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Related Music Theory Alchemy

The chord progression in Beck’s “Morning” is an interesting mixture of diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression. The use of borrowed chords and the mix of major and minor keys gives the piece a flowing, emotional quality.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

“The Sound Of Silence” by Simon & Garfunkel is written in the key of Am and follows the Verse-Chorus form common in pop and rock music. The progression consists of a beachfront of common and borrowed chords, showing the use of modal interchange and diatonic chords in creating a memorable and emotive sound.

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

Beck – Morning – VERSE 2

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Chord Progression

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m

Chord Progression Analysis

E Major (I) – A Major (IV) – G# minor (iii) – F# minor (ii)

Similar Chord Progressions

1. “Let It Be” by The Beatles:
C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

2. “Creep” by Radiohead:
G Major (I) – B Major (III) – C Major (IV) – C minor (iv)

3. “Someone Like You” by Adele:
A Major (I) – E Major (V) – F# minor (vi) – D Major (IV)

4. “No Surprises” by Radiohead:
D Major (I) – B minor (vi) – G Major (IV) – G minor (iv)

Musical Analysis

This progression begins on the E Major tonic chord (I) which establishes the key center of the song. It then moves to the subdominant chord (IV), A Major, introducing warmth and color. Next, it resolves to the mediant, G# minor (iii), which shares two common tones with the A Major chord. This relationship provides a smooth transition that adds a melancholy element. Finally, the progression moves to the supertonic (ii), F# minor, adding tension and propelling the progression back to the tonic (I), E Major.

Overall Analysis

The chord progression in the verse 2 of Beck’s “Morning” is an example of a common progression in popular music, involving the I, IV, iii, and ii chords. The harmony is mostly diatonic, staying within the key of E major. The progression features regular 4-chord phrases and a smooth, consonant flow between chords.

Style Analysis

Beck’s “Morning” falls within the genre of indie folk and acoustic rock. The chord progression’s simplicity and diatonic nature are common in these genres, offering a comforting quality that supports storytelling lyrics. The use of easy-to-play open chords and repetitive nature contribute to the song’s accessibility for listeners and musicians alike.

Chords in the Verse 2 section of Morning by Beck are:

E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m, E, A, G#m, F#m