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Related Music Theory Alchemy

The chord progression in Daniel Caesar’s “Get You” from Verse 4 features a mixture of diatonic chords and borrowed chords from parallel modes. The progression showcases a smooth, soulful, and somewhat melancholic atmosphere that blends elements of R&B, jazz, and neo-soul.

The chord progression in Verse 2 of “Get You” by Daniel Caesar features some interesting and often non-diatonic chords. It provides a smooth and lush sound that complements the rest of the song. This progression shows influences from R&B and neo-soul genres, which often use extended and borrowed chords.

“Sometimes It Snows In April” is a song by Prince in the pop style. It’s characterized by its use of extended and added note chords, as seen in the chord progression for Verse 3. This advanced harmonic content gives the song a distinct, rich, and complex musical texture, typical of Prince’s style.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Daniel Caesar – Get You – Verse 3

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Chord Progression

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7

Chord Progression Analysis

“`
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
Em (vi)
F#m7 (v7)
Bm (i)
A7 (V7/♭VII)
“`

Similar Chord Progressions

1. D’Angelo – “Untitled (How Does It Feel)”
“`
Bm7 (i7)
Gmaj7 (♭VI7)
F#m7 (v7)
E (IV)
A7 (V7/♭VII)
“`

2. John Mayer – “Gravity”
“`
C#m7 (i7)
A7 (♭VI7/V7)
E (V)
B7 (II7)
Aadd9 (IVadd9)
“`

3. Erykah Badu – “On & On”
“`
Em7 (i7)
Am7 (iv7)
Bb (♭V)
Gmaj7 (III7)
“`

Musical Analysis

The progression starts with the vi chord (E minor), moving to the v7 chord (F# minor 7), which enhances the depth and complexity of the harmonic structure. The i chord (B minor) establishes the tonality of the piece, and the V7/♭VII chord (A7) is a borrowed chord from the parallel minor, providing a strong pull to resolve back to the vi chord (Em) and start the cycle again. This “borrowed chord” adds a distinct flavor to the progression.

Overall Analysis

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

Style Analysis

Daniel Caesar’s “Get You” is an example of a contemporary R&B and neo-soul sound. This style is characterized by lush harmonies and the prominent use of smooth, extended chords, with a warm and intimate vibe. The borrowed chords, sevenths, and modal mixture contribute to the rich harmonic texture that is typical of this music genre.

Chords in the Verse 3 section of Get You by Daniel Caesar are:

Em, F#m7, Bm, A7, Em, F#m7, Bm, A7