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Related Music Theory Alchemy

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

The chord progression in Tyler, The Creator’s “See You Again” can be characterized as a mixture of jazz harmonies and pop sensibilities. The verse progression features major and minor seventh chords, a few borrowed chords, and a prominent chromatic movement.

Chord progression analysis (including borrowed chords)
1. F#maj7 (I)
2. F#maj7/B (I6)
3. Fmaj7 (bImaj7 – borrowed chord)
4. G#m7 (iii7)
5. D7#5 (VI7#5 – borrowed chord)
6. F#maj7 (I)
7. F#maj7/B (I6)
8. Fmaj7 (bImaj7 – borrowed chord)
9. G#m7 (iii7)
10. D7#5 (VI7#5 – borrowed chord)

The chord progression starts with the tonic F#maj7 and moves through a first inversion of the same chord (F#maj7/B) before introducing borrowed chords (Fmaj7 and D7#5) from the parallel minor key, creating tension and color. The G#m7 is a diatonic iii7 chord, adding to the jazzy feel of the song.

“Hey You” by Pink Floyd is a prog-rock song featured on their iconic album, “The Wall.” Its chord progression showcases a unique blend of chords that creates a sense of yearning and emotional intensity. The use of borrowed chords from parallel keys enhances the song’s emotive quality, and the overall structure shows a level of harmonic sophistication typical of Pink Floyd’s work.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

Kali Uchis – Telepatia – Verse 1

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Chord Progression

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A

Chord Progression Analysis

1. Gmaj7 (I)
2. B7 (III7 **borrowed from G harmonic minor**)
3. Em9 (vi9)
4. G/A (I/A)
5. Gmaj7 (I)
6. B7 (III7 **borrowed from G harmonic minor**)
7. Em9 (vi9)
8. G/A (I/A)

“`
B7 (III7) is a borrowed chord from G harmonic minor
“`

Similar Chord Progressions

1. “Put It All On Me” by Ed Sheeran (ft. Ella Mai)
– Progression: CMaj7 (I), E7 (III7), Am7 (vi7), C/G (I/G)

2. “Just the Two of Us” by Bill Withers
– Progression: F#m7 (ii7), B7 (VI7), Emaj7 (I maj7), Emaj7/D# (I maj7/3)

3. “Maria Maria” by Santana
– Progression: G#m9 (i9), C#9 (IV9), F#9sus4 (VII9sus4), Bmaj9/F# (III9/5)

In each of these examples, there are similar elements to the progression in “Telepatia,” such as the use of extended chords, the presence of a borrowed chord, or the shift from a major chord to a minor chord. These songs also display elements of jazz, soul, and Latin styles.

Musical Analysis

The chord progression starts with Gmaj7, which establishes the tonic of G Major. The following B7 chord is borrowed from G harmonic minor, creating a temporary sense of tension and surprise. This tension resolves when the progression moves to Em9, which is the relative minor of G Major. The G/A chord is an inversion of the tonic chord, helping to maintain a strong sense of G Major despite the chromaticism. The progression then repeats itself, allowing for the return of tension and resolution that gives the verse its distinctive character.

Overall Analysis

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

Style Analysis

Kali Uchis’ music is influenced by a range of styles, including R&B, soul, hip-hop, jazz, and Latin music. The chord progression in “Telepatia” showcases the Latin and jazz influences, with the use of extended and borrowed chords lending a lush, romantic quality to the harmony. This sound evokes a sense of longing and romanticism, which complements the lyrics and overall concept of the song.

Chords in the Verse 1 section of Telepatia by Kali Uchis are:

Gmaj7, B7, Em9, G/A, Gmaj7, B7, Em9, G/A