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Related Music Theory Alchemy

The progression for the song is tuned to a standard E Standard (E A D G B E) and it is in the key of G.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is a rock song that alternates between heavy distortion and calm sections. Interestingly, the song is mostly in E minor, but uses a lot of power chords (5th chords) and sus2 chords which give the song a distinctively undecided, floating feeling, as these chords don’t have a clear major or minor character. The song uses a rather straightforward progression with a few deviations and embellishments which provide tension and release.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

“Girl” by The Beatles is a classic example of their use of chromatic harmony and modal interchange. The chord progression shows complexity in both its chord choices and structure, a distinguishing feature in much of their music. By closely examining this piece, we can better understand The Beatles’ harmonic technique where they blend the techniques of classical music (like chromaticism and harmonic diversity) with pop songwriting.

Coldplay – Yellow – Bridge

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]

Chord Progression Analysis

“`
G (I)
D (V)
Cmaj7 (IVmaj7)
G (I)
D (V)
Cmaj7 (IVmaj7)
“`
We can see the common I – V – IV progression at work here, a popular progression in pop and rock music. The song uses the major seventh form of the IV (Cmaj7) that adds a slight tonal color.

Similar Chord Progressions

1. “Let it Be” by The Beatles:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
2. “No Woman, No Cry” by Bob Marley:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
These songs also use a variant of the I – V – vi – IV progression, with “Let it Be” also opting the major seventh form of the IV (like Cmaj7 in “Yellow”). It highlights the widespread use of these progressions in music across decades and genres.

Musical Analysis

The bridge in “Yellow” is characterized by a shift in dynamics and instrumentation, a technique commonly used by Coldplay for creating contrasting sections in their songs. The major 7th chord (Cmaj7) has a dreamy and lush sound, which brings a tender and emotional feeling, providing a perfect transition for their characteristic anthemic choruses.

Overall Analysis

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

Style Analysis

The use of maj7 chords is more typical of jazz, yet Coldplay uses them frequently in their genre of atmospheric rock music. This mix of pop rock with hints of jazz elements can be seen in other Coldplay songs too. Moreover, the progression perfectly supports the vocally sincere and elemental lyrics and melody that Martin (lead singer) is known for.

Chords in the Bridge section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]