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Related Music Theory Alchemy

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

The chord progression of “Say Goodbye” by Beck uses a combination of diatonic and borrowed chords within the key of G major. The verse features a total of 8 chords: G major, A# major, A minor, and C major. The use of a borrowed chord (A# major) adds an interesting twist to the progression and provides a unique color to the harmony.

The piece “3’s and 7’s” by Queens of The Stone Age illustrates a fascinating blend of minor and major tonality, accented dissonances, and unexpected harmonic turns, which is characteristic of the band’s stoner rock and alternative metal style. The verse 2 chord progression is in A# minor and it sticks to a fairly repetitive three-chord progression of A#m – G# – F.

“Honky Tonk Women” is a classic blues-infused rock and roll track, like many songs by The Rolling Stones. The guitar riffs and solo (though not discussed here) clearly show blues influence in their use of the pentatonic scale and common blues licks.

The chord progression used for verse 2 is a typical example of a classic rock chord progression, with a key center around G, utilizing the dominant chords of the key in a I-IV-I-V-IV-I-IV-I progression.

“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Beck – Paper Tiger – Verse 2

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E (I), E7 (I7), Bm (v)

Borrowed Chords:
None

Similar Chord Progressions

1. Radiohead – “Exit Music (For a Film)”
Chord progression: Bm (i), E (IV), E7 (IV7), Bm (i)

2. Elliott Smith – “Angeles”
Chord progression: Em (i), E7 (V7), Am (iv), A7 (IV7)

In both of these examples, the progression features a minor chord followed by a major chord, and then a dominant seventh chord, similar to “Paper Tiger”. These progressions also have an alternative and melancholic feel, demonstrating the appeal and influence of this chord progression style in modern music.

Musical Analysis

The progression begins with the tonic or ‘home’ chord, E major, establishing the key of the song. The second chord, E7, is the dominant seventh of the E major scale, which adds tension to the progression, with the tritone between the major third (G#) and minor seventh (D) creating a strong urge to resolve. Next is Bm, a minor v chord which is a bit unusual in a major key as the usual chord would be the V (B major). However, this provides a slightly darker and more melancholic tone to the progression compared to the conventional major V chord.

Overall Analysis

“Paper Tiger” by Beck is a unique and stylistic piece, displaying a blend of various genres and influences. The verse 2 chord progression is quite simple, but the harmonic choices create tension and provide a sense of movement throughout the progression. Combining the elements of rock, folk, and alternative music, this chord progression is both intriguing and musically satisfying.

Style Analysis

Beck is known for his genre-blending style and borrowing elements from various musical genres. In this case, the chord progression in “Paper Tiger” shows influences from genres like rock, folk, and alternative. The usage of the minor v chord contributes to the alternative and folk sound, as it diverges from the more traditional progressions commonly found in these genres.

Chords in the Verse 2 section of Paper Tiger by Beck are:

E, E7, Bm