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Related Music Theory Alchemy

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

“Electric Feel” by MGMT is a funky and psychedelic pop song with an infectious groove and memorable hooks. The chorus consists of a chord progression that features a variety of diatonic chords along with a borrowed chord from the parallel minor key. The progression is based around oscillations between minor and major tonalities, which adds a sense of tension and release. This, combined with the rhythmic syncopation and psychedelic production, contributes to the iconic and unique character of the song.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

The song “Yesterday” by The Beatles is in the key of F major and spans chord I to VI. It is characterized by a deeply expressive melody and distinctive harmony. The chord progression seems simple, yet it makes full use of secondary dominants, borrowed chords, and subtly shifting tonal centers for narrative, which is a trademark of The Beatles’s songwriting style.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

MGMT – Kids – Chorus

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# Minor (vi) – D Major (IV) – A Major (I) – E/G# Major (V6)

“`
F#m (vi) – D (IV) – A (I) – E/G# (V6)
“`

Similar Chord Progressions

1. Coldplay – “Viva La Vida”:
F#m (vi) – D (IV) – A (I) – E (V)

2. Journey – “Don’t Stop Believin’”:
D Major (I) – Bm (vi) – G (IV) – A (V)

3. The Cranberries – “Zombie”:
Em (vi) – C(IV) – G(I) – D(V)

4. OneRepublic – “Apologize”:
Cm (vi) – Ab (IV) – Eb (I) – Bb (V)

These examples share similar chord progressions in either the same or different keys. The songs listed also showcase the ubiquitous nature of the vi-IV-I-V progression in popular music across different eras and genres. The chord sequences are known for eliciting an emotional response and creating a sense of familiarity with the listener.

Musical Analysis

The progression starts on the relative minor (F#m), creating a somewhat somber and contemplative feel before moving to the uplifting D Major chord. The shift to the tonic (A Major) establishes the tonal center and provides a sense of resolution. The final E/G# chord, with G# in the bass, adds tension and anticipation, propelling the progression back to the beginning. The movement from the F#m to D (vi-IV) is a common progression in popular music, and the overall vi-IV-I-V pattern is often associated with a sense of nostalgia or wistfulness. The repetition of this sequence throughout the chorus aids in making it memorable and engaging.

Overall Analysis

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

Style Analysis

In terms of style, “Kids” by MGMT showcases their electronic pop and psychedelic rock influences. The song features simple, yet impactful melodies and harmonies, coupled with a driving beat and layered synths, creating a retro-futuristic soundscape. The chord progression’s repeated nature and the balance between minor and major chords are typical in pop and rock genres, while the extensive use of synthesizers and electronic elements lends itself to a modern and psychedelic feel.

Chords in the Chorus section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#