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Related Music Theory Alchemy

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

The song “The Outsider” by A Perfect Circle has a main key signature of E major, as indicated by the repeated occurrences of the chords B, A, and E. The overall structure is tonal, using chords common in Western music. Some elements of modality are observable though, with the use of the C chord, which in traditional music theory would be considered a borrowed chord from the parallel E minor scale. A sense of tension and release is created through the use of these non-diatonic chords, which ultimately helps to maintain the listener’s interest.

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

A Perfect Circle – 3 Libras Acoustic Live – Chorus

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Chord Progression

[‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’]

Chord Progression Analysis

The song appears to be in the key of E Minor. The configuration as presented suggests a repeated sequence of E, C, and F chords during the chorus. This can be broken down into the following:

E Major (‘I’)
C Major (‘VI’)
F Major (‘II’)

Notably, the ‘II’ chord (F Major) seems to be a borrowed chord, since in the key of E minor, the ‘II’ chord is typically diminished (F#dim). Borrowed chords are a technique that can add interest and unexpected twists to a composition.

“` Borrowed Chord: F Major (‘II’) “`

Similar Chord Progressions

1. Radiohead’s “Creep” also uses a similar chord progression (I – III – IV – iv) although with a major key center. It also borrows the ‘iv’ chord from the parallel minor key, again creating an unexpected twist similar to the ‘II’ in “3 Libras.”

Chord progression:
G Major (‘I’) -> B Major (‘III’) -> C Major (‘IV’) -> C minor (‘iv’)

2. The Beatles’ “While My Guitar Gently Weeps” also uses a I – VI – II progression in a minor key, similar to “3 Libras Acoustic Live.”

Chord progression:
Am (‘i’) -> F Major(‘VI’) -> D Major(‘II’)

Please note that exact musical phenomena like borrowed chords and their specific effects can differ between songs due to other factors such as melody, rhythm, instrumentation, or lyrics.

Musical Analysis

The borrowed ‘II’ chord creates a surprise in the harmony, as its Major quality isn’t expected within the typical key of E minor. While II-V-I progressions are very common in jazz, in the rock context (such as A Perfect Circle’s music), they are less standard and thus create a distinctive sound. As this progression repeats, it creates a loop of unresolved tension. This contributes to the overall moody and melancholy character of the song.

Overall Analysis

“3 Libras Acoustic Live” by A Perfect Circle revolves around a rock ballad style with an alternative rock genre. It features distinctive chord progressions and some borrowing from outside of the primary key. The harmonic progression in the chorus is relatively simple but contributes to the melancholic and introspective atmosphere of the song.

Style Analysis

The style of “3 Libras Acoustic Live” is distinguished by its heavy melodic emphasis and its unorthodox harmonic choices. The borrowed chord, and the ethereal, brooding aesthetic it helps to produce, is fitting for A Perfect Circle’s alternative rock style. The cyclical progression and repetition also contribute to a sense of introspection and ongoing struggle, consistent with the lyrical themes of loneliness and alienation.

Chords in the Chorus section of 3 Libras Acoustic Live by A Perfect Circle are:

[‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’, ‘E’, ‘E’, ‘C’, ‘F’]