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Related Music Theory Alchemy

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

“Save Me” by Queen is in the key of G Major and it features a number of modulations to closely related keys. It resonates a distinct rock ballad style incorporating unique variations of common chord progressions from rock and pop genres. The progression’s utilization of inverted chords also brings depth and character to the melody.

2.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

Coldplay – Yellow – Verse 2

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]

Chord Progression Analysis

“`
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
Gsus4 (Isus4)

“`

Similar Chord Progressions

“Let it Be” by The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“F Major (IV)”,
“C Major (I)”,
“G Major (V)”,
“F Major (IV)”,
“C Major (I)”
“`

“Don’t Look Back in Anger” by Oasis: [‘C’, ‘G’, ‘Am’, ‘E’, ‘F’, ‘G’, ‘C’, ‘Am G’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“E Major (III, borrowed chord)”,
“F Major (IV)”,
“G Major (V)”,
“C Major (I)”,
“Am (vi)”,
“G Major (V)”
“`

Each of these songs shares a similar tonality with “Yellow,” sticking to major key chord progressions and containing the use of the IV and V chords from the major scale.

Musical Analysis

This type of chord progression is very common in pop music because it provides a strong pulling effect from the tonic (G Major) to the dominant (D Major), and then a softened passing by the subdominant (Cmaj7).

It’s worth noting that replacing the standard IV chord (C Major) with a IV7 (Cmaj7) adds a touch of sophistication and a lush quality to the sound, which reflects the dreamy, soft-rock vibe the band is known for.

Furthermore, the use of the Gsus4 chord adds more harmonic interest and suspense, as it lacks the leading tendency of the normative major chord.

Overall Analysis

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

Style Analysis

Coldplay often employs simple, effective harmonic structures underlying ethereal melodies and atmospheric instrumentation. The use of sus4 chord acts as a clever way to enhance the textural layer of the song and add an emotional richness—touching upon the sense of longing in the lyrics.

Chords in the Verse 2 section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]