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Related Music Theory Alchemy

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

“Wild Horses” is a song by the rock band Rolling Stones from their 1971 album “Sticky Fingers”. It is a great example of the band’s adeptness not only at writing catchy rock songs but also at creating complex and interesting chord progressions. The song is in the key of G major. The verse progression is interesting with the use of the B minor chord (Bm), which is the iii chord in the key of G major – a chord that isn’t commonly used in popular music.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

Jimi Hendrix – Purple Haze – Verse 3

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Chord Progression

E7#9, A, B, E7#9

Chord Progression Analysis

E7#9 (I7#9) – A (IV) – B (V) – E7#9 (I7#9)

Similar Chord Progressions

1. Stevie Ray Vaughan – “Voodoo Child (Slight Return)”
Chord Progression: E7#9 (I7#9) – E7 (I7) – E7#9 (I7#9) – C7 (bVI7) – A7 (IV7) – Ab7 (bIV7) – E7#9 (I7#9)

2. The Beatles – “Taxman”
Chord Progression: D7#9 (I7#9) – G7 (IV7) – D7#9 (I7#9)

These examples feature chord progressions using the distinctive 7#9 chord and showcase the influence Hendrix had on other artists. Both songs have a similar blues-rock sound, with the inclusion of the dissonant 7#9 chord adding an edge to the melody.

Musical Analysis

This chord progression showcases a mixture of both consonance and dissonance, which contributes to the song’s overall sense of tension and release. The E7#9 chord, which serves as the foundation for the progression, features a sharp ninth interval that adds a level of dissonance to the sound. The progression then moves to the A and B chords, which are more consonant and create a sense of resolution. The progression concludes by returning to the E7#9 chord, with the dissonance it brings.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

Style Analysis

The style of “Purple Haze” was groundbreaking for its time and was a key example of the psychedelic rock and blues-rock genres. This was a sound pioneered by Hendrix that has been hugely influential on countless musicians over the years. The E7#9 chord, in particular, gives the progression its characteristic “Hendrix” sound, with the blend of bluesy grit and psychedelia. The incorporation of dissonant chords within a fairly usual I-IV-V progression exemplifies Hendrix’s innovative approach to songwriting and musicianship.

Chords in the Verse 3 section of Purple Haze by Jimi Hendrix are:

E7#9, A, B, E7#9