Music Theory Alchemy

Search

Related Music Theory Alchemy

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

“Closer” by Nine Inch Nails works within a minimalist musical framework, where a few shiftless chords and tension-filled pentatonic melodies define the song. It inculcates a dark atmospheric mood through its instrumentation and harmony. The repetitive and consistent use of the Cm7 chord creates a haunting, pulsating groove that add to the atmospheric layer of the song.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Here Comes The Sun” by The Beatles uses a D Major scale. The song primarily comprises chords built on the tonic or root note (D), which lends a consistent, grounded feel. This reflects the lyrics’ mood—contentment, renewed optimism, and a sense of homecoming with the arrival of the sun.

Kali Uchis – Telepatia – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

1. Gmaj7 (I)
2. B7 (III7 **borrowed from G harmonic minor**)
3. Em9 (vi9)
4. G/A (I/A)
5. Gmaj7 (I)
6. B7 (III7 **borrowed from G harmonic minor**)
7. Em9 (vi9)
8. G/A (I/A)

“`
B7 (III7) is a borrowed chord from G harmonic minor
“`

Similar Chord Progressions

1. “Put It All On Me” by Ed Sheeran (ft. Ella Mai)
– Progression: CMaj7 (I), E7 (III7), Am7 (vi7), C/G (I/G)

2. “Just the Two of Us” by Bill Withers
– Progression: F#m7 (ii7), B7 (VI7), Emaj7 (I maj7), Emaj7/D# (I maj7/3)

3. “Maria Maria” by Santana
– Progression: G#m9 (i9), C#9 (IV9), F#9sus4 (VII9sus4), Bmaj9/F# (III9/5)

In each of these examples, there are similar elements to the progression in “Telepatia,” such as the use of extended chords, the presence of a borrowed chord, or the shift from a major chord to a minor chord. These songs also display elements of jazz, soul, and Latin styles.

Musical Analysis

The chord progression starts with Gmaj7, which establishes the tonic of G Major. The following B7 chord is borrowed from G harmonic minor, creating a temporary sense of tension and surprise. This tension resolves when the progression moves to Em9, which is the relative minor of G Major. The G/A chord is an inversion of the tonic chord, helping to maintain a strong sense of G Major despite the chromaticism. The progression then repeats itself, allowing for the return of tension and resolution that gives the verse its distinctive character.

Overall Analysis

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Style Analysis

Kali Uchis’ music is influenced by a range of styles, including R&B, soul, hip-hop, jazz, and Latin music. The chord progression in “Telepatia” showcases the Latin and jazz influences, with the use of extended and borrowed chords lending a lush, romantic quality to the harmony. This sound evokes a sense of longing and romanticism, which complements the lyrics and overall concept of the song.

Chords in the Verse 1 section of Telepatia by Kali Uchis are:

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A