Search

Related Music Theory Alchemy

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

“While My Guitar Gently Weeps” is in the key of A minor and quite uniquely, the song borrows chords from parallel major and minor keys, as well as from modes like mixolydian. It is one of George Harrison’s contributions to the Beatles and showcases sophisticated harmonic techniques and an intricate chordal design, reflecting deeply on the influence of Eastern music and philosophies on his songwriting.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

The song “The Outsider” by A Perfect Circle frequently uses the chord progression [‘B’, ‘B’, ‘A’, ‘E’] in the key of E major. When viewing the chords through the lens of E major we can identify the chord progression as ii, ii, V, I. Furthermore, It shows some interesting harmonic decisions throughout. Most notably, the band makes use of borrowed chords which are chords taken from the parallel minor (in this case E minor). Here, the borrowed chords include A major and C major.

Beck – Sexx Laws – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

B, G#, B, G#, B, G#, A, F#

Chord Progression Analysis

1. B Major (I)
2. G# Major (VI)
3. B Major (I)
4. G# Major (VI)
5. B Major (I)
6. G# Major (VI)
7. A Major (II – borrowed chord)
8. F# Major (V)

`[key change]`

Chord progression analysis including borrowed chord:

B Major (I), G# Major (VI), B Major (I), G# Major (VI), B Major (I), G# Major (VI), A Major (`bII` – borrowed chord from the Phrygian mode), F# Major (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
Chord progression:
C minor (i), Bb Major (VII), G Major (`III – borrowed chord`), A Major (IV)

2. Stevie Wonder – “Superstition” (Main riff)
Chord progression:
E flat minor (i), Bb minor(iv), Ab minor (`bIII`, borrowed chord), A Major (`iv`, borrowed chord)

3. The Beatles – “I Want You (She’s So Heavy)” (Verse)
Chord progression:
A Minor (i), G Major (VII), D Major (`IV – borrowed chord`), A Major (I)

Musical Analysis

This progression starts by alternating between the root chord (B Major) and the major sixth (G# Major), creating a sense of tension and intrigue as it shifts the tonal center. When it reaches the A Major chord (borrowed from the Phrygian mode), it brings an element of surprise and adds chromatic interest to the progression. Lastly, the F# Major chord functions as a dominant chord, resolving back to the root B Major, giving a sense of completion and resolution.

Overall Analysis

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Style Analysis

The combination of major and minor chords, as well as the presence of a borrowed chord, creates a distinct harmonic identity that can be found in several music genres, such as funk, jazz, blues, and rock. Beck is known for his ability to blend various styles and elements in his music, and “Sexx Laws” is no exception.

Chords in the Verse 1 section of Sexx Laws by Beck are:

B, G#, B, G#, B, G#, A, F#