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“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

MGMT – Electric Feel – Verse 1

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

Here is the analysis of the chord progression, including the full chord names and their Roman numerals:

Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI), Am7 (i), Em (v), F (VI), G (VII), Em (v), F (VI)

`Borrowed chord: None for this progression`

Similar Chord Progressions

1. “Breathe” by Pink Floyd
Verse: Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV), Em9 (v), A (IV)

2. “Can’t Stop” by Red Hot Chili Peppers
Verse: Em9 (i), D (VII), Am (iv), Fmaj7 (VI)

3. “Gravity” by John Mayer
Verse: G7 (VII7), Cmaj7 (I), Em7 (iii), D (II)

While these examples may not have the exact same chord progression as “Electric Feel,” they share similarities in cyclical progressions and atmospheric vibes. The blend of major and minor chords in these progressions creates emotional depth and helps evoke different moods within listeners.

Musical Analysis

The verse progression begins with the tonic minor, Am7 (i), which sets the overall minor tonality. The progression then moves to Em (v), acting as a minor dominant. The following chords, F (VI) and G (VII), represent a temporary shift away from the minor tonality to the relative major. This shift adds a sense of brightness to the verse. The repetition of this pattern creates a cyclic, hypnotic feel, with the chords continually building tension and releasing back to the tonic minor.

Overall Analysis

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

Style Analysis

“Electric Feel” by MGMT showcases a blend of neo-psychedelic, funk, and dance music elements. The chord progression is rather simple, which highlights the groove and rhythm. The airiness of Am7’s sound and the alternate minor-major shift evoke a dreamy, kaleidoscopic atmosphere that is characteristic of the neo-psychedelic style.

Chords in the Verse 1 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F