed chord in question is the B7, which is borrowed from the relative minor key (E minor) and functions as a secondary dominant to the iii chord (B minor).

Nine Inch Nails – Closer – Verse 2

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Chord Progression

Cm7, Cm7, Cm7, Cm7

Chord Progression Analysis

C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7) – C minor 7 (i7)

Similar Chord Progressions

1. “Breathe” by Pink Floyd
Chord progression: Em9 (ii9) – A7sus4 (V7sus4) – A7 (V7) – Em9 (ii9)

2. “Creep” by Radiohead
Chord progression: G (I) – B (III) – C (IV) – Cm (iv)

3. “Zombie” by The Cranberries
Chord progression: Em (i) – Cmaj7 (VIΔ7) – G6 (III6) – D/F# (VII/2)

While these examples might not have the exact same chord progression as “Closer,” they display similar characteristics such as repetitive chord patterns, simple yet effective harmony, and strong focus on other musical elements to create tension and atmosphere.

Musical Analysis

The heavy repetition of the C minor 7 chord throughout the song creates a sense of stability and tension at the same time. The use of the minor 7th extends the harmony and depth of each chord. There are no borrowed chords in the given progression.

Overall Analysis

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

Style Analysis

Nine Inch Nails’ “Closer” is an iconic example of the industrial rock genre, featuring aggressive beats, synthesized instruments, and electronic textures. The simplicity of the chord progression places a stronger focus on the other elements of the song – the catchy synth riffs, the atmospheric singing, and the gritty production.

Chords in the Verse 2 section of Closer by Nine Inch Nails are:

Cm7, Cm7, Cm7, Cm7