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Related Music Theory Alchemy

The song “Get You” by Daniel Caesar features a smooth and soulful chord progression that reflects the style of contemporary R&B and neo-soul. The chords provide a sense of warmth and sincerity that complements the song’s intimate lyrics. The progression is primarily diatonic, but with some borrowed chords, which adds an interesting color to the music.

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

“Landslide” by The Smashing Pumpkins is a subtly complicated piece of music. At first glance, the chord progression may seem simple, but it actually incorporates a number of rich musical techniques that give the song its iconic depth and emotional resonance. The song follows a simple yet powerful chord progression and relies heavily on the interplay between the root C major chord, the G6, and the Am minor. There is a recurring theme of returning to the G6, which creates tension and suggests feelings of melancholy or introspection.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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Daniel Caesar – Get You – Verse 3

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

“`
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
“`
Bm7 (i7)
Gmaj7 (♭VI7)
F#m7 (v7)
E (IV)
A7 (V7/♭VII)
“`

2. John Mayer – “Gravity”
“`
C#m7 (i7)
A7 (♭VI7/V7)
E (V)
B7 (II7)
Aadd9 (IVadd9)
“`

3. Erykah Badu – “On & On”
“`
Em7 (i7)
Am7 (iv7)
Bb (♭V)
Gmaj7 (III7)
“`

Musical Analysis

The progression starts with the vi chord (E minor), moving to the v7 chord (F# minor 7), which enhances the depth and complexity of the harmonic structure. The i chord (B minor) establishes the tonality of the piece, and the V7/♭VII chord (A7) is a borrowed chord from the parallel minor, providing a strong pull to resolve back to the vi chord (Em) and start the cycle again. This “borrowed chord” adds a distinct flavor to the progression.

Overall Analysis

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Style Analysis

Daniel Caesar’s “Get You” is an example of a contemporary R&B and neo-soul sound. This style is characterized by lush harmonies and the prominent use of smooth, extended chords, with a warm and intimate vibe. The borrowed chords, sevenths, and modal mixture contribute to the rich harmonic texture that is typical of this music genre.

Chords in the Verse 3 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7