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The chord progression in the hook of Beck’s “Heart Is A Drum” is in the key of C major and follows a strong diatonic harmonic structure, with the exception of the Dm7, which acts as a borrowed chord from the parallel minor (C minor). The progression exudes a feeling of longing and nostalgia, typical of many popular songs in the indie-folk genre.

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

“Perfect Situation” by Weezer is a rock song with a combination of major and minor chords, giving it a feeling of both tension and resolution. The chord progression in the bridge features a i-iv-VII-VIII pattern in the key of E minor, which is common in rock and pop music. The bridge consists mainly of triads with some possible extensions or added notes depending on how they are voiced.

“Miss You” by The Rolling Stones is in the key of A minor. The main chord progression in the song is quite consistent — Am, Dm, Am, Am, Dm, Am, Am, Dm — with some variations in the bridge. The song’s chord progression is bluesy in nature, given the usage of minor chords and the parallel movement. In particular, the usage of E, the V chord in A Minor, gives a resolution back to the root chord (Am), which gives the song a sense of tension and release.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Beck – Heart Is A Drum – Bridge

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Chord Progression

G, Dm7, F, G, Dm7, F, C

Chord Progression Analysis

G Major (I), D minor 7 (v7), F Major (♭VII), G Major (I), D minor 7 (v7), F Major (♭VII), C Major (IV)

Borrowed Chord:
`D minor 7 (v7)`

Similar Chord Progressions

1. Radiohead – “High and Dry” (Verse): [‘F’, ‘G’, ‘Am’, ‘F’, ‘G’, ‘A#’, ‘C’]
F Major (I), G Major (II), A minor (iii), F Major (I), G Major (II), B♭ Major (♭IV), C Major (V)

2. The Beatles – “Here, There and Everywhere” (Verse): [‘G’, ‘Bm7’, ‘E♭’, ‘Gb’, ‘G’, ‘Dm7’, ‘G’]
G Major (I), B minor 7 (iii7), E♭ Major (♭VI), G♭ Major (♭I), G Major (I), D minor 7 (v7), G Major (I)

These examples also feature a mix of diatonic and borrowed chords, as well as primary and secondary chords, creating an intriguing harmonic landscape. They showcase the versatility of popular music and how mixing chord types can evoke emotions and create interesting progressions.

Musical Analysis

The chord progression begins with the I chord (G Major) as the tonic, establishing the key center for the bridge. The second chord introduces a borrowed chord from the parallel minor key, G minor, which is the v7 (D minor 7). This adds some emotional color and unexpectedness to the progression.

Following the borrowed chord, we have a ♭VII (F Major), another non-diatonic chord that’s common in popular music. It moves back to the I chord (G Major), re-establishing the tonal center. The next two chords, Dm7 and F Major, are a repetition of the v7 and ♭VII respectively, reinforcing the pattern. The progression then concludes with the IV chord (C Major), often used in popular music as a pre-dominant chord that leads back to the tonic.

Overall Analysis

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

Style Analysis

This chord progression is present in the bridge of the song, which often seeks to provide a contrast to the verses and choruses in many popular music styles. The use of borrowed chords and non-diatonic chords adds a level of sophistication compared to a standard diatonic progression. The mixture of major and minor chords also provides a balance between happiness and melancholy, which is characteristic of Beck’s writing style.

Chords in the Bridge section of Heart Is A Drum by Beck are:

G, Dm7, F, G, Dm7, F, C