Jeff Buckley – Hallelujah – Outro
Hallelujah < All Analyses
Chord Progression
F, Am, F, C, G, C, F, Am, F, C, G, C, F, Am, F, C, G, C, Am, F, G, C
Chord Progression Analysis
F Major (IV), A minor (vi), F Major (IV), C Major (I), G Major (V), C Major (I), F Major (IV), A minor (vi), F Major (IV), C Major (I), G Major (V), C Major (I), F Major (IV), A minor (vi), F Major (IV), C Major (I), G Major (V), C Major (I), A minor (vi), F Major (IV), G Major (V), C Major (I)
Borrowed chords:
None
Similar Chord Progressions
1. Leonard Cohen – “Hallelujah” (original version): This song shares its chord progression with Jeff Buckley’s cover, as it’s the source material. The progression is similar, but Cohen’s version features a slightly more sparse arrangement.
2. Bob Dylan – “Make You Feel My Love”: This song has a chord progression sharing similarities with Jeff Buckley’s “Hallelujah.” It features a key of G Major and shares the same cyclical nature of repetitive progressions: G (I), D (V), G (I), C (IV), G (I), D (V), G (I), C (IV), D (V), G (I)
3. The Beatles – “Let It Be”: This classic song shares similar harmonic ideas with “Hallelujah,” including the IV – V – I resolution at the end of the progression, which creates a strong sense of conclusion. The chord progression is as follows: C Major (I), G Major (V), A minor (vi), F Major (IV), C Major (I), G Major (V), F Major (IV), C Major (I)
Musical Analysis
The chord progression begins with the IV – vi – IV (F – Am – F) movement, which helps to establish the tonal center of C Major, despite not starting on the tonic chord. This creates a level of tension that is resolved when the C Major chord is finally introduced. The I – V – I (C – G – C) movement is a classic progression that strengthens the resolution and emphasizes the tonal center.
The progression repeats the first eight chords before introducing a slight variation in the subsequent chords. This allows for a sense of familiarity, as well as emphasizing the cyclical nature of the outro section.
The outro finishes on a I – IV – V – I (C – F – G – C) progression, solidifying a strong ending to the piece. The combination of chord movements in the outro creates a sense of finality while adding emotion to the piece through the use of minor chords and the IV – V – I movement.
Overall Analysis
The outro of Jeff Buckley’s “Hallelujah” features a chord progression in the key of C Major. It includes common chords from the key, as well as some borrowed chords from the parallel minor key (C minor), which adds a level of tension and emotion to the progression. The outro has a cyclical nature, with the chords leading smoothly back into the beginning and building a sense of conclusion.
Style Analysis
Jeff Buckley’s “Hallelujah” is a cover of Leonard Cohen’s original song, and the chord progression seen in the outro is influenced by the original version. It features a folky, singer-songwriter style that breaks away slightly from the primarily guitar-driven chord progressions often used in popular music of the time.
What are the chords in: Jeff Buckley – Hallelujah – Outro?
F, Am, F, C, G, C, F, Am, F, C, G, C, F, Am, F, C, G, C, Am, F, G, C
