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The chorus of “The Good Life” by Weezer features a mixture of diatonic and non-diatonic chords, with a primary focus on the key of G major. The chord progression stands out as somewhat unconventional due to the inclusion of chromatic chords, which gives it an interesting character and emotion. Additionally, the repetition of certain chords emphasizes the harmonic structure and creates a sense of familiarity.

The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

“I Want To Hold Your Hand” by The Beatles is one of the band’s early hits noted for its crafty melodic hooks and harmonic structure attesting to their evolving musical sophistication. The chord progression of Verse 3 is a great reflection of this, using classic pop songwriting techniques such as the predominant use of I, IV and V chords along with a borrowed chord from another mode, that add to the emotional depth of the song.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

The chord progression of “Beast Of Burden” by The Rolling Stones from verse 3 appears to be a standard pop/rock progression with a bit of melodic flavor. It features the chords of E major, B major, C# minor, and A major.

The song is in the key of E Major as that’s the chord the progression starts and ends with, and most of the chords are from the E major scale. There are no borrowed chords, and the progression is repetitive, maintaining a loop throughout most of the song.

Let’s move on to the detailed chord progression analysis, chord names, and their roman numerals.

Weezer – The Good Life – Verse 3

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Chord Progression

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7

Chord Progression Analysis

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G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – E major (V/vi) – G major (I) – D major (V) – A minor (ii) – B7 (V/vi°)

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E major (V/vi) is borrowed from the parallel minor (G minor)
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Similar Chord Progressions

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1. Radiohead – “Creep”:
G major (I) – B major (V/vi) – C major (IV) – C minor (iv)

2. Oasis – “Wonderwall”:
C major (IV) – E major (V/vi) – A minor (ii) – G major (I) – D major (V) – E major (V/vi) – F# minor (iii) – D major (V)

3. The Beatles – “Something”:
C major (I) – C major 7 (I7) – C7 (I7) – F major (IV) – E major (V/vi) – A minor (vi) – A minor 7 (vi7) – D7 (V7)

All three songs feature similar elements like borrowed chords (E major as V/vi) or the use of diatonic chords in their progressions.

Musical Analysis

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The progression uses a combination of diatonic chords and a borrowed chord to create a sense of tension and resolution. The E major chord (V/vi) is borrowed from the parallel minor key (G minor) and serves as a secondary dominant, intensifying the resolution to the following G major chord (I). The E major chord can also be seen as a chromatic mediant relationship with the A minor (ii) chord, adding more color and interest to the progression. The D major (V) and A minor (ii) chords provide a sense of stability in the progression, anchoring it in the key of G major.

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Overall Analysis

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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Style Analysis

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The song “The Good Life” by Weezer is part of their alternative rock style, which is known for its power chords and catchy melodies. The chord progression features a mix of diatonic and borrowed chords, contributing to a rich and engaging harmonic landscape. This use of borrowed chords and secondary dominants is common in various genres like rock, pop, and jazz, giving music a sense of tension, surprise, and depth.

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Chords in the Verse 3 section of The Good Life by Weezer are:

G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, E, G, D, Am, B7