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Related Music Theory Alchemy

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

The chord progression of “Get You” by Daniel Caesar is intriguing and rich. The progression has a smooth, soulful sound with interesting uses of borrowed chords that add an alluring complexity to the song.

“And I Love Her” is a masterful composition by The Beatles that beautifully demonstrates their ability to mix pop songwriting with complexities of harmonic journey. The song is in the key of E Major, which is unique for being a popular song written by the Beatles in a major key. The main repeating chord progression of the Verse 3 is a progression that modulates between F# minor (the relative minor of A Major, which is the subdominant of E Major), and C# minor (the relative minor of E Major, the original key). The progression’s use of E6 at the end, which is a borrowed chord from the parallel minor (E minor), adds a unique flavor of sixth interval. Finally, it concludes on E6, a somewhat uncommon way to ground a song within a major key.

“Sorry Seems to Be the Hardest Word” by Elton John employs interesting chord progressions and borrows chords from other modes and keys, contributing to its melancholy, yet dynamically expressive mood. The song is set in E minor and uses basic chord progressions, some more sophisticated ones, and many borrowed chords.

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“Sour Times” by Portishead is a song with a complex and intriguing chord progression. It blends minor key tonality with modulations and chromaticism to give it a mysterious and brooding atmosphere. The song is primarily in the key of C# minor and features some borrowed chords and inversions that color the overall progression.

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Daniel Caesar – Get You – Verse 3

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

“`
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
“`
Bm7 (i7)
Gmaj7 (♭VI7)
F#m7 (v7)
E (IV)
A7 (V7/♭VII)
“`

2. John Mayer – “Gravity”
“`
C#m7 (i7)
A7 (♭VI7/V7)
E (V)
B7 (II7)
Aadd9 (IVadd9)
“`

3. Erykah Badu – “On & On”
“`
Em7 (i7)
Am7 (iv7)
Bb (♭V)
Gmaj7 (III7)
“`

Musical Analysis

The progression starts with the vi chord (E minor), moving to the v7 chord (F# minor 7), which enhances the depth and complexity of the harmonic structure. The i chord (B minor) establishes the tonality of the piece, and the V7/♭VII chord (A7) is a borrowed chord from the parallel minor, providing a strong pull to resolve back to the vi chord (Em) and start the cycle again. This “borrowed chord” adds a distinct flavor to the progression.

Overall Analysis

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Style Analysis

Daniel Caesar’s “Get You” is an example of a contemporary R&B and neo-soul sound. This style is characterized by lush harmonies and the prominent use of smooth, extended chords, with a warm and intimate vibe. The borrowed chords, sevenths, and modal mixture contribute to the rich harmonic texture that is typical of this music genre.

Chords in the Verse 3 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7