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Related Music Theory Alchemy

The verse 2 chord progression in “Can’t Take My Eyes Off You” by Muse follows a typical jazz/pop style with the use of extended and altered chords such as Major 7th and minor 7th ♭5 chords. It also features a variation in line with the different sections of the piece.

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

“Penny Lane,” written by the Beatles, utilizes key changes and borrowed chords to create an interesting and complex tonal palette. The song is best understood to primarily be in the key of A Major; however, it frequently borrows chords from the parallel minor key, uses unexpected dominant chords, and briefly modulates to other key areas for color and variety. This is characteristic of several Beatles songs, and it’s one of the ways they added complexity to their music while still remaining accessible.

“Maxwell’s Silver Hammer,” composed by Paul McCartney, is a pop song that sits in the key of D Major throughout. However, it does borrow chords from the parallel minor. This technique, known as modal interchange or borrowed chords, is common in popular music and especially in classical compositions by iconic bands like The Beatles.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

Muse – Cant Take My Eyes Off You – Chorus

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Chord Progression

Dm, G, C, Am, Dm, G, C, A, Dm, G, C, Am, Dm, G, Cmaj7, C7, C6, C, G#, C

Chord Progression Analysis

– The primary harmony consists of a cyclical pattern with the circle of fourths movement (Dm-G-C) and a common vi-IV-I-V progression.
– The A major chord (V/vi) serves as a secondary dominant to pull the progression towards the A minor chord (vi).
– The final chords (Cmaj7, C7, C6) offer a descending chromatic line in the melody, adding tension and release, a common technique in pop and jazz music.
– The Ab major chord (bVI) serves as a borrowed chord from the parallel minor key, injecting a momentary shift in tonality that contrasts with the surrounding diatonic harmony.

Similar Chord Progressions

Musical Analysis

– Muse’s adaptation of “Can’t Take My Eyes Off You” demonstrates a fusion of pop, rock, and jazz elements.
– The chord progression retains the structure and essence of the original song but adds modernity and edge through heavy electric guitar and driving drum beats.
– The presence of chromaticism and the borrowed Ab major chord showcase a subtle jazz influence amidst the otherwise straightforward pop-based harmony.

Overall Analysis

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

Style Analysis

1. The Beatles – “Let It Be”
`C major (I) – G major (V) – A minor (vi) – F major (IV) – C major (I) – G major (V) – F major (IV) – C major (I)`

Chords in the Chorus section of Cant Take My Eyes Off You by Muse are:

Dm, G, C, Am, Dm, G, C, A, Dm, G, C, Am, Dm, G, Cmaj7, C7, C6, C, G#, C