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“When You Die” by MGMT features a fairly unconventional chord progression that mixes elements of rock, pop, and classic psychedelia. The progression creates tension and intrigue through the use of extended harmonies, chromaticism, and borrowed chords. The distinctiveness of this progression contributes to the song’s unique sound.

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

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The overall use of chords highlights Queen’s blending of rock with more complex harmonic structures, moving beyond simple major & minor chords and incorporating 7th and inversions. Despite its pop/rock surface, “Somebody to Love” includes interesting modulation and chord choices that could be seen as more typical of more ‘classical’ forms of music.

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“Wild Horses” by the Rolling Stones is a song in the key of G Major with a chord progression marked by the use of common chords and a few borrowed chords from other keys. The usage of minor and major chords conjures a variety of emotions synonymous with the mood of the song. The repetitive nature of the sequence creates a cyclical feeling that gives a strong sense of the song’s emotional journey.

The chord progression in the verse of Beck’s “Sexx Laws” is a blend of major and minor chords, which creates a unique and somewhat unpredictable sound. The progression shifts between the key of B major and G# minor, reflecting an adventurous approach to harmony. The style of this progression has a hint of funk and jazz, with a touch of blues.

MGMT – When You Die – Verse 1

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Chord Progression

G, Em, F#m, Bm, G, F#m, Bm, E, A

Chord Progression Analysis

G Major (I) – Em (vi) – F#m (♯vii°) – Bm (iii) – G Major (I) – F#m (♯vii°) – Bm (iii) – E Major (VI) – A Major (II)

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F#m (♯vii°) – Borrowed chord from G Lydian
E Major (VI) – Borrowed chord from G Mixolydian
A Major (II) – Borrowed chord from G Mixolydian
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Similar Chord Progressions

1. Radiohead – “Paranoid Android”
[‘G’, ‘Fsus2’, ‘Em’, ‘A’, ‘Dm’, ‘Bb’, ‘C’]

2. The Beatles – “Strawberry Fields Forever”
[‘A’, ‘G’, ‘D’, ‘E’, ‘F#m’, ‘F’, ‘D’]

These examples showcase similar uses of borrowed chords, surprising modulations, and interesting harmonic movements, drawing on different modal elements and chromaticism to create an engaging listening experience.

Musical Analysis

The verse begins with the I-vi progression, which is a common move in pop and rock music to create a sense of stability. The progression then takes a surprising turn with the appearance of the borrowed F#m chord, which introduces a level of dissonance and tension. This tension is continued with the Bm chord and then resolved by returning to the G major.

The progression moves through another F#m-Bm sequence before a modulation occurs to the relative minor key of E minor. In this section, E major and A major chords are introduced, both borrowed chords from the G Mixolydian mode. This creates an effective contrast with the initial part of the verse, and introduces an additional dimension in the harmony.

Overall Analysis

The chord progression in the verse of “When You Die” by MGMT can be analyzed as a blend of traditional diatonic harmony and chromaticism. The song is in the key of G major with elements of modal interchange and a brief modulation to the relative minor key, E minor. The progression features a mix of both major and minor chords and gives the piece a sense of melancholy and uncertainty.

Style Analysis

As an indie rock/electronic fusion band, MGMT often experiments with different harmonic textures and structures. The chord progression in “When You Die” is a good example of this, as it combines familiar diatonic harmonic movement with chromaticism and modal interchange. This blending of styles keeps the music fresh and engaging while retaining a strong emotional message. The inclusion of borrowed chords adds to the overall melancholic and atmospheric tone that is characteristic of MGMT’s work.

Chords in the Verse 1 section of When You Die by MGMT are:

G, Em, F#m, Bm, G, F#m, Bm, E, A