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The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

“Rocket Man” by Elton John is primarily in the key of Bb minor (the verses and chorus), but its outro transposes to the key of C Major, which gives a sensation of resolution. The chord progression in the Outro is a simple two-chord progression (I – V), which is extremely common in all styles of music and impacts the listener with its familiarity and stability.

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

Muse – Apocalypse Please – Outro

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Chord Progression

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5

Chord Progression Analysis

C#5 (‘I5’), F#m/C# (‘ii2’), C#5 (‘I5’), F#m (‘ii’), D5 (‘bIV5’), B5 (‘bvi5’), C#5 (‘I5’), F#5 (‘IV5’)

Similar Chord Progressions

1. Radiohead – Karma Police:
Am (‘I’), G (‘bVII’), D (‘IV’), G (‘bVII’), C (‘bIII’), Bm (‘ii’), E (‘V’)

2. The Beatles – Let It Be:
C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’), C (‘I’), G (‘V’), F (‘IV’), C (‘IV’)

3. Red Hot Chili Peppers – Under The Bridge:
Dmaj7 (‘IVmaj7’), F#m7 (‘vi7’), Gmaj7 (‘bVII7’), Am7 (‘i7’)

Note that these chord progressions are not exactly the same but do share similar elements with the progression in Muse’s “Apocalypse Please,” such as the use of power chords, diatonic chords with occasional chromatic movement, and rock/pop influences.

Musical Analysis

The chord progression starts with C#5, a power chord rooted in the home key of C# minor, which then moves to F#m/C#, the iim7 of the key, with the same C# root note. This creates a sense of tension and movement, despite the shared root note. The progression then continues with C#5 and F#m again, maintaining this tension and resolution dynamic.

The next chord, D5, contains a chromatic note (D natural) as it is the flattened 4th scale degree, acting as a bIV5 chord. This creates more tension and a sense of dissonance in the music. Following D5, we have B5, a power chord version of the vi7 chord in C# minor (instead of Bm as it would be borrowed from the parallel major). The chord progression concludes with the familiar C#5 and F#5, making the connection with the previous repetitions and resolving to the IV5 chord to finish.

Overall Analysis

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Style Analysis

The inclusion of power chords (5 chords) and the driving rhythm make this progression distinctly rock-based. Muse is known for blending rock elements with other genres like classical and pop, and this is evident in the chord progression. The use of mostly diatonic chords with some chromatic movement is a common occurrence in Muse’s music, creating moments of tension and resolution.

Chords in the Outro section of Apocalypse Please by Muse are:

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5