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The chord progression in the chorus of “Paper Tiger” by Beck is an interesting mix of major and minor chords which gives the song a unique and slightly melancholic vibe. While the song is in the key of E major, it contains several chords borrowed from the parallel minor key and features unusual harmonic movement. This creates a sense of tension and release that is characteristic of Beck’s music.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

“Can You Feel The Love Tonight” by Elton John is a heart-touching love song that carries a smooth flowing blend of pop and soft rock, showing Elton John’s inclination to use diatonic (major and minor) chords, 7th chords and inversions. The song, largely stays in its home key of C major, has an interesting chord progression that shifts between the tonic, subdominant, and dominant. Internally, there are multiple secondary dominant chords and borrowing from the parallel minor, providing color and contrast.

Beck – Paper Tiger – Verse 1

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Chord Progression

E, E7, Bm

Chord Progression Analysis

E Major (I), E Dominant 7 (I7), B Minor (vi)

“`
E Major (I) – E Dominant 7 (I7) – B Minor (vi)
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Similar Chord Progressions

1. The Beatles – “I Saw Her Standing There”
Chord Progression: E Major (I) – E7 (I7) – A Major (IV) – B7 (V7)

2. Bob Dylan – “Like A Rolling Stone”
Chord Progression: C Major (I) – Fmaj7 (IVmaj7) – G Major (V) – A Minor (vi)

3. The Police – “Every Breath You Take”
Chord Progression: I Major (I) – VImaj7 (vi^maj7) – IVMaj7 (IV^maj7) – iv^min6 (iv^min6)

These examples show similar usage of dominant 7th chords and resolution to either the IV chord or the relative minor. They demonstrate how this type of chord progression is used in various genres to create distinct and memorable musical experiences.

Musical Analysis

The progression starts with the tonic chord, E Major (I), which establishes the tonal center of the piece. The next chord, E Dominant 7 (I7), introduces tension with the inclusion of the minor 7th interval (in this case, D). This tension is released when the progression resolves to the relative minor (B Minor), which acts as a substitution for the IV chord that would typically follow a dominant 7th chord. The use of the I7 and vi chords adds interest and helps create a sense of movement within the verse while maintaining a unified tonal center.

Overall Analysis

The chord progression in the verse of Beck’s “Paper Tiger” can be considered a combination of common and non-diatonic chords. The progression moves from a major chord to its dominant 7th and then resolves to the relative minor. Stylistically, this progression is used in rock, pop, and jazz music to create tension and resolution while maintaining a sense of movement or flow.

Style Analysis

This chord progression can be seen as a blend of rock, pop, and jazz influences, as it uses both diatonic and non-diatonic chords for tension and resolution. Beck often incorporates various genres in his music, and “Paper Tiger” is no exception. The use of dominant 7th chords and resolution to the relative minor is a common technique in jazz and blues music, while the major and minor chords are more prevalent in rock and pop. This combination of musical elements contributes to the unique sound and feel of the piece.

Chords in the Verse 1 section of Paper Tiger by Beck are:

E, E7, Bm