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Related Music Theory Alchemy

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

The verse 2 chord progression in Tyler, The Creator’s “Earfquake” is a mixture of diatonic and non-diatonic chords. The progression mainly features chords from the Bb Major key, with the D7 acting as a secondary dominant chord (V7/III). The progression has a smooth, jazzy feel that is typical of Tyler’s signature style.

“Just The Two Of Us” by Grover Washington Jr. is a soulful song with a distinct R&B and smooth jazz style. The song is in the key of E minor during the verses, but frequently borrows chords from the parallel major, E major, delivering a rich harmony that is both pleasing and surprising to the ear.

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

Coldplay – Yellow – Verse 2

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]

Chord Progression Analysis

“`
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
D Major (V),
Cmaj7 (IV7),
G Major (I),
Gsus4 (Isus4)

“`

Similar Chord Progressions

“Let it Be” by The Beatles: [‘C’, ‘G’, ‘Am’, ‘F’, ‘C’, ‘G’, ‘F’, ‘C’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“F Major (IV)”,
“C Major (I)”,
“G Major (V)”,
“F Major (IV)”,
“C Major (I)”
“`

“Don’t Look Back in Anger” by Oasis: [‘C’, ‘G’, ‘Am’, ‘E’, ‘F’, ‘G’, ‘C’, ‘Am G’]

“`
“C Major (I)”,
“G Major (V)”,
“Am (vi)”,
“E Major (III, borrowed chord)”,
“F Major (IV)”,
“G Major (V)”,
“C Major (I)”,
“Am (vi)”,
“G Major (V)”
“`

Each of these songs shares a similar tonality with “Yellow,” sticking to major key chord progressions and containing the use of the IV and V chords from the major scale.

Musical Analysis

This type of chord progression is very common in pop music because it provides a strong pulling effect from the tonic (G Major) to the dominant (D Major), and then a softened passing by the subdominant (Cmaj7).

It’s worth noting that replacing the standard IV chord (C Major) with a IV7 (Cmaj7) adds a touch of sophistication and a lush quality to the sound, which reflects the dreamy, soft-rock vibe the band is known for.

Furthermore, the use of the Gsus4 chord adds more harmonic interest and suspense, as it lacks the leading tendency of the normative major chord.

Overall Analysis

The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

Style Analysis

Coldplay often employs simple, effective harmonic structures underlying ethereal melodies and atmospheric instrumentation. The use of sus4 chord acts as a clever way to enhance the textural layer of the song and add an emotional richness—touching upon the sense of longing in the lyrics.

Chords in the Verse 2 section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘Gsus4’]