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Related Music Theory Alchemy

“Heart Is A Drum” by Beck is a simple, yet emotional and effective piece, written in the key of C major. The chord progression of the verse revolves around the tonic (C) and the subdominant (Dm7), resulting in a gentle, down-to-earth feel, characteristic of Beck’s folk and alternative music influences.

The chord progression in the outro of Beck’s “Say Goodbye” is an interesting combination of diatonic and chromatic elements. The use of the borrowed chord A# major in the mostly diatonic setting adds an unexpected twist to the progression, creating a unique and expressive harmonic landscape.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

“You And Whose Army?” by Radiohead is an alternative rock song featuring an interesting chord progression in the bridge. The chord progression is characterized by its dynamic movement and integration of non-diatonic chords. The progression is in the key of C# minor, and it displays unique qualities that allow it to stand out from traditional chord progressions. The combination of borrowed chords and voice leading creates a sense of tension and excitement, which contributes to the song’s overall atmosphere.

Beck – Heart Is A Drum – Bridge

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Chord Progression

G, Dm7, F, G, Dm7, F, C

Chord Progression Analysis

G Major (I), D minor 7 (v7), F Major (♭VII), G Major (I), D minor 7 (v7), F Major (♭VII), C Major (IV)

Borrowed Chord:
`D minor 7 (v7)`

Similar Chord Progressions

1. Radiohead – “High and Dry” (Verse): [‘F’, ‘G’, ‘Am’, ‘F’, ‘G’, ‘A#’, ‘C’]
F Major (I), G Major (II), A minor (iii), F Major (I), G Major (II), B♭ Major (♭IV), C Major (V)

2. The Beatles – “Here, There and Everywhere” (Verse): [‘G’, ‘Bm7’, ‘E♭’, ‘Gb’, ‘G’, ‘Dm7’, ‘G’]
G Major (I), B minor 7 (iii7), E♭ Major (♭VI), G♭ Major (♭I), G Major (I), D minor 7 (v7), G Major (I)

These examples also feature a mix of diatonic and borrowed chords, as well as primary and secondary chords, creating an intriguing harmonic landscape. They showcase the versatility of popular music and how mixing chord types can evoke emotions and create interesting progressions.

Musical Analysis

The chord progression begins with the I chord (G Major) as the tonic, establishing the key center for the bridge. The second chord introduces a borrowed chord from the parallel minor key, G minor, which is the v7 (D minor 7). This adds some emotional color and unexpectedness to the progression.

Following the borrowed chord, we have a ♭VII (F Major), another non-diatonic chord that’s common in popular music. It moves back to the I chord (G Major), re-establishing the tonal center. The next two chords, Dm7 and F Major, are a repetition of the v7 and ♭VII respectively, reinforcing the pattern. The progression then concludes with the IV chord (C Major), often used in popular music as a pre-dominant chord that leads back to the tonic.

Overall Analysis

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

Style Analysis

This chord progression is present in the bridge of the song, which often seeks to provide a contrast to the verses and choruses in many popular music styles. The use of borrowed chords and non-diatonic chords adds a level of sophistication compared to a standard diatonic progression. The mixture of major and minor chords also provides a balance between happiness and melancholy, which is characteristic of Beck’s writing style.

Chords in the Bridge section of Heart Is A Drum by Beck are:

G, Dm7, F, G, Dm7, F, C