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Related Music Theory Alchemy

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

Muse – Apocalypse Please – Verse 3

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Chord Progression

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#

Chord Progression Analysis

`F#m/C (vi6/4)`, `C# (V)`, `F#m/C# (vi6/5)`, `C# (V)`, `F#m (vi)`, `C# (V)`, `F#m (vi)`, `C# (V)`

Similar Chord Progressions

1. Radiohead – Karma Police: `Am (vi)`, `Em (iii)`, `G (I)`, `Am (vi)`, `G (I)`, `D (IV)`, `C (III)`, `E7 (V7)`
2. Coldplay – Clocks: `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`, `Fm7 (vi7)`, `Eb (I)`, `Bb (V)`

These two examples share some common degree movements with the Muse progression, particularly with the usage of vi – V – vi throughout. Of course, the tone and feel of these songs differ, but the underlying harmonic movement shares some similarities.

Musical Analysis

The chord progression begins with an F#m/C, which serves as a first inversion of the vi chord (since F#m is the vi chord and C is the fourth in F#m), followed by the dominant chord, C# (V). The progression then moves to a F#m/C# – this can be seen as a first inversion (vi6/5) due to the presence of the C# in the bass. The dominant (C#) is revisited before repeating the F#m (vi) – C# (V) pattern twice more.

Throughout the progression, the alternation between F#m and C# adds tension and resolution as the chords oscillate between the submediant and dominant. The use of the different inversions (6/4 and 6/5) adds more depth and variety to the harmonic structure of the piece.

Overall Analysis

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

Style Analysis

Muse’s music often incorporates elements of classical, film score, and electronic music in their compositions. The “Apocalypse Please” chord progression showcases this by melding traditional harmonic patterns with more contemporary elements like the rising and falling motion of the bass. Additionally, the way Muse pairs this with their choice of instrumentation (including synthesizers and other electronic sounds) elements contributes to their unique sound.

Chords in the Verse 3 section of Apocalypse Please by Muse are:

F#m/C, C#, F#m/C#, C#, F#m, C#, F#m, C#