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Related Music Theory Alchemy

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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Beck – Think Im In Love – Bridge

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Chord Progression

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm

Chord Progression Analysis

– A minor (i)
– B flat Major (bII)
– G minor (viiº)
– B flat minor (bII)
– F Major (VI)
– A minor (i)
– A flat Major (bI)
– G minor (viiº)
– B flat minor (bII)

Notice that borrowed chords are quite prevalent in this progression, particularly the bII, which appears in both major and minor forms, suggesting the use of the Neapolitan chord.

Similar Chord Progressions

– The Beatles – “Strawberry Fields Forever” (Bridge): F# Major (V), G Major (VI♭), A Major (♭VII), E Major (IV)
– Radiohead – “Paranoid Android” (Section 2): Am (i), F#m (iv), Dm (vii), G (III), Bb (V), A (IV), Dbm (i)

Musical Analysis

The aforementioned Neapolitan chord (bII) in this progression provides a sense of harmonic tension, as it is not native to any diatonic major or minor scale. The resolution from Bbm to F may indicate a temporary modulation to F, particularly as the progression moves from F to Am, which may suggest a plagal motion. However, the use of Gm and Ab muddies the waters again, creating a sense of ambiguity and a lack of clear resolution.

Overall Analysis

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

Style Analysis

Beck is known for his eclectic style, combining elements of folk, rock, and electronica, among others. This chord progression is a reflection of this eclecticism, with its unconventional harmonies and key changes. It feels adventurous, experimental, and somewhat unpredictable, which is characteristic of Beck’s music.

Chords in the Bridge section of Think Im In Love by Beck are:

Am, Bb, Gm, Bbm, F, Am, Ab, Gm, Bbm