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“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

Led Zeppelin – Whole Lotta Love – Chorus 1

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Chord Progression

E, D, E, D, E, D, E, D, E

Chord Progression Analysis

E Major (I), D Major (bVII)

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Borrowed Chord: D Major (bVII) is borrowed from the E Mixolydian mode.
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Similar Chord Progressions

1. “Sweet Home Alabama” by Lynyrd Skynyrd
Chord progression: D Major (I), C Major (bVII), G Major (IV)

2. “All Right Now” by Free
Chord progression: A Major (I), G Major (bVII), D Major (IV)

These chord progressions follow the same format of Whole Lotta Love, incorporating the I, bVII, and sometimes the IV chords. They demonstrate the commonality of this pattern in rock music and showcase how these chords are combined to create an infectious and memorable harmony.

Musical Analysis

The chorus section of “Whole Lotta Love” features a simple but effective two-chord progression, E Major and D Major. The use of the bVII (D Major) creates a sense of tension and release between the chords. This alternation between chords works well with the song’s blues rock style, emphasizing the mixture of blues and hard rock.

The chords are played in a straight, staccato rhythm, giving the chorus a strong sense of drive and energy. The chorus can be harmonically described as being centered around the E Mixolydian mode, since the bVII chord (D Major) is borrowed from that mode.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

Style Analysis

The style of “Whole Lotta Love” can be described as blues rock and hard rock. It features distorted electric guitar riffs played by Jimmy Page, a driving rhythm section led by drummer John Bonham and bassist John Paul Jones, as well as powerful vocals from lead singer Robert Plant. The driving rhythm, heavy use of power chords, and propulsive drumming are representative of the hard rock genre popular at the time.

Chords in the Chorus 1 section of Whole Lotta Love by Led Zeppelin are:

E, D, E, D, E, D, E, D, E