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Related Music Theory Alchemy

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

Muse – Apocalypse Please – Verse 3

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

`F#m/C (vi6/4)`, `C# (V)`, `F#m/C# (vi6/5)`, `C# (V)`, `F#m (vi)`, `C# (V)`, `F#m (vi)`, `C# (V)`

Similar Chord Progressions

1. Radiohead – Karma Police: `Am (vi)`, `Em (iii)`, `G (I)`, `Am (vi)`, `G (I)`, `D (IV)`, `C (III)`, `E7 (V7)`
2. Coldplay – Clocks: `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`

These two examples share some common degree movements with the Muse progression, particularly with the usage of vi – V – vi throughout. Of course, the tone and feel of these songs differ, but the underlying harmonic movement shares some similarities.

Musical Analysis

The chord progression begins with an F#m/C, which serves as a first inversion of the vi chord (since F#m is the vi chord and C is the fourth in F#m), followed by the dominant chord, C# (V). The progression then moves to a F#m/C# – this can be seen as a first inversion (vi6/5) due to the presence of the C# in the bass. The dominant (C#) is revisited before repeating the F#m (vi) – C# (V) pattern twice more.

Throughout the progression, the alternation between F#m and C# adds tension and resolution as the chords oscillate between the submediant and dominant. The use of the different inversions (6/4 and 6/5) adds more depth and variety to the harmonic structure of the piece.

Overall Analysis

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Style Analysis

Muse’s music often incorporates elements of classical, film score, and electronic music in their compositions. The “Apocalypse Please” chord progression showcases this by melding traditional harmonic patterns with more contemporary elements like the rising and falling motion of the bass. Additionally, the way Muse pairs this with their choice of instrumentation (including synthesizers and other electronic sounds) elements contributes to their unique sound.

Chords in the Verse 3 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#