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Related Music Theory Alchemy

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

The chord progression in the chorus of “Lost Cause” by Beck showcases a simple yet effective pattern utilizing major chords and a dominant seventh chord, which creates tension and resolution throughout the progression. The song is in C major, and the chords predominantly follow the diatonic harmony of the key. The style is reminiscent of folk and alternative rock, with the harmony playing a significant role in evoking a sense of melancholy in the listener.

The chord progression in the chorus of Radiohead’s “Knives Out” is an interesting and unconventional one, making use of some borrowed chords and a mix of major and minor tonalities. The overall style of the song can be described as alternative rock with some influences of jazz harmony and chromaticism, creating a unique and moody atmosphere. The progression is mostly diatonic, but it also incorporates some borrowed chords from parallel modes to add color and tension.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The chord progression in the chorus of “Endlessly” by Muse is an interesting mix of chords from related keys and chromatic alterations. The overall key of the piece is D minor, but there are some unexpected twists and turns that keep the harmonic journey unique and engaging.

Beck – Sexx Laws – Chorus

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Chord Progression

E, G#, C#, G, F#, F, E, D, A, A#

Chord Progression Analysis

E Major (I), G# Major (bIII), C# Major (V/vi), G Major (bIII/iv), F# Major (II), F Major (bII), E Major (I), D Major (VII), A Major (IV), A# Diminished (iv°)

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Borrowed chords: G# Major, G Major, F Major, A# Diminished
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Similar Chord Progressions

1. Radiohead – “Paranoid Android” (in a different key): Bb Major (I), Db Major (bIII), F# Major (V/vi), Eb Major (IV), D Major (VII), A Major (IV), Bb Major (I)
2. The Beatles – “While My Guitar Gently Weeps” (in a different key): Am (i), A#dim (iidim), C#m7(b5) (ivm7b5), C (bIII), G (VII), F#dim (vidim), E (VI)

Each of these songs uses unexpected chords, borrowed chords, and chromatic elements, making them similar in style to the chord progression in “Sexx Laws” by Beck.

Musical Analysis

The progression begins and ends with the E major chord, which is the tonic chord, establishing a sense of E major as the tonal center. However, the second chord, G# Major, deviates from the diatonic chords in E major and is a borrowed chord. The movement from the E major to the G# Major introduces a chromaticism that is further enhanced by the following chords.

The inclusion of borrowed chords such as G Major, F Major, and the A# Diminished chord adds unexpected harmonic motion and color. The progression moves in chromatic and whole steps, creating a sense of tension and release. The use of parallel major chords, such as E, G#, C#, G, and F#, contributes to a classic rock sound.

Overall Analysis

The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

Style Analysis

Beck is known for his diverse and innovative musical style, drawing from various genres such as rock, blues, and folk. This particular chord progression highlights Beck’s ability to combine traditional harmony with non-diatonic, unexpected, and chromatic elements. The classic rock-inspired parallel major chords, inject a vintage flavor, and the overall progression can be considered a unique blend fitting Beck’s eclectic style.

Chords in the Chorus section of Sexx Laws by Beck are:

E, G#, C#, G, F#, F, E, D, A, A#