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The chord progression for Verse 3 of “Hey Joe” by Jimi Hendrix is a repeating pattern of C, G, D, A, E. The progression employs one borrowed chord and is loosely structured around the circle of fifths. The song features a blues-rock style, with a heavy emphasis on guitar playing and expressive solos.

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Across the Universe by The Beatles is a melancholic, introspective piece set in the key of D major, imbuing an overall sound spectrum that’s somber with a hint of hopeful resolution. The chord progression utilizes both diatonic and borrowed chords, making it both unusual and interesting.

Jimi Hendrix – Hey Joe – Verse 2

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

Similar Chord Progressions

1. Procol Harum – “A Whiter Shade of Pale”
Chord Progression: C Major (I) – Bb Major (bVII) – F Major (IV) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

2. The Beatles – “Let It Be”
Chord Progression: C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I)

3. Leonard Cohen – “Hallelujah”
Chord Progression: C Major (I) – A Minor (vi) – C Major (I) – E Major (III) – F Major (IV) – G Major (V) – C Major (I) – G Major (V)

These examples show similar use of circle of fifths progressions, with some variations in the chords used, creating a similarly recognizable flow and sense of resolution.

Musical Analysis

The chord progression in “Hey Joe” is a modulation of the circle of fifths. The circle of fifths is a sequence of chords with roots that are a fifth apart. In this case, the root movement is a descending fifth (or ascending fourth). This pattern is commonly found in many genres, particularly in jazz and classical music. The simplicity and familiarity of the progression make it easy to memorize and facilitates smooth voice leading, creating a sense of resolution from one chord to the next.

Overall Analysis

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

Style Analysis

“Hey Joe” is a great example of the blues-rock style, pioneered by Hendrix himself. The simple, descending circle of fifths progression has influences from blues, jazz, and folk music. This, combined with Jimi Hendrix’s signature guitar playing style, which featured heavy use of distortion, legato phrasing, and various other techniques, contributed to the development and popularization of the blues-rock and psychedelic rock genres.

Chords in the Verse 2 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E