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Related Music Theory Alchemy

“Electric Feel” by MGMT is a funky and psychedelic pop song with an infectious groove and memorable hooks. The chorus consists of a chord progression that features a variety of diatonic chords along with a borrowed chord from the parallel minor key. The progression is based around oscillations between minor and major tonalities, which adds a sense of tension and release. This, combined with the rhythmic syncopation and psychedelic production, contributes to the iconic and unique character of the song.

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

“Buddy Holly” is a song by Weezer with an upbeat, pop-rock feel. It exists in the key of A major and showcases a recurring chord progression in its verse consisting of F#m, E/G#, and A.

“Iris” by Goo Goo Dolls is a song in the key of D Major, and uses a very common pop/rock chord progression. The sheer repetition of the progression throughout the verse establishes a solid harmonic background upon which the melody can freely roam. Chords include the primary triads (I, IV, V) which are D, G, A, minor variations of the secondary triads (ii, iii, vi), which are Em, F#m, Bm.

“Give Me The Night” is a jazz-funk composition with a rich harmonic texture and a catchy melody. It was produced by Quincy Jones and released in 1980. The verse chord progression of this piece features a series of diatonic seventh chords, with one borrowed chord from a parallel minor key, which are common to the jazz and R&B styles.

MGMT – Electric Feel – Verse 1

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

Here is the analysis of the chord progression, including the full chord names and their Roman numerals:

Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI)

`Borrowed chord: None for this progression`

Similar Chord Progressions

1. “Breathe” by Pink Floyd
Verse: Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV)

2. “Can’t Stop” by Red Hot Chili Peppers
Verse: Em9 (i), D (VII), Am (iv), Fmaj7 (VI)

3. “Gravity” by John Mayer
Verse: G7 (VII7), Cmaj7 (I), Em7 (iii), D (II)

While these examples may not have the exact same chord progression as “Electric Feel,” they share similarities in cyclical progressions and atmospheric vibes. The blend of major and minor chords in these progressions creates emotional depth and helps evoke different moods within listeners.

Musical Analysis

The verse progression begins with the tonic minor, Am7 (i), which sets the overall minor tonality. The progression then moves to Em (v), acting as a minor dominant. The following chords, F (VI) and G (VII), represent a temporary shift away from the minor tonality to the relative major. This shift adds a sense of brightness to the verse. The repetition of this pattern creates a cyclic, hypnotic feel, with the chords continually building tension and releasing back to the tonic minor.

Overall Analysis

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

Style Analysis

“Electric Feel” by MGMT showcases a blend of neo-psychedelic, funk, and dance music elements. The chord progression is rather simple, which highlights the groove and rhythm. The airiness of Am7’s sound and the alternate minor-major shift evoke a dreamy, kaleidoscopic atmosphere that is characteristic of the neo-psychedelic style.

Chords in the Verse 1 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F