Search

Related Music Theory Alchemy

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

The given chord progression of Weezer’s “California Kids” features a verse in the key of C major. The progression primarily uses diatonic chords, with a more unconventional movement that features the use of a C/B chord, or I chord with the bass note played in the seventh degree (leads to tonicization of the vi chord). The progression also features a common IV-V movement that is a characteristic of pop and rock music.

**

“Riptide,” by Vance Joy has a classic, highly repetitive chord progression that creates the folk/pop character of the song. It is written in the key of C Major and uses the simplified I-IV-vi progression, which is also widely used in pop music. In addition, it has a common modulated transition via V chord (G) to the vi chord (Am). There are no borrowed chords in this progression. This repetitive structure can be appealing due to its simplicity and familiarity.

**

MGMT – When You Die – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I) – Em (vi) – F#m (♯vii°) – Bm (iii) – G Major (I) – F#m (♯vii°) – Bm (iii) – E Major (VI) – A Major (II)

“`
F#m (♯vii°) – Borrowed chord from G Lydian
E Major (VI) – Borrowed chord from G Mixolydian
A Major (II) – Borrowed chord from G Mixolydian
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
[‘G’, ‘Fsus2’, ‘Em’, ‘A’, ‘Dm’, ‘Bb’, ‘C’]

2. The Beatles – “Strawberry Fields Forever”
[‘A’, ‘G’, ‘D’, ‘E’, ‘F#m’, ‘F’, ‘D’]

These examples showcase similar uses of borrowed chords, surprising modulations, and interesting harmonic movements, drawing on different modal elements and chromaticism to create an engaging listening experience.

Musical Analysis

The verse begins with the I-vi progression, which is a common move in pop and rock music to create a sense of stability. The progression then takes a surprising turn with the appearance of the borrowed F#m chord, which introduces a level of dissonance and tension. This tension is continued with the Bm chord and then resolved by returning to the G major.

The progression moves through another F#m-Bm sequence before a modulation occurs to the relative minor key of E minor. In this section, E major and A major chords are introduced, both borrowed chords from the G Mixolydian mode. This creates an effective contrast with the initial part of the verse, and introduces an additional dimension in the harmony.

Overall Analysis

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

Style Analysis

As an indie rock/electronic fusion band, MGMT often experiments with different harmonic textures and structures. The chord progression in “When You Die” is a good example of this, as it combines familiar diatonic harmonic movement with chromaticism and modal interchange. This blending of styles keeps the music fresh and engaging while retaining a strong emotional message. The inclusion of borrowed chords adds to the overall melancholic and atmospheric tone that is characteristic of MGMT’s work.

Chords in the Verse 1 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A