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Related Music Theory Alchemy

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

“Strawberry Fields Forever” by The Beatles is an iconic psychedelic rock track marked with rich harmonies and sophisticated musical elements. The song is primarily constructed around the key of A, but it employs several modal mixtures and non-diatonic chords, contributing to its intriguing tonality.

Led Zeppelin – Whole Lotta Love – Chorus 1

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Chord Progression

E, D, E, D, E, D, E, D, E

Chord Progression Analysis

E Major (I), D Major (bVII)

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Borrowed Chord: D Major (bVII) is borrowed from the E Mixolydian mode.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd
Chord progression: D Major (I), C Major (bVII), G Major (IV)

2. “All Right Now” by Free
Chord progression: A Major (I), G Major (bVII), D Major (IV)

These chord progressions follow the same format of Whole Lotta Love, incorporating the I, bVII, and sometimes the IV chords. They demonstrate the commonality of this pattern in rock music and showcase how these chords are combined to create an infectious and memorable harmony.

Musical Analysis

The chorus section of “Whole Lotta Love” features a simple but effective two-chord progression, E Major and D Major. The use of the bVII (D Major) creates a sense of tension and release between the chords. This alternation between chords works well with the song’s blues rock style, emphasizing the mixture of blues and hard rock.

The chords are played in a straight, staccato rhythm, giving the chorus a strong sense of drive and energy. The chorus can be harmonically described as being centered around the E Mixolydian mode, since the bVII chord (D Major) is borrowed from that mode.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

Style Analysis

The style of “Whole Lotta Love” can be described as blues rock and hard rock. It features distorted electric guitar riffs played by Jimmy Page, a driving rhythm section led by drummer John Bonham and bassist John Paul Jones, as well as powerful vocals from lead singer Robert Plant. The driving rhythm, heavy use of power chords, and propulsive drumming are representative of the hard rock genre popular at the time.

Chords in the Chorus 1 section of Whole Lotta Love by Led Zeppelin are:

E, D, E, D, E, D, E, D, E