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Related Music Theory Alchemy

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

“Right Where It Belongs” by Nine Inch Nails features a melancholic and somewhat unconventional chord progression that moves between different tonal centers. The base key can be identified as F major from the frequency of F major chords in the progression.

Kali Uchis – Telepatia – Verse 2

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Chord Progression

B7, Em9, G/A, Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

B7 (V7), Em9 (i9), G/A (IV11/omit3), Gmaj7 (IVmaj7), B7 (V7), Em9 (i9), G/A (IV11/omit3), Gmaj7 (IVmaj7), B7 (V7), Em9 (i9), G/A (IV11/omit3)
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Borrowed chord: G/A (IV11/omit3)
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Similar Chord Progressions

1. Erykah Badu – “On & On”
Chord Progression: Bmin9 (v9), Em9 (i9), F#m11 (ii11), Gmaj7 (IVmaj7)

2. Hiatus Kaiyote – “Nakamarra”
Chord Progression: Bmaj7 (Vmaj7), Em9 (i9), Amaj9 (IVmaj9), Gmaj7 (bIIImaj7)

3. D’Angelo – Untitled (How Does It Feel)
Chord Progression: B7 (V7), Em9 (i9), F#m7 (ii7), Gmaj7(bIIImaj7)

Musical Analysis

The progression begins with the B7, which creates tension and pulls towards the Em9 chord. The Em9 chord, being the tonic, resolves this tension and establishes the E minor tonality. The G/A chord is a borrowed chord and serves as a variation on the typical IV chord in a minor key (A minor), softening the progression’s minor tonality by introducing a major quality with the Gmaj7 following it. The cycle of tension (B7) and resolution (Em9) repeats, giving the progression a cyclical structure.

Overall Analysis

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Style Analysis

The use of extended chords such as Em9 and Gmaj7, as well as the borrowed IV11/omit3 chord, is indicative of jazz and R&B influences in Kali Uchis’ music. Furthermore, the chord progression’s cyclical nature and harmonic complexity are typical of what one could find in neo-soul and certain pop styles.

Chords in the Verse 2 section of Telepatia by Kali Uchis are:

B7, Em9, G/A, Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A