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The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

The chord progression in Beck’s “Morning” is a 9-chord progression in the key of A major. This chord progression employs borrowed chords and has a unique structure that includes secondary dominant chords and mediant substitutions. The chords are mostly major with a mix of some minor chords.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Strawberry Fields Forever” by The Beatles is a significant example of their high level of technical composition skills. This track, which is played in the key of A Major, incorporates variations in the conventional chord progressions by using borrowed chords and shifting harmonic and melodic structures, showcasing their profound understanding of music theory and ability to use those ideas creatively.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

Beck – Lord Only Knows – Verse 3

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Chord Progression

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E

Chord Progression Analysis

B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II)

Borrowed Chords:
“`
D Major (bIII)
“`

Similar Chord Progressions

1. “Girl from the North Country” by Bob Dylan
Chord progression: D Major (I), G Major (IV), A Major (V), Bb Major (bIII), G Major (IV), D Major (I)

2. “Go Your Own Way” by Fleetwood Mac
Chord progression: F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (II), F Major (I), Bb Major (IV)

3. “The Weight” by The Band
Chord progression: G Major (I), Bb Major (bIII), F Major (VII), G Major (I), Bb Major (bIII), F Major (VII)

Note that these songs may not share the exact same chord progression as “Lord Only Knows” but they do have similarities, including the use of the borrowed bIII chord.

Musical Analysis

In this chord progression, the song starts in the key of B Major. The progression moves between the tonic (I), subdominant (IV), and dominant (V) chords, which are typical in tonal music. The interesting twist in this progression is the presence of the borrowed bIII chord (D Major).

The bIII chord (D Major) is borrowed from the parallel minor (B minor) and creates a feeling of tension and contrast to the tonal center of B Major. This tension-release dynamic adds depth and intrigue to the chord progression, giving it a sense of movement and unpredictability.

Overall Analysis

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Style Analysis

“Lord Only Knows” combines elements of folk, country, and alternative rock in its chord progression and arrangement. The use of the borrowed bIII chord in Verse 3 is reminiscent of the harmonic language found in folk and country music, while the slightly unconventional structure and the blend of major and minor chords lend a nod to the alternative rock genre.

Chords in the Verse 3 section of Lord Only Knows by Beck are:

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E