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The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The bridge of “Say Goodbye” by Beck features a simple two-chord progression. However, this simplicity allows space for an interesting interplay between melody and harmony while still evoking strong emotions. Despite being simple, the progression still manages to create a sense of tension and resolution.

“Hallelujah” is a song by singer-songwriter Jeff Buckley and is a cover of a song originally written by Leonard Cohen. The song is in the key of C major and features a moderate tempo with a 6/8 time signature. This particular chord progression, taken from the second verse, consists mainly of diatonic chords found within the key, but also includes a few borrowed chords and a secondary dominant, giving the song a sense of tension and release.

“Since I’ve Been Loving You” by Led Zeppelin is a slow blues ballad with a rich harmonic palette, featuring expressive guitar solos and a passionate, longing vocal performance. The song is characterized by its use of chromaticism, borrowed chords, and seventh chords, which contribute to its intense, bluesy atmosphere. The chord progression for Verse 2 displays a moody and introspective tone, which serves as the perfect backdrop for the plaintive lyrics and the emotional solos throughout the piece.

The piece “When I Was Your Man” by Bruno Mars showcases a common pop ballad structure that follows a typical 4-chord progression with common tone substitution as well as some chords borrowed from the relative minor. Its simplicity is one of its strengths as it allows the focus to fall on Bruno’s vocals and the lyrics, which matches the direct, emotional content of the song effectively.

Beck – Paper Tiger – Verse 2

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E (I), E7 (I7), Bm (v)

Borrowed Chords:
None

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Chord progression: Bm (i), E (IV), E7 (IV7), Bm (i)

2. Elliott Smith – “Angeles”
Chord progression: Em (i), E7 (V7), Am (iv), A7 (IV7)

In both of these examples, the progression features a minor chord followed by a major chord, and then a dominant seventh chord, similar to “Paper Tiger”. These progressions also have an alternative and melancholic feel, demonstrating the appeal and influence of this chord progression style in modern music.

Musical Analysis

The progression begins with the tonic or ‘home’ chord, E major, establishing the key of the song. The second chord, E7, is the dominant seventh of the E major scale, which adds tension to the progression, with the tritone between the major third (G#) and minor seventh (D) creating a strong urge to resolve. Next is Bm, a minor v chord which is a bit unusual in a major key as the usual chord would be the V (B major). However, this provides a slightly darker and more melancholic tone to the progression compared to the conventional major V chord.

Overall Analysis

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

Style Analysis

Beck is known for his genre-blending style and borrowing elements from various musical genres. In this case, the chord progression in “Paper Tiger” shows influences from genres like rock, folk, and alternative. The usage of the minor v chord contributes to the alternative and folk sound, as it diverges from the more traditional progressions commonly found in these genres.

Chords in the Verse 2 section of Paper Tiger by Beck are:

E, E7, Bm