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The chord progression in verse 4 of “Since I’ve Been Loving You” has a striking mix of diatonic chords and chromatic chords that borrow from different modes, creating a unique and expressive progression found in the blues rock style. The progression features a predominantly minor tonality, with some tension points provided by the dominant seventh and major seventh chords.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

“Maxwell’s Silver Hammer” is a song by the English rock band the Beatles from their 1969 album Abbey Road. It was written by Paul McCartney. The song is primarily in the key of D Major and exhibits a mix of major, minor, and dominant seventh chords. This verse progression manifests the distinctive Beatles’ sound which often includes chromaticism and prevalence of secondary dominants that link the chords together, giving a smooth flow and color to the harmonic progression.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

Led Zeppelin – Since Ive Been Loving You – Verse 2

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Chord Progression

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7

Chord Progression Analysis

Cm (i) – Fm (iv) – Cm (i) – Fm (iv) – Cm (i) – Gm (v) – Ab (VI) – Fm (iv) – Cm/Eb (i6) – G7/D (V7b9/iv) – Cm (i) – Eb7 (VI7) – D7 (V7/N) – Dbmaj7 (bVII)

`Borrowed Chord: Ab (VI)`

Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles
Am (i) – Am/G (i7) – Am/F# (ivor) – Am/F (i6) – G (VII) – C (III) – E (V) – Am (i)

2. “Stairway to Heaven” by Led Zeppelin (Verse)
Am (i) – Am(maj7) (i(maj7)) – Am7 (i7) – Am6 (i6) – D/F# (IVb5) – Fmaj7 (VI) – G (VII) – Am (i)

Although these chord progressions are not exactly the same as “Since I’ve Been Loving You,” they share some common features, such as the use of borrowed chords, secondary dominants, and the mixture of major and minor chords to create a distinctive and emotionally charged atmosphere.

Musical Analysis

The chord progression begins with a standard i – iv alternation in C minor, which is typical of the blues genre. This progression is repeated three times, establishing the melancholy atmosphere of the verse. The Gm chord, serving as the v, introduces a brief sense of tension before resolving to a borrowed Ab major chord, which provides a more colorful and unexpected twist to the harmony.

The progression then returns to Fm before moving to a first inversion Cm chord, with the Eb in the bass. This sets up the following secondary dominant chord, G7/D, which temporarily tonicizes the Fm chord, intensifying the song’s emotive quality.

The return to the Cm chord is quickly followed by an Eb7 chord, acting as the VI7 and continuing the sense of longing present throughout the tune. The D7 chord, in turn, operates as a secondary dominant to the following Dbmaj7, highlighting the chromatic movement between the two chords and adding more color to the harmony.

Overall Analysis

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

Style Analysis

“Since I’ve Been Loving You” showcases Led Zeppelin’s ability to blend blues and rock elements with more sophisticated harmonic choices, creating a unique and emotionally charged musical experience. The use of borrowed chords, secondary dominants, and chromaticism reflects the band’s willingness to explore beyond traditional rock and blues progressions, while maintaining the raw and powerful impact characteristic of their music.

Chords in the Verse 2 section of Since Ive Been Loving You by Led Zeppelin are:

Cm, Fm, Cm, Fm, Cm, Gm, Ab, Fm, Cm/Eb, G7/D, Cm, Eb7, D7, Dbmaj7