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Related Music Theory Alchemy

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Viva La Vida” by Coldplay is a pop song that sits primarily in the key of G major, featuring four common chords: C Major, D Major, G Major, and E minor. The song’s simplicity lies in the consistent use of these chords, which creates a consistent harmony throughout the song.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

“I Am The Walrus” is a distinctive composition by the Beatles from their 1967 album “Magical Mystery Tour”. Known for its surreal lyrics and creative chord progression, the song displays the Beatles’ mastery of composition and their innovative use of harmony. The song features elements from psychedelic rock, a genre that the Beatles helped popularize during the mid-1960s.

Beck – Sexx Laws – Verse 1

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Chord Progression

B, G#, B, G#, B, G#, A, F#

Chord Progression Analysis

1. B Major (I)
2. G# Major (VI)
3. B Major (I)
4. G# Major (VI)
5. B Major (I)
6. G# Major (VI)
7. A Major (II – borrowed chord)
8. F# Major (V)

`[key change]`

Chord progression analysis including borrowed chord:

B Major (I), G# Major (VI), B Major (I), G# Major (VI), B Major (I), G# Major (VI), A Major (`bII` – borrowed chord from the Phrygian mode), F# Major (V)

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (Verse)
Chord progression:
C minor (i), Bb Major (VII), G Major (`III – borrowed chord`), A Major (IV)

2. Stevie Wonder – “Superstition” (Main riff)
Chord progression:
E flat minor (i), Bb minor(iv), Ab minor (`bIII`, borrowed chord), A Major (`iv`, borrowed chord)

3. The Beatles – “I Want You (She’s So Heavy)” (Verse)
Chord progression:
A Minor (i), G Major (VII), D Major (`IV – borrowed chord`), A Major (I)

Musical Analysis

This progression starts by alternating between the root chord (B Major) and the major sixth (G# Major), creating a sense of tension and intrigue as it shifts the tonal center. When it reaches the A Major chord (borrowed from the Phrygian mode), it brings an element of surprise and adds chromatic interest to the progression. Lastly, the F# Major chord functions as a dominant chord, resolving back to the root B Major, giving a sense of completion and resolution.

Overall Analysis

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

Style Analysis

The combination of major and minor chords, as well as the presence of a borrowed chord, creates a distinct harmonic identity that can be found in several music genres, such as funk, jazz, blues, and rock. Beck is known for his ability to blend various styles and elements in his music, and “Sexx Laws” is no exception.

Chords in the Verse 1 section of Sexx Laws by Beck are:

B, G#, B, G#, B, G#, A, F#