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“Don’t Let The Sun Go Down On Me” by George Michael displays a sophisticated use of common-pop progression with some borrowed chords and secondary dominants. The progression displays the pop and soul music influence, with its powerful use of dominant and subdominant movements.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

“The Long and Winding Road” by The Beatles is written in the key of D major and utilizes various chord progressions that contribute to its melancholic and nostalgic atmosphere.

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

Elton John – Dont Let The Sun Go Down On Me – Verse 2

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Chord Progression

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]

Chord Progression Analysis

“`
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
G Major (‘V’),
C/G (‘IV’),
G7 (‘V7’),
G Major (‘V’),
C/G (‘IV’),
G Major (‘V’),
F Major (‘IV’),
C Major (‘I’),
F/C (‘IV’),
C Major (‘I’),
C/E (‘I’),
F Major (‘IV’),
Bb/F (‘bVII’),
F Major (‘IV’),
C/G (‘IV’),
G Major (‘V’)
“`
The ‘bVII’ (Bb/F) is a borrowed chord from the parallel minor key (C minor). It’s a common pop music move that adds tension before resolving back to the ‘IV’ (F Major).

Similar Chord Progressions

1. “Hey Jude” by The Beatles follows a similar progression in its verses but remains in the key of F Major.
2. “Sweet Child O’ Mine” by Guns N’ Roses also uses a I-IV-V progression, along with the bVII (borrowed from the parallel minor), much like “Don’t Let The Sun Go Down On Me.”
3. “Let It Be” by The Beatles uses a similar progression, though it includes a minor vi chord.

Musical Analysis

Elton John masterfully employs inversions, borrowing the F over Bb chord from the parallel minor, and then utilizing secondary dominants like the G7, to create anticipation before landing back on the tonic or dominant.

Overall Analysis

This chord progression is in the key of C Major, but incorporates a variety of borrowed chords and slash chords that add complexity and color to the song. It’s a good example of how Elton John takes popularly-used chord progressions and puts his own unique spin on them.

Style Analysis

Elton John’s style is marked by a blend of pop, rock, and classical influences, with an emphasis on rich, colorful chord progressions and strong, memorable melodies. His use of borrowed chords and inversions in “Don’t Let The Sun Go Down On Me” are classic Elton John.

Chords in the Verse 2 section of Dont Let The Sun Go Down On Me by Elton John are:

[‘G’, ‘C/G’, ‘G7’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘G’, ‘C/G’, ‘G7’, ‘G’, ‘C/G’, ‘G’, ‘F’, ‘C’, ‘F/C’, ‘C’, ‘C/E’, ‘F’, ‘Bb/F’, ‘F’, ‘C/G’, ‘G’]