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“Since I’ve Been Loving You” is a blues-influenced rock ballad by Led Zeppelin. Its chord progression showcases the band’s eclectic mix of blues, rock, and jazz influences. The progression is characterized by a mix of diatonic and chromatically altered chords, reflecting a sophisticated understanding of harmony and emotional depth that is typical of Led Zeppelin’s music.

The Bridge 1 of “Stairway to Heaven” by Led Zeppelin is a beautiful and intriguing chord progression that combines diatonic chords, borrowed chords, and chromatic passing tones. This progression is part of a longer musical composition which has gained immense popularity since its release in 1971 as part of their fourth album, and has become one of the most iconic songs in rock music history.

The chord progression in the verse 2 of Megalomania by Muse is predominantly in the key of E minor, with several chromatic and borrowed chords that give the progression a unique character. This progression consists of 16 chords and features an interesting mix of diatonic chords, secondary dominants, and borrowed chords that contribute to the dramatic and dark atmosphere of the piece.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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Led Zeppelin – Since Ive Been Loving You – Verse 2

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Chord Progression

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7

Chord Progression Analysis

Cm (i) – Fm (iv) – Cm (i) – Fm (iv) – Cm (i) – Gm (v) – Ab (VI) – Fm (iv) – Cm/Eb (i6) – G7/D (V7b9/iv) – Cm (i) – Eb7 (VI7) – D7 (V7/N) – Dbmaj7 (bVII)

`Borrowed Chord: Ab (VI)`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
Am (i) – Am/G (i7) – Am/F# (ivor) – Am/F (i6) – G (VII) – C (III) – E (V) – Am (i)

2. “Stairway to Heaven” by Led Zeppelin (Verse)
Am (i) – Am(maj7) (i(maj7)) – Am7 (i7) – Am6 (i6) – D/F# (IVb5) – Fmaj7 (VI) – G (VII) – Am (i)

Although these chord progressions are not exactly the same as “Since I’ve Been Loving You,” they share some common features, such as the use of borrowed chords, secondary dominants, and the mixture of major and minor chords to create a distinctive and emotionally charged atmosphere.

Musical Analysis

The chord progression begins with a standard i – iv alternation in C minor, which is typical of the blues genre. This progression is repeated three times, establishing the melancholy atmosphere of the verse. The Gm chord, serving as the v, introduces a brief sense of tension before resolving to a borrowed Ab major chord, which provides a more colorful and unexpected twist to the harmony.

The progression then returns to Fm before moving to a first inversion Cm chord, with the Eb in the bass. This sets up the following secondary dominant chord, G7/D, which temporarily tonicizes the Fm chord, intensifying the song’s emotive quality.

The return to the Cm chord is quickly followed by an Eb7 chord, acting as the VI7 and continuing the sense of longing present throughout the tune. The D7 chord, in turn, operates as a secondary dominant to the following Dbmaj7, highlighting the chromatic movement between the two chords and adding more color to the harmony.

Overall Analysis

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Style Analysis

“Since I’ve Been Loving You” showcases Led Zeppelin’s ability to blend blues and rock elements with more sophisticated harmonic choices, creating a unique and emotionally charged musical experience. The use of borrowed chords, secondary dominants, and chromaticism reflects the band’s willingness to explore beyond traditional rock and blues progressions, while maintaining the raw and powerful impact characteristic of their music.

Chords in the Verse 2 section of Since Ive Been Loving You by Led Zeppelin are:

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7