Search

Related Music Theory Alchemy

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

“Get You” by Daniel Caesar is a soulful R&B ballad featuring a smooth and emotive chord progression that is both melancholic and uplifting. The progression is derived from the key of D major, but features a borrowed chord from its parallel minor key, D minor, which adds a unique flair to the song. Daniel Caesar’s vocal performance, accompanied by soulful instrumentation, creates a sense of nostalgia and emotional evocation that is characteristic of the R&B genre.

Beck – Sexx Laws – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

E, G#, C#, G, F#, F, E, D, A, A#

Chord Progression Analysis

E Major (I), G# Major (bIII), C# Major (V/vi), G Major (bIII/iv), F# Major (II), F Major (bII), E Major (I), D Major (VII), A Major (IV), A# Diminished (iv°)

“`
Borrowed chords: G# Major, G Major, F Major, A# Diminished
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android” (in a different key): Bb Major (I), Db Major (bIII), F# Major (V/vi), Eb Major (IV), D Major (VII), A Major (IV), Bb Major (I)
2. The Beatles – “While My Guitar Gently Weeps” (in a different key): Am (i), A#dim (iidim), C#m7(b5) (ivm7b5), C (bIII), G (VII), F#dim (vidim), E (VI)

Each of these songs uses unexpected chords, borrowed chords, and chromatic elements, making them similar in style to the chord progression in “Sexx Laws” by Beck.

Musical Analysis

The progression begins and ends with the E major chord, which is the tonic chord, establishing a sense of E major as the tonal center. However, the second chord, G# Major, deviates from the diatonic chords in E major and is a borrowed chord. The movement from the E major to the G# Major introduces a chromaticism that is further enhanced by the following chords.

The inclusion of borrowed chords such as G Major, F Major, and the A# Diminished chord adds unexpected harmonic motion and color. The progression moves in chromatic and whole steps, creating a sense of tension and release. The use of parallel major chords, such as E, G#, C#, G, and F#, contributes to a classic rock sound.

Overall Analysis

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

Style Analysis

Beck is known for his diverse and innovative musical style, drawing from various genres such as rock, blues, and folk. This particular chord progression highlights Beck’s ability to combine traditional harmony with non-diatonic, unexpected, and chromatic elements. The classic rock-inspired parallel major chords, inject a vintage flavor, and the overall progression can be considered a unique blend fitting Beck’s eclectic style.

Chords in the Chorus section of Sexx Laws by Beck are:

E, G#, C#, G, F#, F, E, D, A, A#