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The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

Muse – Cant Take My Eyes Off You – Verse 3

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Chord Progression

C, Cmaj7, C7, F, Fm, C, Dm, Dm7b5, C

Chord Progression Analysis

“`
C (I) – Cmaj7 (IM7) – C7 (I7) – F (IV) – Fm (iv) – C (I) – Dm (ii) – Dm7b5 (iiø7) – C (I)
“`

Similar Chord Progressions

1. “Creep” by Radiohead – follows a similar pattern with a borrowed chord and half-diminished chord:
“`
G (I) – B (III) – C (IV) – Cm (iv) – G (I) – B (III) – Cmaj7 (IVΔ7) – D7 (V7)
“`
2. “My Chérie Amour” by Stevie Wonder – another example of seventh chords and a borrowed chord:
“`
F (I) – F+M7 (IΔ7+) – Bbmaj7 (IVΔ7) – Gm7 (ii7) – Fmaj7 (IΔ7) – Dm7b5 (viø7) – Gm7 (ii7) – C7 (V7) – F (I)
“`
3. “Just the Way You Are” by Billy Joel – incorporates major and minor seventh chords with a parallel minor chord:
“`
Cmaj7 (IM7) – Dm7 (ii7) – Dm/C (ii/C) – Gm7/C (vii7/III) – Cmaj7 (IM7) – Fmaj7 (IVΔ7) – Fm6 (iv6) – Gm7 (ii7) – C7 (V7)
“`

Musical Analysis

The progression begins with the tonic chord, C major, which quickly evolves into a dominant seventh by the use of major seventh (Cmaj7) and dominant seventh (C7) chords. This creates a sense of anticipation and tension that is resolved when the progression moves to the subdominant chord, F major.

The resolution is short-lived, however, as the regular F major chord turns into F minor (a borrowed chord from the parallel minor), introducing a dark and unexpected turn to the progression. The Fm serves as a pivot chord, modulating back into the original key. The tonic chord returns (C major), followed by the ii chord (Dm) and a half-diminished seventh version of ii (Dm7b5). This half-diminished chord adds an extra layer of tension before resolving once more to the tonic, C major, ending the verse with stability.

Overall Analysis

The Verse 3 chord progression in Muse’s cover of “Can’t Take My Eyes Off You” is a fairly simple progression that features harmonic devices such as seventh chords, borrowed chords, and a half-diminished chord. This progression incorporates some jazz and pop influences into a stylistically cohesive and engaging harmonic landscape.

Style Analysis

Muse’s adaptation of “Can’t Take My Eyes Off You” blends pop, rock, and jazz influences in both melody and harmony. The presence of extended harmonies such as seventh chords, borrowed chords, and half-diminished chords all contribute to a sense of sophistication that is characteristic of jazz music. Simultaneously, the prominent rhythm guitar and melodic hooks give the song a pop-rock edge, making for a versatile and appealing style overall.

Chords in the Verse 3 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, Dm, Dm7b5, C