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The chord progression in the intro of “Loner” by Kali Uchis is a mixture of simple diatonic harmony and some more complex non-diatonic chords, which creates a jazzy and ethereal atmosphere. It is a 4-chord progression that resolves on F#m, making it a loop. The style of this progression is reminiscent of the Neo-Soul genre, and it can be found in some other songs across various musical styles.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

Taylor Swift’s “Black Dog” features a chorus that uses a sophisticated and intricate chord progression to drive the emotional depth and thematic elements of the song. This progression combines inversions and extensions to create a layered and textured musical atmosphere, reflecting the complexity of the song’s lyrics and enhancing its reflective nature.

The modality of the song “Yet Again” by Grizzly Bear is primarily in A minor, which makes it a piece in the minor modality. This song uses several traditional progression elements, but intermixes them with unexpected changes, especially the shift from E minor to F major, and the chromatic shift from G major to B flat major.

The song “Every Day is Exactly the Same” by Nine Inch Nails is in E minor key. The chord progression found in the chorus consists mainly of common chords found in the E minor key, along with a couple of borrowed chords from E major. The use of borrowed chords adds unique color and tension to the music.

Kali Uchis – Loner – Chorus

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Chord Progression

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m

Chord Progression Analysis

A Major 7 (I), A Flat Augmented (bVI+), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi), A Major 7 (I), A Flat (bVI), A Flat Minor (bVI-), F Sharp Minor (vi)

Borrowed Chords:
“`
A Flat Augmented (bVI+)
A Flat Minor (bVI-)
A Flat (bVI)
“`

Similar Chord Progressions

1. “Put It All on Me” by Ed Sheeran (ft. Ella Mai): [‘Gmaj7’, ‘Bm7’, ‘Em7’, ‘Amaj7’]
2. “Sara Smile” by Hall & Oates: [‘Dmaj7’, ‘Gmaj7’, ‘F#m’, ‘Gmaj7’, ‘Em7’]

While the exact progression in “Loner” is unique, these examples show arrangements with extended chords and the use of the I – vi progression, which are stylistically similar.

Musical Analysis

The progression begins with the tonic, A Major 7, establishing the tonality of the piece. The A Flat Augmented chord creates an interesting juxtaposition, borrowing the bVI+ from the parallel minor scale (A minor). Following this, the Abm chord is the bVI- in relation to the tonic, creating a brief moment of harmonic tension before resolving to the F Sharp Minor (vi) chord.

The Amaj7, Ab, Abm, and F#m repetition adds a sense of familiarity to the progression, while still maintaining its unique quality. The borrowed chords from parallel minor scales bring an added emotional depth and character to the progression.

Overall Analysis

The chord progression in Kali Uchis’ “Loner” features a mix of major, minor, and augmented chords, which contributes to the song’s unique sound and emotional depth. The progression has an unconventional and intriguing quality, while still maintaining a sense of harmonic coherence.

Style Analysis

The chord progression in Kali Uchis’ “Loner” reflects elements of R&B, soul, and jazz. The use of extended chords (such as Amaj7) and borrowed chords from parallel minor scales contribute to the song’s lush, expressive quality commonly found in these genres.

Chords in the Chorus section of Loner by Kali Uchis are:

Amaj7, Abaug, Abm, F#m, Amaj7, Ab, Abm, F#m, Amaj7, Ab, Abm, F#m