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“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

The verse 2 chord progression from Muse’s “New Born” reflects their signature harmonic daring and interesting relationships, which provides this piece with a fresh and captivating sound. The progression features a blend of diatonic and non-diatonic chords, as well as key shifts and chromaticism. It utilizes major-minor modal interchange and emphasizes the Em – B relationship throughout.

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Led Zeppelin – Since Ive Been Loving You – Verse 2

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Chord Progression

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7

Chord Progression Analysis

Cm (i) – Fm (iv) – Cm (i) – Fm (iv) – Cm (i) – Gm (v) – Ab (VI) – Fm (iv) – Cm/Eb (i6) – G7/D (V7b9/iv) – Cm (i) – Eb7 (VI7) – D7 (V7/N) – Dbmaj7 (bVII)

`Borrowed Chord: Ab (VI)`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
Am (i) – Am/G (i7) – Am/F# (ivor) – Am/F (i6) – G (VII) – C (III) – E (V) – Am (i)

2. “Stairway to Heaven” by Led Zeppelin (Verse)
Am (i) – Am(maj7) (i(maj7)) – Am7 (i7) – Am6 (i6) – D/F# (IVb5) – Fmaj7 (VI) – G (VII) – Am (i)

Although these chord progressions are not exactly the same as “Since I’ve Been Loving You,” they share some common features, such as the use of borrowed chords, secondary dominants, and the mixture of major and minor chords to create a distinctive and emotionally charged atmosphere.

Musical Analysis

The chord progression begins with a standard i – iv alternation in C minor, which is typical of the blues genre. This progression is repeated three times, establishing the melancholy atmosphere of the verse. The Gm chord, serving as the v, introduces a brief sense of tension before resolving to a borrowed Ab major chord, which provides a more colorful and unexpected twist to the harmony.

The progression then returns to Fm before moving to a first inversion Cm chord, with the Eb in the bass. This sets up the following secondary dominant chord, G7/D, which temporarily tonicizes the Fm chord, intensifying the song’s emotive quality.

The return to the Cm chord is quickly followed by an Eb7 chord, acting as the VI7 and continuing the sense of longing present throughout the tune. The D7 chord, in turn, operates as a secondary dominant to the following Dbmaj7, highlighting the chromatic movement between the two chords and adding more color to the harmony.

Overall Analysis

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Style Analysis

“Since I’ve Been Loving You” showcases Led Zeppelin’s ability to blend blues and rock elements with more sophisticated harmonic choices, creating a unique and emotionally charged musical experience. The use of borrowed chords, secondary dominants, and chromaticism reflects the band’s willingness to explore beyond traditional rock and blues progressions, while maintaining the raw and powerful impact characteristic of their music.

Chords in the Verse 2 section of Since Ive Been Loving You by Led Zeppelin are:

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7