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Related Music Theory Alchemy

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

The “Glory Box” by Portishead chorus progression is based in D minor and moves between this primary D minor chord and three other chords: Dm/C, Bm7b5, and Bbmaj7. The Dm/C chord is the same as the D minor, but with a different note in the bass (C). The Bm7b5 is a half-diminished chord. The Bbmaj7 is major seventh chord.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

Kali Uchis – Loner – Chorus

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Chord Progression

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m

Chord Progression Analysis

A Major 7 (I), A Flat Augmented (bVI+), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi)

Borrowed Chords:
“`
A Flat Augmented (bVI+)
A Flat Minor (bVI-)
A Flat (bVI)
“`

Similar Chord Progressions

1. “Put It All on Me” by Ed Sheeran (ft. Ella Mai): [‘Gmaj7’, ‘Bm7’, ‘Em7’, ‘Amaj7’]
2. “Sara Smile” by Hall & Oates: [‘Dmaj7’, ‘Gmaj7’, ‘F#m’, ‘Gmaj7’, ‘Em7’]

While the exact progression in “Loner” is unique, these examples show arrangements with extended chords and the use of the I – vi progression, which are stylistically similar.

Musical Analysis

The progression begins with the tonic, A Major 7, establishing the tonality of the piece. The A Flat Augmented chord creates an interesting juxtaposition, borrowing the bVI+ from the parallel minor scale (A minor). Following this, the Abm chord is the bVI- in relation to the tonic, creating a brief moment of harmonic tension before resolving to the F Sharp Minor (vi) chord.

The Amaj7, Ab, Abm, and F#m repetition adds a sense of familiarity to the progression, while still maintaining its unique quality. The borrowed chords from parallel minor scales bring an added emotional depth and character to the progression.

Overall Analysis

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

Style Analysis

The chord progression in Kali Uchis’ “Loner” reflects elements of R&B, soul, and jazz. The use of extended chords (such as Amaj7) and borrowed chords from parallel minor scales contribute to the song’s lush, expressive quality commonly found in these genres.

Chords in the Chorus section of Loner by Kali Uchis are:

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m