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Related Music Theory Alchemy

“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

“Since I’ve Been Loving You” by Led Zeppelin is a slow-tempo blues-rock song featuring a sophisticated and expressive chord progression that falls predominantly within the C minor key, standing out from the more traditional blues structures. The chords in the verse display a creative use of borrowed chords and chromaticism, contributing to the song’s moody and emotionally-evocative atmosphere. The progression is less common in rock music, which is what makes it characteristic of Led Zeppelin’s innovative musical explorations.

David Bowie’s song, “Space Oddity,” is typically interpreted as being in the key of C Major. It’s an interesting song harmonically, featuring not just Primary Triads and Secondary Dominants but also uses Borrowed Chords, non-functional harmony, and chromatic chord changes. The kind of harmonic movement might be called Bowie’s deviation from the traditional harmonic patterns, which is part of what gives his music its characteristic ‘alien’ vibe. This progression has a more modal feeling due to the use of borrowed chords and the shifted tonal center.

“Kiss” by Prince is a well-loved song known for its catchy tune and funky, upbeat style. The song is composed in the key of A major. However, it lacks typical diatonic major harmonies because Prince used power chords (fifth chords) instead of full major or minor chords. The progression is largely built around the ‘A5’ and ‘D5’ power chords, with the occasional ‘E5’ and ‘E9sus4’ worked in to add some variation.

MGMT – When You Die – Verse 1

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I) – Em (vi) – F#m (♯vii°) – Bm (iii) – G Major (I) – F#m (♯vii°) – Bm (iii) – E Major (VI) – A Major (II)

“`
F#m (♯vii°) – Borrowed chord from G Lydian
E Major (VI) – Borrowed chord from G Mixolydian
A Major (II) – Borrowed chord from G Mixolydian
“`

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
[‘G’, ‘Fsus2’, ‘Em’, ‘A’, ‘Dm’, ‘Bb’, ‘C’]

2. The Beatles – “Strawberry Fields Forever”
[‘A’, ‘G’, ‘D’, ‘E’, ‘F#m’, ‘F’, ‘D’]

These examples showcase similar uses of borrowed chords, surprising modulations, and interesting harmonic movements, drawing on different modal elements and chromaticism to create an engaging listening experience.

Musical Analysis

The verse begins with the I-vi progression, which is a common move in pop and rock music to create a sense of stability. The progression then takes a surprising turn with the appearance of the borrowed F#m chord, which introduces a level of dissonance and tension. This tension is continued with the Bm chord and then resolved by returning to the G major.

The progression moves through another F#m-Bm sequence before a modulation occurs to the relative minor key of E minor. In this section, E major and A major chords are introduced, both borrowed chords from the G Mixolydian mode. This creates an effective contrast with the initial part of the verse, and introduces an additional dimension in the harmony.

Overall Analysis

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

Style Analysis

As an indie rock/electronic fusion band, MGMT often experiments with different harmonic textures and structures. The chord progression in “When You Die” is a good example of this, as it combines familiar diatonic harmonic movement with chromaticism and modal interchange. This blending of styles keeps the music fresh and engaging while retaining a strong emotional message. The inclusion of borrowed chords adds to the overall melancholic and atmospheric tone that is characteristic of MGMT’s work.

Chords in the Verse 1 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A