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Related Music Theory Alchemy

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

With a Little Help from My Friends’ exists in a rich harmonic landscape typical of the Beatles. Here, we can see signature moves like mixing major/minor tonalities, borrowed chords, and unconventional harmonic progressions.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The song “Take Me Home, Country Roads” by John Denver is written in the key of G Major. The chord progression in the bridge made use of the four main chords in this key, which are G, Em, C, and D along with an interesting use of the F chord, which is a borrowed chord from the parallel minor key of G minor.

Beck – Heart Is A Drum – Bridge

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Chord Progression

G, Dm7, F, G, Dm7, F, C

Chord Progression Analysis

G Major (I), D minor 7 (v7), F Major (♭VII), G Major (I), D minor 7 (v7), F Major (♭VII), C Major (IV)

Borrowed Chord:
`D minor 7 (v7)`

Similar Chord Progressions

1. Radiohead – “High and Dry” (Verse): [‘F’, ‘G’, ‘Am’, ‘F’, ‘G’, ‘A#’, ‘C’]
F Major (I), G Major (II), A minor (iii), F Major (I), G Major (II), B♭ Major (♭IV), C Major (V)

2. The Beatles – “Here, There and Everywhere” (Verse): [‘G’, ‘Bm7’, ‘E♭’, ‘Gb’, ‘G’, ‘Dm7’, ‘G’]
G Major (I), B minor 7 (iii7), E♭ Major (♭VI), G♭ Major (♭I), G Major (I), D minor 7 (v7), G Major (I)

These examples also feature a mix of diatonic and borrowed chords, as well as primary and secondary chords, creating an intriguing harmonic landscape. They showcase the versatility of popular music and how mixing chord types can evoke emotions and create interesting progressions.

Musical Analysis

The chord progression begins with the I chord (G Major) as the tonic, establishing the key center for the bridge. The second chord introduces a borrowed chord from the parallel minor key, G minor, which is the v7 (D minor 7). This adds some emotional color and unexpectedness to the progression.

Following the borrowed chord, we have a ♭VII (F Major), another non-diatonic chord that’s common in popular music. It moves back to the I chord (G Major), re-establishing the tonal center. The next two chords, Dm7 and F Major, are a repetition of the v7 and ♭VII respectively, reinforcing the pattern. The progression then concludes with the IV chord (C Major), often used in popular music as a pre-dominant chord that leads back to the tonic.

Overall Analysis

The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

Style Analysis

This chord progression is present in the bridge of the song, which often seeks to provide a contrast to the verses and choruses in many popular music styles. The use of borrowed chords and non-diatonic chords adds a level of sophistication compared to a standard diatonic progression. The mixture of major and minor chords also provides a balance between happiness and melancholy, which is characteristic of Beck’s writing style.

Chords in the Bridge section of Heart Is A Drum by Beck are:

G, Dm7, F, G, Dm7, F, C