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The chord progression found in “Kashmir” by Led Zeppelin is a typical example of their unique approach to harmonic movement and compositional ideas. It features a blend of chords from different keys, creating a sense of tonal ambiguity which is a recurring theme in the band’s music. The piece also incorporates elements of Eastern and Western sounds, adding to the distinctiveness of their music.

The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

Led Zeppelin – Kashmir – Main Riff

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Chord Progression

A, A#, B, C, D

Chord Progression Analysis

– D5/Dsus4 (‘I’ no 3rd)
– D#dim/D#sus2 (‘bII’ diminished, no 3rd)
– E5/Esus4 (‘II’ no 3rd)
– Fmaj (‘bIII’)
– Gmaj/Gsus4 (‘IV’)

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The D#dim chord is a borrowed chord from the D Phrygian scale.
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Similar Chord Progressions

1. David Bowie – “Blackstar”
– Bmaj (‘I’)
– Bm (‘i’)
– A (‘bVII’)
– E (‘IV’)

2. Radiohead – “Paranoid Android”
– Gmin (‘i’)
– G#maj/A♭maj (‘II♭’)
– B♭maj (‘III♭’)
– Fmaj (‘VI♭’)

While these songs do not share the same exact chord progression as “Kashmir,” they also demonstrate stylistic attributes such as the fusion of Eastern and Western music, experimental chord progressions, and blending of rock and non-rock elements. These similarities illustrate the widespread impact of Led Zeppelin’s creative approach to music composition and their enduring influence on subsequent artists.

Musical Analysis

The main riff of “Kashmir” stands out due to its chromatic ascent and the use of unconventional chords that create an eastern-tinged and captivating sound. The lack of the 3rd interval in some chords (D5, Esus4, and Gsus4) adds ambiguity and creates a distinctive sonic texture.

The D Mixolydian mode is prevalent throughout the song, giving it an edgy and slightly unresolved feeling relative to the more common major and minor scales. The bIII and bII chords seem borrowed from Dorian and Phrygian scales respectively, enhancing the exotic flavors inherent in the composition.

Overall Analysis

“Kashmir” is often regarded as one of Led Zeppelin’s greatest creations, featuring a unique chord progression, distinctive rhythmic patterns, and a fusion of Eastern and Western musical elements. Composed in DADGAD tuning, the song is in the key of D Mixolydian and reflects the band’s experimental approach to songwriting and genre-blending. Although the chord progression may be seen as unconventional in rock music, it is effective in establishing a hypnotic and evocative atmosphere.

Style Analysis

“Kashmir” is an exemplary representation of Led Zeppelin’s ability to merge Eastern and Western musical influences. The use of DADGAD tuning, tabla and tamboura in the instrumentation, incorporation of modal scales, and employment of rhythmic cycles inspired by Indian classical music, all contribute to the song’s distinctive sound.

Psychedelic and progressive rock characteristics are also evident in “Kashmir,” showcasing the band’s willingness to defy genre expectations and create innovative music that transcends categorization.

Chords in the Main Riff section of Kashmir by Led Zeppelin are:

A, A#, B, C, D