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Related Music Theory Alchemy

“Goodbye Yellow Brick Road,” written by Elton John and Bernie Taupin, is characterized by a lush, cinematic melody that encapsulates John’s knack for crafting pop ballad choruses. Its base key is D Major, showcasing a mix of diatonic, dominant seventh, and borrowed chords. Its diverse chord progression is reflective of Elton John’s diverse influences, which include pop, rock, blues, and classical music.

“Rocket Man” by Elton John, released in 1972, is a melodic and harmonically sophisticated example of his pop/rock style. The piece is in the key of G, and the chord progression of Verse 2 introduces some harmonies that exploit john’s expertise in using extended and altered chords, which lend colorfulness and a feel of departure and return. The use of slash chords like G/B and D/F# creates a descending bass line that is very characteristic of pop and rock music, creating a sense of melodic movement within the chords themselves. Verse 2 is navigated skillfully between simplistic and complex harmonies.

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“Girl” is a song by The Beatles from their 1965 album “Rubber Soul”. The song is written in the key of E minor and it showcases the band’s ability to incorporate non-diatsubject resorting to non-diatonic progressions and utilizes various seventh chords to establish a more sophisticated and jazzy soundid progression. It’s important to note their use of the Dorian mode, which adds to the melodic and harmonic sophistication of the song. Moreover, the song exhibits the lyrical and songwriting depth of The Beatles.

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Elton John – Goodbye Yellow Brick Road – Verse 1

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Chord Progression

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]

Chord Progression Analysis

“`markdown
Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Em (ii), A7 (V7/V), D (I), G (IV), C (bVII/IV), A7 (V7/V), D (I), Gm (iv), C (bVII/IV), F (bIII), Bb (bVI), Gm (iv), A7 (V7/V)
“`
In the provided progression, John frequently uses the secondary dominant, an A7 chord, which is used here as a V7 of the V (fifth of the fifth) chord, to create a pull towards the D major chord. The use of the bVII (C major), a borrowed chord from the parallel minor key of D minor, adds unexpected color and tension to the progression.

Similar Chord Progressions

Similar chord progressions can be found in pop music where the aim is to create a compelling melody with a mix of both standard and non-diatonic chords. “Let It Be” by The Beatles, for example, shares a similar use of the IV, I, and V7 structure, along with variation through non-diatonic chord choices. Billy Joel’s “She’s Always a Woman” also features a consistent modulation between major and relative minor keys, contributing to a similarly nostalgic feel.

Musical Analysis

A distinctive part of John’s style is his use of non-diatonic and chromatic chords to create depth and compose compelling melodies. Notably, the modulation to the relative minor key (B minor) and use of the borrowed bIii (F major) and bVI (Bb major) chords from the parallel minor key give this song a moody and nostalgic feel.

Overall Analysis

“Goodbye Yellow Brick Road” is a song written by Elton John that features a complex chord progression that effectively complements the haunting and nostalgic quality of the song’s lyrics. The primary key of the song is D major, while parts of the progression borrow from both the parallel minor (D minor) and the relative minor (B minor). The use of these borrowed chords adds harmonic interest and enhances the song’s evocative, wistful mood.

Style Analysis

Elton John’s music often features charismatic melody lines with unique tonal qualities, largely as a result of his diverse chord choices. This song in particular embodies his penchant for drawing on a mix of major, minor, and borrowed chords to create rich, emotive soundscapes. Stylistically, the way he uses harmony to underscore the emotional tone of the lyrics is a standout feature of his work.

Chords in the Verse 1 section of Goodbye Yellow Brick Road by Elton John are:

[‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Em’, ‘A7’, ‘D’, ‘G’, ‘C’, ‘A7’, ‘D’, ‘Gm’, ‘C’, ‘F’, ‘Bb’, ‘Gm’, ‘A7’]