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“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“Don’t Let The Sun Go Down On Me” is a pop song by Elton John from the album “Caribou,” released in 1974. The song is set in the key of C Major, with some interesting chord changes and borrowed chords that are rich and reflective of Elton John’s unique harmonic style. The chorus especially impresses with unexpected chord shifts, demonstrating a sophisticated songwriting technique.

The chord progression in the verse 1 of “Whole Lotta Love” by Led Zeppelin features just two chords: D and E. This fairly simple progression, used repetitively throughout the verse, creates a strong and energetic foundation for the song. The style of the song reflects 1960s heavy rock, and the simplicity of the chord progression adds to the rawness and drive of the music.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

“House of the Rising Sun” by The Animals features a repeating chord progression in a minor key that gives the song a haunting, melancholic feel. This progression moves through the circle of fifths, features borrowed chords from its relative major key and has a strong resolution from the dominant to the tonic.

Elton John – Goodbye Yellow Brick Road – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]

Chord Progression Analysis

“`markdown
Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Gm (iv), C (bVII/IV), F (bIII), Bb (bVI), Gm (iv), A7 (V7/V)
“`
In the provided progression, John frequently uses the secondary dominant, an A7 chord, which is used here as a V7 of the V (fifth of the fifth) chord, to create a pull towards the D major chord. The use of the bVII (C major), a borrowed chord from the parallel minor key of D minor, adds unexpected color and tension to the progression.

Similar Chord Progressions

Similar chord progressions can be found in pop music where the aim is to create a compelling melody with a mix of both standard and non-diatonic chords. “Let It Be” by The Beatles, for example, shares a similar use of the IV, I, and V7 structure, along with variation through non-diatonic chord choices. Billy Joel’s “She’s Always a Woman” also features a consistent modulation between major and relative minor keys, contributing to a similarly nostalgic feel.

Musical Analysis

A distinctive part of John’s style is his use of non-diatonic and chromatic chords to create depth and compose compelling melodies. Notably, the modulation to the relative minor key (B minor) and use of the borrowed bIii (F major) and bVI (Bb major) chords from the parallel minor key give this song a moody and nostalgic feel.

Overall Analysis

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Style Analysis

Elton John’s music often features charismatic melody lines with unique tonal qualities, largely as a result of his diverse chord choices. This song in particular embodies his penchant for drawing on a mix of major, minor, and borrowed chords to create rich, emotive soundscapes. Stylistically, the way he uses harmony to underscore the emotional tone of the lyrics is a standout feature of his work.

Chords in the Verse 1 section of Goodbye Yellow Brick Road by Elton John are:

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]