Music Theory Alchemy

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“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

“Hey Joe” by Jimi Hendrix is a classic rock song featuring a cyclic chord progression in the key of E major. The song is well-known for its distinctive and temporarily ambiguous harmonic structure, bluesy vocal melodies, and Jimi Hendrix’s influential guitar playing. The verse chord progression constantly circles back on itself, creating a hypnotic effect.

The song constantly oscillates around C#m, which is the presumed root key. Harmonically, the 8-bar verse progression involves the frequent use of borrowed chords, as well as secondary dominants, which are frequently used in the Beatles’ compositions, to provide a colorful and subtle tension.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

Jimi Hendrix – Purple Haze – Verse 3

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Chord Progression

E7#9, A, B, E7#9

Chord Progression Analysis

E7#9 (I7#9) – A (IV) – B (V) – E7#9 (I7#9)

Similar Chord Progressions

1. Stevie Ray Vaughan – “Voodoo Child (Slight Return)”
Chord Progression: E7#9 (I7#9) – E7 (I7) – E7#9 (I7#9) – C7 (bVI7) – A7 (IV7) – Ab7 (bIV7) – E7#9 (I7#9)

2. The Beatles – “Taxman”
Chord Progression: D7#9 (I7#9) – G7 (IV7) – D7#9 (I7#9)

These examples feature chord progressions using the distinctive 7#9 chord and showcase the influence Hendrix had on other artists. Both songs have a similar blues-rock sound, with the inclusion of the dissonant 7#9 chord adding an edge to the melody.

Musical Analysis

This chord progression showcases a mixture of both consonance and dissonance, which contributes to the song’s overall sense of tension and release. The E7#9 chord, which serves as the foundation for the progression, features a sharp ninth interval that adds a level of dissonance to the sound. The progression then moves to the A and B chords, which are more consonant and create a sense of resolution. The progression concludes by returning to the E7#9 chord, with the dissonance it brings.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

Style Analysis

The style of “Purple Haze” was groundbreaking for its time and was a key example of the psychedelic rock and blues-rock genres. This was a sound pioneered by Hendrix that has been hugely influential on countless musicians over the years. The E7#9 chord, in particular, gives the progression its characteristic “Hendrix” sound, with the blend of bluesy grit and psychedelia. The incorporation of dissonant chords within a fairly usual I-IV-V progression exemplifies Hendrix’s innovative approach to songwriting and musicianship.

Chords in the Verse 3 section of Purple Haze by Jimi Hendrix are:

E7#9, A, B, E7#9