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Related Music Theory Alchemy

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Viva la Vida” by Coldplay is predominantly in the key of G Major, and the main chord progression is a four-chord loop: C, D, G, Em, which repeats throughout the song. The chord progression creates a highly emotional, triumphant atmosphere which reflects the lyrics and overall theme of the song. The use of the B minor chord, the flattened third, later in the song adds some depth and complexity to the harmonic structure and provides a relief from the repetition of the main progression.

Beck – Lord Only Knows – Verse 3

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Chord Progression

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E

Chord Progression Analysis

B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II)

Borrowed Chords:
“`
D Major (bIII)
“`

Similar Chord Progressions

1. “Girl from the North Country” by Bob Dylan
Chord progression: D Major (I), G Major (IV), A Major (V), Bb Major (bIII), G Major (IV), D Major (I)

2. “Go Your Own Way” by Fleetwood Mac
Chord progression: F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (II), F Major (I), Bb Major (IV)

3. “The Weight” by The Band
Chord progression: G Major (I), Bb Major (bIII), F Major (VII), G Major (I), Bb Major (bIII), F Major (VII)

Note that these songs may not share the exact same chord progression as “Lord Only Knows” but they do have similarities, including the use of the borrowed bIII chord.

Musical Analysis

In this chord progression, the song starts in the key of B Major. The progression moves between the tonic (I), subdominant (IV), and dominant (V) chords, which are typical in tonal music. The interesting twist in this progression is the presence of the borrowed bIII chord (D Major).

The bIII chord (D Major) is borrowed from the parallel minor (B minor) and creates a feeling of tension and contrast to the tonal center of B Major. This tension-release dynamic adds depth and intrigue to the chord progression, giving it a sense of movement and unpredictability.

Overall Analysis

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Style Analysis

“Lord Only Knows” combines elements of folk, country, and alternative rock in its chord progression and arrangement. The use of the borrowed bIII chord in Verse 3 is reminiscent of the harmonic language found in folk and country music, while the slightly unconventional structure and the blend of major and minor chords lend a nod to the alternative rock genre.

Chords in the Verse 3 section of Lord Only Knows by Beck are:

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E