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Related Music Theory Alchemy

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

Verse 3 of Radiohead’s Motion Picture Soundtrack features a melancholic and non-functional chord progression that showcases the band’s use of interesting chord voicings as well as the mixture of major and minor modalities. The progression revolves around the G major, and shifts between borrowed chords and non-conventional chord extensions such as the sus2 chord. This approach is typical of alternative rock bands like Radiohead, which often stray away from traditional norms in favor of innovative and evocative harmonies.

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

Muse – Cant Take My Eyes Off You – Verse 3

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Chord Progression

C, Cmaj7, C7, F, Fm, C, Dm, Dm7b5, C

Chord Progression Analysis

“`
C (I) – Cmaj7 (IM7) – C7 (I7) – F (IV) – Fm (iv) – C (I) – Dm (ii) – Dm7b5 (iiø7) – C (I)
“`

Similar Chord Progressions

1. “Creep” by Radiohead – follows a similar pattern with a borrowed chord and half-diminished chord:
“`
G (I) – B (III) – C (IV) – Cm (iv) – G (I) – B (III) – Cmaj7 (IVΔ7) – D7 (V7)
“`
2. “My Chérie Amour” by Stevie Wonder – another example of seventh chords and a borrowed chord:
“`
F (I) – F+M7 (IΔ7+) – Bbmaj7 (IVΔ7) – Gm7 (ii7) – Fmaj7 (IΔ7) – Dm7b5 (viø7) – Gm7 (ii7) – C7 (V7) – F (I)
“`
3. “Just the Way You Are” by Billy Joel – incorporates major and minor seventh chords with a parallel minor chord:
“`
Cmaj7 (IM7) – Dm7 (ii7) – Dm/C (ii/C) – Gm7/C (vii7/III) – Cmaj7 (IM7) – Fmaj7 (IVΔ7) – Fm6 (iv6) – Gm7 (ii7) – C7 (V7)
“`

Musical Analysis

The progression begins with the tonic chord, C major, which quickly evolves into a dominant seventh by the use of major seventh (Cmaj7) and dominant seventh (C7) chords. This creates a sense of anticipation and tension that is resolved when the progression moves to the subdominant chord, F major.

The resolution is short-lived, however, as the regular F major chord turns into F minor (a borrowed chord from the parallel minor), introducing a dark and unexpected turn to the progression. The Fm serves as a pivot chord, modulating back into the original key. The tonic chord returns (C major), followed by the ii chord (Dm) and a half-diminished seventh version of ii (Dm7b5). This half-diminished chord adds an extra layer of tension before resolving once more to the tonic, C major, ending the verse with stability.

Overall Analysis

The Verse 3 chord progression in Muse’s cover of “Can’t Take My Eyes Off You” is a fairly simple progression that features harmonic devices such as seventh chords, borrowed chords, and a half-diminished chord. This progression incorporates some jazz and pop influences into a stylistically cohesive and engaging harmonic landscape.

Style Analysis

Muse’s adaptation of “Can’t Take My Eyes Off You” blends pop, rock, and jazz influences in both melody and harmony. The presence of extended harmonies such as seventh chords, borrowed chords, and half-diminished chords all contribute to a sense of sophistication that is characteristic of jazz music. Simultaneously, the prominent rhythm guitar and melodic hooks give the song a pop-rock edge, making for a versatile and appealing style overall.

Chords in the Verse 3 section of Cant Take My Eyes Off You by Muse are:

C, Cmaj7, C7, F, Fm, C, Dm, Dm7b5, C