Search

Related Music Theory Alchemy

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The Wind Cries Mary by Jimi Hendrix is a rock ballad with elements of blues, featuring a unique and expressive chord progression. The song is in the key of F major and the verse progression consists of 25 chords. The progression is largely diatonic, but includes chromatic lines and borrowed chords, which give the piece a rather unpredictable yet emotive quality.

“Whole Lotta Love” by Led Zeppelin is a hard rock song that was released in 1969. The song features a famous guitar riff with a simple, blues-influenced chord progression. That guitar riff is based on the D and E chords and can be heard throughout the main part of the song. The verse consists of the same primary chords as the riff, with slight variations in the E chord during the iconic “You need cooling” vocal part. The overall harmonic structure of the song with its repeating chords D and E gives it a strong I-V dynamic while staying in the D Mixolydian mode. Additionally, the guitar riff borrows elements of other blues progressions, creating a distinguished sound.

“Paint It, Black” is in E minor key, with verse 3 having an exciting harmonic progression: Em – B – Em – B – Em – D – G – D – Em – Em – D – G – D – A – B. The chord progression suggests that the Rolling Stones utilise borrowed chords to impose an air of ambiguity that reflects the song’s lyrical themes. Additionally, this song is a blend of rock and raga rock style and exemplifies the Stones’ 1960s exploration into psychedelia and Eastern musical styles.

The chord progression of the Verse 3 in the song “California Kids” by Weezer features a blend of diatonic and chromatic chords in the key of C major, exhibiting a classic pop-rock feel with some variations in the chord structure. The progression also showcases the use of chromatic bass motion to add harmonic interest.

Jimi Hendrix – Purple Haze – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

E7#9, A, B, E7#9

Chord Progression Analysis

E7#9 (I7#9) – A (IV) – B (V) – E7#9 (I7#9)

Similar Chord Progressions

1. Stevie Ray Vaughan – “Voodoo Child (Slight Return)”
Chord Progression: E7#9 (I7#9) – E7 (I7) – E7#9 (I7#9) – C7 (bVI7) – A7 (IV7) – Ab7 (bIV7) – E7#9 (I7#9)

2. The Beatles – “Taxman”
Chord Progression: D7#9 (I7#9) – G7 (IV7) – D7#9 (I7#9)

These examples feature chord progressions using the distinctive 7#9 chord and showcase the influence Hendrix had on other artists. Both songs have a similar blues-rock sound, with the inclusion of the dissonant 7#9 chord adding an edge to the melody.

Musical Analysis

This chord progression showcases a mixture of both consonance and dissonance, which contributes to the song’s overall sense of tension and release. The E7#9 chord, which serves as the foundation for the progression, features a sharp ninth interval that adds a level of dissonance to the sound. The progression then moves to the A and B chords, which are more consonant and create a sense of resolution. The progression concludes by returning to the E7#9 chord, with the dissonance it brings.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

Style Analysis

The style of “Purple Haze” was groundbreaking for its time and was a key example of the psychedelic rock and blues-rock genres. This was a sound pioneered by Hendrix that has been hugely influential on countless musicians over the years. The E7#9 chord, in particular, gives the progression its characteristic “Hendrix” sound, with the blend of bluesy grit and psychedelia. The incorporation of dissonant chords within a fairly usual I-IV-V progression exemplifies Hendrix’s innovative approach to songwriting and musicianship.

Chords in the Verse 3 section of Purple Haze by Jimi Hendrix are:

E7#9, A, B, E7#9