Radiohead – Everything In Its Right Place – Verse 2
Everything In Its Right Place < All Analyses
Chord Progression
Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb
Chord Progression Analysis
Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Dbmaj (‘bI’), Cmaj (‘bVII’), Ebmaj (‘bIII’), Fmaj (‘IV’), Cmaj (‘bVII’), Dbmaj (‘bI’), Ebmaj (‘bIII’)
Borrowed Chords:
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Cmaj (‘bVII’) – Borrowed from the parallel mixolydian mode
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Similar Chord Progressions
1. Muse – “Map of the Problematique”
Chord Progression: Dmin (‘i’), Amaj (‘IV’), Bb (‘V’), Gmin (‘iv’)
2. The Beatles – “Let It Be”
Chord Progression: Cmaj (‘I’), Gmaj (‘V’), Amaj (‘VI’), Fmaj (‘IV’)
Though these examples differ in the exact chords used or their order, they share a similar sensibility in borrowing chords and creating tonal ambiguity with modal mixture. Remember, the similarity lies in concept and commonality of borrowing chords, rather than the exact progression.
Musical Analysis
“Everything In Its Right Place” exhibits a strong sense of modal mixture by borrowing chords from parallel modes. In this case, Db major and Eb major chords form the primary key center. In addition to the modal mixture, certain chords like F major add a sense of surprise and tension, which contrasts with the cycling nature of the progression. The progression revolves around bI-bVII-bIII chords throughout verse 2, reinforcing the hypnotic and cyclic nature of the song. This verse modulates between Db major and Eb major, creating a somewhat unresolved undercurrent complementing the shifting chords.
Overall Analysis
The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.
Style Analysis
The chord progression in “Everything In Its Right Place” is characterized by its unusual and experimental nature. By combining chords from different modes and having unexpected leaps in pitch, the progression defies traditional harmony rules. This is consistent with Radiohead’s style, which often brings avant-garde and unconventional elements into their musical compositions, frequently employing borrowed chords, modal mixtures, and polyrhythmic structures.
What are the chords in: Radiohead – Everything In Its Right Place – Verse 2?
Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, Db, C, Eb, F, C, Db, Eb
