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“Viva la Vida” mostly utilizes a four-chord progression thorough the song which is fairly common in popular music. The verse we are focusing on replicating the verse goes like this: C – D – G – Em. The chord progressions are pretty simple, catchy and give the song an uplifting feel.

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“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

Prince’s “Purple Rain” is a classic power ballad, rooted deeply in pop and rock genres. The chord progressions, with particular emphasis on the one given in Verse 3, underlines Prince’s lyricism and craft, showcasing his unique ability to blend seemingly simple chord progressions to evoke emotional and profound moods. The key of the song is G major.

Coldplay – Viva La Vida – Verse 3

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

Details with full chord names and their roman numerals are as below, and code block for borrowed chord:

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C Major (IV)
D Major (V)
G Major (I)
E minor (vi)
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Similar Chord Progressions

1. “Let It Be” by The Beatles:
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C Major (IV)
G Major (I)
A minor (ii)
E minor (vi)
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2. “No Woman, No Cry” by Bob Marley:
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C Major (IV)
G Major (I)
A minor (ii)
F Major (III)
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These songs share the same feature of transitioning from a IV or V chord to the I, then to the vi chord. This I-V-vi-IV pattern, which “Viva la Vida” follows, is one of the most common chord progressions in popular music.

Musical Analysis

The chord progression of “Viva la Vida” can be viewed in terms of tonic (I), subdominant (IV) and dominant (V) harmonic areas. The initial progression of C (IV) to D (V) creates a sense of movement and tension; G (I) comes across as a resolution or return to base after a journey, with the tension eased. The following E minor (vi) is a common minor substitute for the tonic that alters the colour of the progression and provides an effective contrast before returning to the beginning of the cycle.

Overall Analysis

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Style Analysis

The repeated chord progression throughout the song is a common feature in pop and rock music. It provides a strong harmonic backbone to support Coldplay’s catchy melody, and its simplicity allows for some level of predictability, which is relatable for listeners. The tone of the song is anthemic and uplifting due to the use of major and minor chords, this is signature to Coldplay’s music style which often combines rock and pop elements with layered textures and anthemic choruses.

Chords in the Verse 3 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]