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Related Music Theory Alchemy

The chord progression in the verse of “Apocalypse Please” by Muse is mostly based on the F#m and C# chords, with a strong emphasis on the i and V7 relationship. The progression moves back and forth between these two chords without straying far from the Tonality of F# minor while maintaining a tension and release structure.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

The outro chord progression of “Are We Still Friends” by Tyler, The Creator has an interesting and somewhat unconventional structure. It’s composed of four chords and follows a pattern that showcases chromatic motion, a key element often found in the music of Tyler, The Creator. The vamp is harmonically ambiguous, relying on the dynamic interplay between the chords to create tension and resolution.

Muse – Apocalypse Please – Outro

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Chord Progression

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5

Chord Progression Analysis

C#5 (‘I5’), F#m/C# (‘ii2’), C#5 (‘I5’), F#m (‘ii’), D5 (‘bIV5’), B5 (‘bvi5’), C#5 (‘I5’), F#5 (‘IV5’)

Similar Chord Progressions

1. Radiohead – Karma Police:
Am (‘I’), G (‘bVII’), D (‘IV’), G (‘bVII’), C (‘bIII’), Bm (‘ii’), E (‘V’)

2. The Beatles – Let It Be:
C (‘I’), G (‘V’), Am (‘vi’), F (‘IV’), C (‘I’), G (‘V’), F (‘IV’), C (‘IV’)

3. Red Hot Chili Peppers – Under The Bridge:
Dmaj7 (‘IVmaj7’), F#m7 (‘vi7’), Gmaj7 (‘bVII7’), Am7 (‘i7’)

Note that these chord progressions are not exactly the same but do share similar elements with the progression in Muse’s “Apocalypse Please,” such as the use of power chords, diatonic chords with occasional chromatic movement, and rock/pop influences.

Musical Analysis

The chord progression starts with C#5, a power chord rooted in the home key of C# minor, which then moves to F#m/C#, the iim7 of the key, with the same C# root note. This creates a sense of tension and movement, despite the shared root note. The progression then continues with C#5 and F#m again, maintaining this tension and resolution dynamic.

The next chord, D5, contains a chromatic note (D natural) as it is the flattened 4th scale degree, acting as a bIV5 chord. This creates more tension and a sense of dissonance in the music. Following D5, we have B5, a power chord version of the vi7 chord in C# minor (instead of Bm as it would be borrowed from the parallel major). The chord progression concludes with the familiar C#5 and F#5, making the connection with the previous repetitions and resolving to the IV5 chord to finish.

Overall Analysis

The outro of Muse’s “Apocalypse Please” features a mix of power chords and triadic chords, with predominant iim7 and IV triads along with some embellishing chords. The piece has a rock-based style, with the emphasis on power chords, a driving rhythm, and intense dynamics. The chord progression borrows elements from different genres, such as pop and classical, with some interesting chromatic movement.

Style Analysis

The inclusion of power chords (5 chords) and the driving rhythm make this progression distinctly rock-based. Muse is known for blending rock elements with other genres like classical and pop, and this is evident in the chord progression. The use of mostly diatonic chords with some chromatic movement is a common occurrence in Muse’s music, creating moments of tension and resolution.

Chords in the Outro section of Apocalypse Please by Muse are:

C#5, F#m/C#, C#5, F#m, D5, B5, C#5, F#5