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Related Music Theory Alchemy

The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chorus of Taylor Swift’s “Anti-Hero” utilizes a chord progression that elevates the song’s emotional resonance, serving as a climactic counterpart to the reflective verses. This section combines lush harmonies with straightforward pop sensibilities, creating a poignant and memorable musical moment that aligns with the song’s thematic exploration of self-awareness and complexity.

“For No One” is a song from The Beatles’ album Revolver, released in 1966. The song has a melancholic theme, represented quite well through a sophisticated chord progression that features significant use of the minor scale and infrequent use of chord extensions, such as 7th and suspended chords. It’s written primarily in C Major, but the chorus alternates between D Minor and A7, an interesting modal shift (Using structural chords from different modes).

“Have You Ever Seen The Rain” is a popular song by Creedence Clearwater Revival from the 1971 album “Pendulum”. This song is performed in the key of C major, and uses chords from the diatonic scale. However, it also utilizes borrowed chords and chord inversions to create a bit of colour and novelty.

Kali Uchis – Loner – Chorus

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Chord Progression

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m

Chord Progression Analysis

A Major 7 (I), A Flat Augmented (bVI+), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi)

Borrowed Chords:
“`
A Flat Augmented (bVI+)
A Flat Minor (bVI-)
A Flat (bVI)
“`

Similar Chord Progressions

1. “Put It All on Me” by Ed Sheeran (ft. Ella Mai): [‘Gmaj7’, ‘Bm7’, ‘Em7’, ‘Amaj7’]
2. “Sara Smile” by Hall & Oates: [‘Dmaj7’, ‘Gmaj7’, ‘F#m’, ‘Gmaj7’, ‘Em7’]

While the exact progression in “Loner” is unique, these examples show arrangements with extended chords and the use of the I – vi progression, which are stylistically similar.

Musical Analysis

The progression begins with the tonic, A Major 7, establishing the tonality of the piece. The A Flat Augmented chord creates an interesting juxtaposition, borrowing the bVI+ from the parallel minor scale (A minor). Following this, the Abm chord is the bVI- in relation to the tonic, creating a brief moment of harmonic tension before resolving to the F Sharp Minor (vi) chord.

The Amaj7, Ab, Abm, and F#m repetition adds a sense of familiarity to the progression, while still maintaining its unique quality. The borrowed chords from parallel minor scales bring an added emotional depth and character to the progression.

Overall Analysis

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

Style Analysis

The chord progression in Kali Uchis’ “Loner” reflects elements of R&B, soul, and jazz. The use of extended chords (such as Amaj7) and borrowed chords from parallel minor scales contribute to the song’s lush, expressive quality commonly found in these genres.

Chords in the Chorus section of Loner by Kali Uchis are:

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m