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Related Music Theory Alchemy

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

“Castles Made of Sand” is a song by Jimi Hendrix, found on his 1967 album “Axis: Bold as Love.” The song is in the key of G major and features a chord progression that is both simple and innovative in its use of borrowed chords and voice leading. The progression can be seen as an indirect approach to the IV chord (C) which gives the progression a sense of unresolved tension. The overall sound of the song is characterized by its dreamy, psychedelic atmosphere.

The chord progression throughout this verse of Beck’s “Lost Cause” is predominantly in the key of F Major with some chords from its relative minor (D minor). The use of borrowed chords adds variety and color to the progression, and the alternation between F major and C major chords creates a strong sense of tonality and grounding in the key of F Major. The use of Am and E7 chords provides a brief tension and leaning toward the parallel key of F minor before resolving back to the original key. This adds interest and complexity to the otherwise straightforward progression.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

Jimi Hendrix – Purple Haze – Verse 1

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Chord Progression

E7#9, G, A, E

Chord Progression Analysis

E7#9 (I7#9) – G (bIII) – A (IV) – E (I)

“`E7#9 is a borrowed chord from the parallel minor (E minor)“`

Similar Chord Progressions

1. “All Along the Watchtower” – Jimi Hendrix
Dm7 (i7) – Fmaj7 (#IIIΔ7) – G7 (IV7) – Dm (i)

2. “Sunshine of Your Love” – Cream
D7 (I7) – G (IV) – Ab (bV) – G (IV) – D (I)

3. “Black Magic Woman” – Santana
Dm7 (i7) – Gm7 (iv7) – Dm7 (i7) – Am7 (v7)

4. “Hey Joe” – Jimi Hendrix
C (I) – G (V) – D (II) – A (VI) – E (III)

Musical Analysis

The chord progression has a strong blues influence, especially evident in the use of the dominant 7#9 chord, also known as the “Hendrix Chord.” This chord creates tension and dissonance, giving the song a distinctively bluesy and psychedelic sound. The non-diatonic G major chord (bIII) adds a sense of chromaticism and unpredictability. The progression then resolves to the more traditional IV (A major) and I (E major) chords, giving it a sort of “blues-rock” feel. This combination creates a unique and memorable sound.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Style Analysis

The style of “Purple Haze” is heavily influenced by blues, but with Hendrix’s unique twist. He incorporates innovative guitar techniques, such as heavy use of distorted guitar tones, feedback, and extensive use of the whammy bar. These elements give the song its raw and aggressive feel, while also adding a psychedelic edge. Overall, this is an excellent example of the blending of blues, rock, and psychedelic styles characteristic of Hendrix’s music.

Chords in the Verse 1 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E