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Related Music Theory Alchemy

The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“Lost Cause” by Beck from the album “Sea Change” showcases a melancholic and heartfelt mood with a slow tempo, exuding a sense of introspection and vulnerability. The song can be described as a folk-rock ballad with subtle touches of country and indie rock.

MGMT – Electric Feel – Verse 2

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`
`Am7 (vi7) | Em (iii) | F (IV) | G (V) | Em (iii) | F (IV) |`

This chord progression is in the key of C major/A minor. The chords used create a sense of direction and evoke a dreamy feeling with the combination of minor and major chords.

Similar Chord Progressions

1. Fleetwood Mac – “Dreams”:
`Fmaj7 (IVmaj7) | G (V) | Am (vi) | Am (vi) / G (V)`

2. Radiohead – “Karma Police”:
`Am (vi) | Fmaj7 (IVmaj7) | Em (iii) | G (V)`

These songs share the same pattern of blending minor and major chords, creating a sense of tension and resolution, and have a catchy, hypnotic vibe.

Musical Analysis

The chords of the progression create a well-balanced blend between tension and resolution. The vi7 (Am7) chord starts the progression, providing a minor, slightly melancholic reflection of the tonic. The iii (Em) chord keeps a sense of suspense and leads well into the IV (F) chord. The V (G) chord is a dominant chord that creates tension, which is resolved back into the iii (Em) chord. The repetition of this pattern contributes to the catchy, hypnotic vibe of the track.

Overall Analysis

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

Style Analysis

“Electric Feel” features a fusion of styles, primarily combining electronic music, psychedelic pop, and funk. The song heavily relies on synths and digital effects, which give it a distinct, modern feel. The production is lush and layered, echoing the style of electronic music from the ’80s, a style that MGMT often references. Additionally, the funk element is especially noticeable in the groovy bass line and syncopated rhythm. The chord progression contributes to the song’s immersive atmosphere, further highlighting the band’s unique style.

Chords in the Verse 2 section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F