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The outro of “Hey Joe” by Jimi Hendrix uses a descending circle of fifths chord progression, which is a very common progression in many styles of music, particularly in the Baroque period and in blues-based rock music. The progression features a steady descent through the Circle of Fifths that creates a strong sense of harmony and resolution. In this context, Jimi Hendrix uses the progression to create tension and momentum, which is appropriate for an outro section.

“Purple Haze” by Jimi Hendrix is a classic and influential rock song released in 1967. The chord progression featured in Verse 3 of this song has a bluesy, psychedelic sound that typifies Hendrix’s style. The use of the E7#9 chord, also known as the “Hendrix chord,” adds a sense of tension and dissonance, which contributes to the edgy and innovative nature of the song.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

Jimi Hendrix – Hey Joe – Verse 2

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Chord Progression

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E

Chord Progression Analysis

C Major (I) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

Similar Chord Progressions

1. Procol Harum – “A Whiter Shade of Pale”
Chord Progression: C Major (I) – Bb Major (bVII) – F Major (IV) – G Major (V) – D Major (II) – A Major (VI) – E Major (III)

2. The Beatles – “Let It Be”
Chord Progression: C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – C Major (I)

3. Leonard Cohen – “Hallelujah”
Chord Progression: C Major (I) – A Minor (vi) – C Major (I) – E Major (III) – F Major (IV) – G Major (V) – C Major (I) – G Major (V)

These examples show similar use of circle of fifths progressions, with some variations in the chords used, creating a similarly recognizable flow and sense of resolution.

Musical Analysis

The chord progression in “Hey Joe” is a modulation of the circle of fifths. The circle of fifths is a sequence of chords with roots that are a fifth apart. In this case, the root movement is a descending fifth (or ascending fourth). This pattern is commonly found in many genres, particularly in jazz and classical music. The simplicity and familiarity of the progression make it easy to memorize and facilitates smooth voice leading, creating a sense of resolution from one chord to the next.

Overall Analysis

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

Style Analysis

“Hey Joe” is a great example of the blues-rock style, pioneered by Hendrix himself. The simple, descending circle of fifths progression has influences from blues, jazz, and folk music. This, combined with Jimi Hendrix’s signature guitar playing style, which featured heavy use of distortion, legato phrasing, and various other techniques, contributed to the development and popularization of the blues-rock and psychedelic rock genres.

Chords in the Verse 2 section of Hey Joe by Jimi Hendrix are:

C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E, C, G, D, A, E, E