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Related Music Theory Alchemy

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

The chord progression in Muse’s “Endlessly” from Verse 2 is a mix of diatonic chords and a borrowed chord from the parallel major key. The progression has a melancholic feel, utilizing suspended chords to create tension and release. The use of both minor and major chords provides a balanced sound, giving the piece its unique character.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.

“Jolene” by Dolly Parton is a classic country song written in A minor. Its chord progression is an iconic reflection of the country and folk genres, and is a study of simplicity and effective songwriting.

The chord progression of “Jolene” uses primarily diatonic chords but also includes a borrowed chord which introduces a touch of complexity to the harmonic structure of the song.

Muse – Hate This And Ill Love You – Verse

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Chord Progression

A, Gm, D/F#, A, Gm, D, A, Gm, D/F#, A, Gm, D/F#

Chord Progression Analysis

The progression starts with the tonic chord A major, establishing the key of the piece. It then moves to the borrowed chord, Gm, which creates contrast and adds tension to the harmonic structure. The D/F# chord acts as a secondary dominant (IV/V), leading back to the tonic A major. The repetition of these chords with a few variations throughout the verse generates an interesting mix of stability and tension, and the frequent use of the borrowed Gm chord results in a bitonal character.

Similar Chord Progressions

Musical Analysis

Muse’s unique chord progression is a perfect example of their diverse influences, which range from classical music to rock and electronica. The combination of diatonic and borrowed chords is a distinctive trait found in much of their music. The structure highlights the tension created by contrasting major and minor harmonies, which is a common theme in their music – often reflecting the dramatic and emotionally charged lyrics.

Overall Analysis

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

Style Analysis

1. Radiohead – Karma Police

Am ('i'), G ('♭VII'), Em ('v'), Am ('i'),
F ('♭VI'), Em ('v'), G ('♭VII'),

2. The Beatles – Something

C ('I'), Cmaj7 ('IM7'), C7 ('I7'), F ('IV'),
D ('V'), G ('bVII'), Am ('vi'), Am7/G ('vi7/♭VII')

These songs use similar borrowing techniques from parallel keys, and their chord progressions feature a rich harmonic palette with continuous harmonic shifts that create an intriguing listening experience.

Chords in the Verse section of Hate This And Ill Love You by Muse are:

A, Gm, D/F#, A, Gm, D, A, Gm, D/F#, A, Gm, D/F#