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“Yellow” by Coldplay is in the key of G major and employs a mix of diatonic chords, extended chords such as the seventh chords, and the occasional borrowed chord from G minor. The progression presents variations of a common IV-V-I pattern seen in pop and rock music.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

The song ‘Today’ by The Smashing Pumpkins is a classic example of mixing major and minor modes in rock music. The majority of the song is modal, centered around D major and B minor. However, the bridge section changes gears and revolves around E minor.

The bridge of George Benson’s “Give Me The Night” features a blend of jazz, R&B, and pop elements. The harmonic progression showcases a series of descending chords, interspersed with borrowed chords that provide an interesting twist to the overall tonality of the piece.

Coldplay – Yellow – Bridge

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Chord Progression

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]

Chord Progression Analysis

“`
G (I)
D (V)
Cmaj7 (IVmaj7)
G (I)
D (V)
Cmaj7 (IVmaj7)
“`
We can see the common I – V – IV progression at work here, a popular progression in pop and rock music. The song uses the major seventh form of the IV (Cmaj7) that adds a slight tonal color.

Similar Chord Progressions

1. “Let it Be” by The Beatles:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
2. “No Woman, No Cry” by Bob Marley:
“`
C (I)
G (V)
Am (vi)
Fmaj7 (IVmaj7)
“`
These songs also use a variant of the I – V – vi – IV progression, with “Let it Be” also opting the major seventh form of the IV (like Cmaj7 in “Yellow”). It highlights the widespread use of these progressions in music across decades and genres.

Musical Analysis

The bridge in “Yellow” is characterized by a shift in dynamics and instrumentation, a technique commonly used by Coldplay for creating contrasting sections in their songs. The major 7th chord (Cmaj7) has a dreamy and lush sound, which brings a tender and emotional feeling, providing a perfect transition for their characteristic anthemic choruses.

Overall Analysis

“Yellow” by Coldplay is written in the key of G major. The song maintains a consistent use of diatonic chords from its own major key, with a predominant chord progression in the bridge and other sections being G – D – Cmaj7. Briefly, the song changes to a minor key using the Dm7 chord as a poignant moment in its structure.

Style Analysis

The use of maj7 chords is more typical of jazz, yet Coldplay uses them frequently in their genre of atmospheric rock music. This mix of pop rock with hints of jazz elements can be seen in other Coldplay songs too. Moreover, the progression perfectly supports the vocally sincere and elemental lyrics and melody that Martin (lead singer) is known for.

Chords in the Bridge section of Yellow by Coldplay are:

[‘G’, ‘D’, ‘Cmaj7’, ‘G’, ‘D’, ‘Cmaj7’]