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This is a simple and common chord progression often known as “four chords” used often in pop and rock music. The song is in G Major and the progression has a I-V-vi-IV pattern.

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The song “Yellow” by Coldplay uses a fairly standard pop/rock chord progression in the key of G major. It comprises three chords for the main progression: G Major (I), D Major (V), and Cmaj7 (IV7).

“As Tears Go By” by The Rolling Stones is a classic rock ballad featuring a simple, yet effective chord progression and harmonic language. The song is in the key of G major, and the chord progression features a mix of diatonic chords from the G major scale, with the non-diatonic A major chord included as a borrowed chord from the parallel minor (G minor) key.

The Beatles’ “Rocky Raccoon” incorporates a repeating sequence of predominantly seventh chords, displaying a mix of minor, dominant, and sustained chords within the and C Major/A minor keys. This diversity contributes to the song’s unique harmony, and given its context in a folk rock style, the progression exudes a rustic, storytelling personality.

“The Wind Cries Mary” by Jimi Hendrix is a classic example of the blending of blues, rock, and pop elements that characterizes Hendrix’s unique style. The chord progression in Verse 3 demonstrates Hendrix’s use of non-diatonic chords and chromatic harmony, while maintaining a strong sense of tonality and harmonic progression. The unconventional chord progression and the expressive guitar work contribute to the song’s lasting appeal.

Coldplay – Viva La Vida – Verse 3

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Chord Progression

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]

Chord Progression Analysis

Details with full chord names and their roman numerals are as below, and code block for borrowed chord:

“`
C Major (IV)
D Major (V)
G Major (I)
E minor (vi)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
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C Major (IV)
G Major (I)
A minor (ii)
E minor (vi)
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2. “No Woman, No Cry” by Bob Marley:
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C Major (IV)
G Major (I)
A minor (ii)
F Major (III)
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These songs share the same feature of transitioning from a IV or V chord to the I, then to the vi chord. This I-V-vi-IV pattern, which “Viva la Vida” follows, is one of the most common chord progressions in popular music.

Musical Analysis

The chord progression of “Viva la Vida” can be viewed in terms of tonic (I), subdominant (IV) and dominant (V) harmonic areas. The initial progression of C (IV) to D (V) creates a sense of movement and tension; G (I) comes across as a resolution or return to base after a journey, with the tension eased. The following E minor (vi) is a common minor substitute for the tonic that alters the colour of the progression and provides an effective contrast before returning to the beginning of the cycle.

Overall Analysis

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Style Analysis

The repeated chord progression throughout the song is a common feature in pop and rock music. It provides a strong harmonic backbone to support Coldplay’s catchy melody, and its simplicity allows for some level of predictability, which is relatable for listeners. The tone of the song is anthemic and uplifting due to the use of major and minor chords, this is signature to Coldplay’s music style which often combines rock and pop elements with layered textures and anthemic choruses.

Chords in the Verse 3 section of Viva La Vida by Coldplay are:

[‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’, ‘C’, ‘D’, ‘G’, ‘Em’]