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“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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Elton John’s melody for “Your Song” is an elegant example of varied harmonization and creative chord usage. The verse chord progression is in the key of D Major, but employs the use of borrowed chords and modulation for enhancing musical flavour and interest.

Jimi Hendrix – Purple Haze – Verse 1

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Chord Progression

E7#9, G, A, E

Chord Progression Analysis

E7#9 (I7#9) – G (bIII) – A (IV) – E (I)

“`E7#9 is a borrowed chord from the parallel minor (E minor)“`

Similar Chord Progressions

1. “All Along the Watchtower” – Jimi Hendrix
Dm7 (i7) – Fmaj7 (#IIIΔ7) – G7 (IV7) – Dm (i)

2. “Sunshine of Your Love” – Cream
D7 (I7) – G (IV) – Ab (bV) – G (IV) – D (I)

3. “Black Magic Woman” – Santana
Dm7 (i7) – Gm7 (iv7) – Dm7 (i7) – Am7 (v7)

4. “Hey Joe” – Jimi Hendrix
C (I) – G (V) – D (II) – A (VI) – E (III)

Musical Analysis

The chord progression has a strong blues influence, especially evident in the use of the dominant 7#9 chord, also known as the “Hendrix Chord.” This chord creates tension and dissonance, giving the song a distinctively bluesy and psychedelic sound. The non-diatonic G major chord (bIII) adds a sense of chromaticism and unpredictability. The progression then resolves to the more traditional IV (A major) and I (E major) chords, giving it a sort of “blues-rock” feel. This combination creates a unique and memorable sound.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Style Analysis

The style of “Purple Haze” is heavily influenced by blues, but with Hendrix’s unique twist. He incorporates innovative guitar techniques, such as heavy use of distorted guitar tones, feedback, and extensive use of the whammy bar. These elements give the song its raw and aggressive feel, while also adding a psychedelic edge. Overall, this is an excellent example of the blending of blues, rock, and psychedelic styles characteristic of Hendrix’s music.

Chords in the Verse 1 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E