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Related Music Theory Alchemy

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

Jimi Hendrix – Purple Haze – Verse 3

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Chord Progression

E7#9, A, B, E7#9

Chord Progression Analysis

E7#9 (I7#9) – A (IV) – B (V) – E7#9 (I7#9)

Similar Chord Progressions

1. Stevie Ray Vaughan – “Voodoo Child (Slight Return)”
Chord Progression: E7#9 (I7#9) – E7 (I7) – E7#9 (I7#9) – C7 (bVI7) – A7 (IV7) – Ab7 (bIV7) – E7#9 (I7#9)

2. The Beatles – “Taxman”
Chord Progression: D7#9 (I7#9) – G7 (IV7) – D7#9 (I7#9)

These examples feature chord progressions using the distinctive 7#9 chord and showcase the influence Hendrix had on other artists. Both songs have a similar blues-rock sound, with the inclusion of the dissonant 7#9 chord adding an edge to the melody.

Musical Analysis

This chord progression showcases a mixture of both consonance and dissonance, which contributes to the song’s overall sense of tension and release. The E7#9 chord, which serves as the foundation for the progression, features a sharp ninth interval that adds a level of dissonance to the sound. The progression then moves to the A and B chords, which are more consonant and create a sense of resolution. The progression concludes by returning to the E7#9 chord, with the dissonance it brings.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

Style Analysis

The style of “Purple Haze” was groundbreaking for its time and was a key example of the psychedelic rock and blues-rock genres. This was a sound pioneered by Hendrix that has been hugely influential on countless musicians over the years. The E7#9 chord, in particular, gives the progression its characteristic “Hendrix” sound, with the blend of bluesy grit and psychedelia. The incorporation of dissonant chords within a fairly usual I-IV-V progression exemplifies Hendrix’s innovative approach to songwriting and musicianship.

Chords in the Verse 3 section of Purple Haze by Jimi Hendrix are:

E7#9, A, B, E7#9