Search

Related Music Theory Alchemy

“Lord Only Knows” by Beck showcases a simple yet effective chord progression in its Verse 2. The harmonic foundation of this progression is based on the I – V – IV – I pattern, repeated four times. This pattern is common in many popular music genres, with the verse featuring a strong tonic-dominant relationship. The progression also displays an interesting mix of major and minor chords, adding a certain level of spice to the harmonic atmosphere present in the verse.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

“Boulevard of Broken Dreams” by Green Day is set in the key of E minor, and uses a recurrent sequence of four chords throughout the song: Em, G, D, and A. The prevalence of this progression endows the song with an air of melancholy, aligning with its lyrical themes of loneliness and disillusionment. These four chords create a harmonic loop that reflects the circulative narrative portrayed in the lyrics.

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

Beck – Lord Only Knows – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E

Chord Progression Analysis

B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II)

Borrowed Chords:
“`
D Major (bIII)
“`

Similar Chord Progressions

1. “Girl from the North Country” by Bob Dylan
Chord progression: D Major (I), G Major (IV), A Major (V), Bb Major (bIII), G Major (IV), D Major (I)

2. “Go Your Own Way” by Fleetwood Mac
Chord progression: F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (II), F Major (I), Bb Major (IV)

3. “The Weight” by The Band
Chord progression: G Major (I), Bb Major (bIII), F Major (VII), G Major (I), Bb Major (bIII), F Major (VII)

Note that these songs may not share the exact same chord progression as “Lord Only Knows” but they do have similarities, including the use of the borrowed bIII chord.

Musical Analysis

In this chord progression, the song starts in the key of B Major. The progression moves between the tonic (I), subdominant (IV), and dominant (V) chords, which are typical in tonal music. The interesting twist in this progression is the presence of the borrowed bIII chord (D Major).

The bIII chord (D Major) is borrowed from the parallel minor (B minor) and creates a feeling of tension and contrast to the tonal center of B Major. This tension-release dynamic adds depth and intrigue to the chord progression, giving it a sense of movement and unpredictability.

Overall Analysis

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Style Analysis

“Lord Only Knows” combines elements of folk, country, and alternative rock in its chord progression and arrangement. The use of the borrowed bIII chord in Verse 3 is reminiscent of the harmonic language found in folk and country music, while the slightly unconventional structure and the blend of major and minor chords lend a nod to the alternative rock genre.

Chords in the Verse 3 section of Lord Only Knows by Beck are:

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E