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Related Music Theory Alchemy

“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

“Tiny Dancer” by Elton John, written in the key of C Major, is a classic example of elaborate pop song writing. The chord progression features common primary and secondary chords in the key of C Major, along with some borrowed chords to add color. This combination makes for a memorable and melodic song.

The most unique feature of the song is how it slowly changes to the key of C minor in the second half of the verse, making use of two borrowed chords. This is a powerful tool in songwriting, as it can dramatically affect the emotional tone of the song. Lastly, this song demonstrates Elton John’s use of Coloristic harmony, through chromatically altered chords.

“In My Life” is a song written by The Beatles which stands as a hallmarks of their inventive songwriting and command of complex musical structures. The song is primarily in the key of A Major, but it employs a number of borrowed chords and modal interchange to create a more interesting and richer harmonic landscape. The melody, rhythm, and lyrics of this song are poignant and memorable, making “In My Life” an enduring classic in the Beatles’ catalog.

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

Elton John – Dont Let The Sun Go Down On Me – Verse 2

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Chord Progression

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]

Chord Progression Analysis

“`
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
G Major (‘V’),
C/G (‘IV’),
G Major (‘V’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
C/G (‘IV’),
G Major (‘V’)
“`
The ‘bVII’ (Bb/F) is a borrowed chord from the parallel minor key (C minor). It’s a common pop music move that adds tension before resolving back to the ‘IV’ (F Major).

Similar Chord Progressions

1. “Hey Jude” by The Beatles follows a similar progression in its verses but remains in the key of F Major.
2. “Sweet Child O’ Mine” by Guns N’ Roses also uses a I-IV-V progression, along with the bVII (borrowed from the parallel minor), much like “Don’t Let The Sun Go Down On Me.”
3. “Let It Be” by The Beatles uses a similar progression, though it includes a minor vi chord.

Musical Analysis

Elton John masterfully employs inversions, borrowing the F over Bb chord from the parallel minor, and then utilizing secondary dominants like the G7, to create anticipation before landing back on the tonic or dominant.

Overall Analysis

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

Style Analysis

Elton John’s style is marked by a blend of pop, rock, and classical influences, with an emphasis on rich, colorful chord progressions and strong, memorable melodies. His use of borrowed chords and inversions in “Don’t Let The Sun Go Down On Me” are classic Elton John.

Chords in the Verse 2 section of Dont Let The Sun Go Down On Me by Elton John are:

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]