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Related Music Theory Alchemy

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Dont Stop Me Now” by Queen has a key of F major. The song takes you on a journey of a unique blend of chords and progression. Freddie Mercury and the entire band are known for their diverse songwriting abilities, apparent in ‘Don’t Stop Me Now’. The chord progression in Verse 2 hints a story-telling stalwart of pop music production – the major-to-relative-minor movement (I to vi), with some interesting additions of minor seven, major seven and diminished seventh chords, giving it a more sophisticated feel.

“Bohemian Rhapsody” is a multi-genre masterpiece that incorporates elements of ballad, opera, and hard rock, showcasing Queen’s versatility and musical potential. The song is mainly in the key of Bb major, but it aggressively utilizes modulations, chromaticism, borrowed chords, and modally mixed chords. The given chord progression is from the verse that follows the opera section, here Queen offers an unusual, nuanced chord progression that complements the surrounding sections.

Elton John – Im Still Standing – Verse 2

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Chord Progression

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]

Chord Progression Analysis

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E (‘I’)

A/E (‘IV/V’)

B (‘V’)

E (‘I’)

F#m7/E (‘ii7/V’)

A/E (‘IV/V’)

B (‘V’)

C#m (‘vi’)

A (‘IV’)

E (‘I’)

F#m/E (‘ii7’)

E (‘I’)

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Similar Chord Progressions

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There are not many that perfectly match Elton’s exact chord progression, since the chords he chose and their arrangements are quite unique. However, there are some similarities to other artists’ progressions.

The Beatles, “Let it Be” – The use of IV/V is quite similar, despite it being in C Major.

C (‘I’)

G (‘V’)

Am (‘vi’)

F (‘IV’)

Paul McCartney’s resolve to the IV chord (‘F’) can be compared to the A/E in Elton John’s “I’m Still Standing”.

“Imagine” by John Lennon also uses the I-V and IV-V resolve but with fewer chords:

C (‘I’),

Cmaj7 (‘I’),

F (‘IV’)

Dm (‘ii’)

F (‘IV’)

C (‘I’)

Musical Analysis

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You will notice that ‘Im Still Standing’ applies flipping principles in the chord, A/E and F#m7/E, where E is the sustained bass note. This gives a steady edge to the song, as commonly applied in rock and pop music.

Lyrically, the song moves from phrases of resolution (E, ‘I’) to tension (B, ‘V’) and back to resolution. This gives a cyclical feeling to the music, mirroring the lyrics about persistence and resilience. The ‘C#m’ (‘vi’) introduces a minor chord, adding depth and a dynamic change to the song.

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Overall Analysis

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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Style Analysis

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Elton John’s use of non-diatonic chords and complex progressions reflects a distinct blend of rock, pop and elements of jazz. His diverse influences can be heard in the song’s structure. The chord inversions, the prevalent usage of the V-I resolution and the mixture of major and minor chords are all hallmarks of his innovative style. John’s songs often feature extensive piano work, and ‘Im Still Standing’ is no exception, with its driving piano chords forming the bedrock of the song’s structure.

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Chords in the Verse 2 section of Im Still Standing by Elton John are:

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]