Music Theory Alchemy

Search

Related Music Theory Alchemy

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

The chord progression in the verse of Radiohead’s “Nude” sets a contemplative and emotive atmosphere. It features a mix of diatonic and borrowed chords, which creates unexpected harmonic shifts that evoke feelings of melancholy. This distinctive harmonic language can be associated with the band’s signature moody sound and has been influential in the indie and alternative rock genres.

Elton John – Goodbye Yellow Brick Road – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]

Chord Progression Analysis

“`markdown
Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Gm (iv), C (bVII/IV), F (bIII), Bb (bVI), Gm (iv), A7 (V7/V)
“`
In the provided progression, John frequently uses the secondary dominant, an A7 chord, which is used here as a V7 of the V (fifth of the fifth) chord, to create a pull towards the D major chord. The use of the bVII (C major), a borrowed chord from the parallel minor key of D minor, adds unexpected color and tension to the progression.

Similar Chord Progressions

Similar chord progressions can be found in pop music where the aim is to create a compelling melody with a mix of both standard and non-diatonic chords. “Let It Be” by The Beatles, for example, shares a similar use of the IV, I, and V7 structure, along with variation through non-diatonic chord choices. Billy Joel’s “She’s Always a Woman” also features a consistent modulation between major and relative minor keys, contributing to a similarly nostalgic feel.

Musical Analysis

A distinctive part of John’s style is his use of non-diatonic and chromatic chords to create depth and compose compelling melodies. Notably, the modulation to the relative minor key (B minor) and use of the borrowed bIii (F major) and bVI (Bb major) chords from the parallel minor key give this song a moody and nostalgic feel.

Overall Analysis

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Style Analysis

Elton John’s music often features charismatic melody lines with unique tonal qualities, largely as a result of his diverse chord choices. This song in particular embodies his penchant for drawing on a mix of major, minor, and borrowed chords to create rich, emotive soundscapes. Stylistically, the way he uses harmony to underscore the emotional tone of the lyrics is a standout feature of his work.

Chords in the Verse 1 section of Goodbye Yellow Brick Road by Elton John are:

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]