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Related Music Theory Alchemy

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

“Brown Sugar” by The Rolling Stones is a rock song in the key of C major. The chord progression is simple and effective, reflecting the band’s blues and rock ‘n’ roll influences. The overall structure includes three verses with the same chord progression.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

“Somewhere Only We Know” by Keane is a pop/rock song written in the key of A Major, although the chord progression given seems to be transposed to the key of C Major. It is characterized by its use of repeated motifs and sequenced chord progressions to create a sense of familiarity and typical of the pop genre.

Kali Uchis – Telepatia – Verse 2

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Chord Progression

B7, Em9, G/A, Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

B7 (V7), Em9 (i9), G/A (IV11/omit3), Gmaj7 (IVmaj7), B7 (V7), Em9 (i9), G/A (IV11/omit3), Gmaj7 (IVmaj7), B7 (V7), Em9 (i9), G/A (IV11/omit3)
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Borrowed chord: G/A (IV11/omit3)
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Similar Chord Progressions

1. Erykah Badu – “On & On”
Chord Progression: Bmin9 (v9), Em9 (i9), F#m11 (ii11), Gmaj7 (IVmaj7)

2. Hiatus Kaiyote – “Nakamarra”
Chord Progression: Bmaj7 (Vmaj7), Em9 (i9), Amaj9 (IVmaj9), Gmaj7 (bIIImaj7)

3. D’Angelo – Untitled (How Does It Feel)
Chord Progression: B7 (V7), Em9 (i9), F#m7 (ii7), Gmaj7(bIIImaj7)

Musical Analysis

The progression begins with the B7, which creates tension and pulls towards the Em9 chord. The Em9 chord, being the tonic, resolves this tension and establishes the E minor tonality. The G/A chord is a borrowed chord and serves as a variation on the typical IV chord in a minor key (A minor), softening the progression’s minor tonality by introducing a major quality with the Gmaj7 following it. The cycle of tension (B7) and resolution (Em9) repeats, giving the progression a cyclical structure.

Overall Analysis

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Style Analysis

The use of extended chords such as Em9 and Gmaj7, as well as the borrowed IV11/omit3 chord, is indicative of jazz and R&B influences in Kali Uchis’ music. Furthermore, the chord progression’s cyclical nature and harmonic complexity are typical of what one could find in neo-soul and certain pop styles.

Chords in the Verse 2 section of Telepatia by Kali Uchis are:

B7, Em9, G/A, Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A