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The given chord progression is from the fourth verse of “Megalomania” by Muse. It reflects a mix of classical and rock influences and showcases Muse’s signature harmonic choices, featuring borrowed chords and non-diatonic elements.

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Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

“Electric Feel” by MGMT is a funky and psychedelic pop song with an infectious groove and memorable hooks. The chorus consists of a chord progression that features a variety of diatonic chords along with a borrowed chord from the parallel minor key. The progression is based around oscillations between minor and major tonalities, which adds a sense of tension and release. This, combined with the rhythmic syncopation and psychedelic production, contributes to the iconic and unique character of the song.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

The song, “Somebody to Love” by Queen, utilizes the classic pop/rock harmonic structure while incorporating aspects of blues and gospel music. The harmonic progression is structured around common chords found in the key of G major. However, the way these chords are ordered and arranged is unconventional and adds depth to the song. It reflects the band’s interest in pushing the boundaries of the traditional harmonic structure common in pop music of that time. Queen is known for their innovative use of harmony, which they certainly showcase in this song.

Muse – Megalomania – Chorus

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Chord Progression

C, D, G, B7, C, B7, Am, B7

Chord Progression Analysis

C Major (I) – D Major (V/V) – G Major (IV) – B7 (V7/vi) – C Major (I) – B7 (V7/vi) – A minor (vi) – B7 (V7/vi)

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C Major is the borrowed chord from the parallel minor.
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Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: Gm9 (i) – Ebmaj7 (VI) – D7 (V7/IV) – G (bIII) – Gm (i) – A7 (V7/III) – D (bVII) – A7 (V7/III)
(Note that these chords are in G minor, not C major)

2. Queen – Bohemian Rhapsody
Chord Progression: Bb (I) – G7 (V7/IV) – Cm7 (iv7) – F7 (V7) – Bb (I) – Bb7 (V7/IV) – Eb (IV) – Bb/Db (IV+) – Cm (ii)

These examples are only partial progressions from the respective songs, and not entire choruses. However, they do share similarities with the progression found in Muse’s “Megalomania,” particularly in their use of tension-building dominant chords and unconventional harmonic choices.

Musical Analysis

The chorus begins with the I chord, C Major, establishing tonality. Then it moves to the secondary dominant chord D Major, which functions as V/V (dominant of the dominant). This creates a sense of movement as it drives towards the G Major, the IV chord. Following the IV chord, the tension builds further with the V7/vi (B7) chord, giving an expectation that it will resolve to the A minor chord. However, a deceptive resolution to the C Major chord follows.

After returning to the C Major chord, the progression repeats the tension-building V7/vi (B7) chord, and this time resolves it to the A minor chord (vi). Finally, to round off the progression and lead it back to the beginning or to the next part of the song, the V7/vi (B7) chord is used again.

Overall Analysis

The chord progression in the chorus of Muse’s “Megalomania” features a blend of major and minor chords, as well as the use of the dominant 7th chord (B7) to create tension and resolution. This progression provides a harmonic foundation for the powerful and emotional vocals, giving it an intense and memorable feel.

Style Analysis

Megalomania exhibits traits of progressive rock and alternative rock, with its use of complex, unconventional chord progressions and a blend of major and minor tonality. The use of a dominant 7th chord to create tension and the incorporation of borrowed chords contribute to the distinctive and emotionally evocative sound of Muse’s music.

Chords in the Chorus section of Megalomania by Muse are:

C, D, G, B7, C, B7, Am, B7