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Related Music Theory Alchemy

“Beast of Burden” by The Rolling Stones uses a common rock arrangement with a focus on the V, I, and vi chords. The distinguishing factor for this particular progression is its consistent use of inverted chords to create more linear, and stepwise, bass lines.

“Heartbreaker” by The Rolling Stones is a classic rock song that utilizes a chord progression that is stereotypical of the genre. The verse and chorus unfold in the key of E minor, with the verse using primarily a cycle of Em7 and Am7. In terms of musical mood and expressivity, the progression conveys a melancholic yet energetic feeling, which is characteristic of the rock genre.

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

The Rolling Stones – Beast Of Burden – Verse 3

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Chord Progression

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]

Chord Progression Analysis

“`
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
E Major (I)
B Major (V)
C# minor (vi)
A Major (IV)
“`
In terms of functional harmony, this sequence forms a very common progression pattern:
I (tonic) – V (dominant) – vi (submediant) – IV (subdominant)

Similar Chord Progressions

Many songs use the I-V-vi-IV progression, as it’s one of the most common in popular music. Some examples include:

– “Let It Be” by The Beatles
– “No Woman, No Cry” by Bob Marley
– “Umbrella” by Rihanna
– “When I Come Around” by Green Day

“Let It Be” by The Beatles in C major:

“`
C Major (I)
G Major (V)
Am minor (vi)
F Major (IV)
“`

“No Woman, No Cry” by Bob Marley in C major:

“`
C Major (I)
G Major (V)
Am minor (vi)
F Major (IV)
“`

“Umbrella” by Rihanna in B major:

“`
B Major (I)
F# Major (V)
G#m minor (vi)
E Major (IV)
“`

“When I Come Around” by Green Day in F major:

“`
F Major (I)
C Major (V)
Dm minor (vi)
Bb Major (IV)
“`
Each of these examples use the same pattern but in different keys.

Musical Analysis

This is a classic rock progression in modern music, and it has a strong resolution that leads back to the I chord. The dominant (V) to tonic (I) movement is a strong resolution in Western music, creating a sense of return and completion. The vi chord adds a layer of melancholy into the mix but doesn’t stray far from the major key tonality. The IV chord provides a strong pull towards the I chord.

Overall Analysis

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

Style Analysis

This progression is very typical of the Rolling Stone’s style and of other rock/pop music from the 1960s and 70s. It is catchy, repetitive, and easy to follow. As the chords are derived from the E major scale, the overall mood is bright and upbeat, yet the inclusion of the vi chord brings a touch of melancholy – often referred to as ‘bittersweet’ in terms of musical emotion.

Chords in the Verse 3 section of Beast Of Burden by The Rolling Stones are:

[‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘B’, ‘C#m’, ‘A’]