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“Time To Pretend” features a simple and repetitive chord progression in the key of D major. The chord progression in the verse is characterized by a repeated pattern of D – G – D – Dsus2. The style of the song can be described as psychedelic synth-pop, with its electronic synth sounds and dream-like atmosphere. MGMT’s music often features catchy melodies and harmonies, which can also be heard in this song.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The song “1979” by The Smashing Pumpkins has a chord progression that can be considered experimental for Pop and Rock music, which typically tend to use simple and easily predictable progressions. In this song, the progression is notably more complex and unpredictable, shifting between ‘E’ and ‘Emaj7’ gives this track a moody feel, and the Amaj7 gives it another color. This progression is in the key of E major.

The song “Killer Queen” by Queen is primarily set in the key of F Major, while the Chorus 1 is in the key of G Major. The song’s harmonic voice leading and progressions reveal a sophisticated and nuanced approach that involves a continuous change of tonal center and utilization of secondary dominant and borrowed chords.

“Whole Lotta Love” by Led Zeppelin is a classic rock song that was released in 1969. The song features a signature riff that has become an iconic part of rock and roll history. The chorus of the song features a chord progression based on the alternating pattern of E and D Major chords, creating a groove that is both driving and catchy.

MGMT – Time To Pretend – Chorus 1

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Chord Progression

A, F#m, G, A, D, G, D, G, D, G, D

Chord Progression Analysis

“`
A Major (V) – F# Minor (iii) – G Major (IV♭) – A Major (V) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I) – G Major (IV♭) – D Major (I)
“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
“`
C Major (I) – G Major (V) – A Minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV) – C Major (I)
“`

2. “Champagne Supernova” by Oasis:
“`
A Major (I) – E Major (V) – F# Minor (vi) – D Major (IV) – G Major (♭VII) – A Major (I)
“`

While these examples may not have the exact same chord progressions as “Time To Pretend,” they share similar elements of modal mixture and non-conventional arrangements that contribute to their distinct and memorable sound.

Musical Analysis

The progression begins with A Major (V), the dominant of the key, creating a sense of tension before resolving to F# Minor (iii), the relative minor. The G Major (IV♭) is borrowed from the D Mixolydian mode. This chord achieves harmonic interest and adds a touch of instability, further highlighted by the return to the A Major (V) chord.

After the first four chords, the progression continues to D Major (I) – G Major (IV♭), reinforcing the tonality in D Major and continuing the mixture of the D Mixolydian mode. This alternation between I and IV♭ reiterates the foundation, providing a sense of grounding amidst the modal mixture.

Overall Analysis

“Time To Pretend” by MGMT features a non-conventional and interesting chord progression. The progression can be primarily analyzed in the key of D Major with a brief modulation to the relative minor (F#m). The chords are not sophisticated in terms of extensions, but the arrangement and harmonic movement provide a unique and memorable melody. This chorus is an example of diatonic and modal mixture, using chords not only from the primary key but also borrowing chords from other modes.

Style Analysis

“Time To Pretend” showcases MGMT’s distinct blend of psychedelic and indie rock. The chord progression reflects this style by incorporating elements of unpredictability and uniqueness. Synth-driven and with a clean mix, the looped chorus chords give a dreamy and atmospheric feel. This sound is reminiscent of some of the influential bands of the late 2000s.

Chords in the Chorus 1 section of Time To Pretend by MGMT are:

A, F#m, G, A, D, G, D, G, D, G, D