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The chord progression in the chorus of “Breathe” by Pink Floyd is a non-diatonic progression, meaning it does not strictly follow a specific key. The progression features some borrowed chords and a dominant seventh alteration. The style is influenced by blues and jazz, with a relaxed and reflective mood.

Chorus 1

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

The song “Closer” by Nine Inch Nails is based primarily around the C minor 7 chord, giving the song its dark and moody atmosphere. The song is in the key of C minor. This chord progression is repetitive and simple, allowing other aspects of the song, such as the lyrics and production, to take center stage.

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“Don’t Look Back In Anger” uses simple yet effective chord progressions common in pop/rock music. It incorporates both major and minor chords, showing some classic pop sensibilities. The song is situated in the key of C Major. Embedded within this progression are instances of borrowed chords – the E7 for instance, is a secondary dominant, often used to inject a bit of tension and to give strong resolution leading into the next chord.

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“Eight Days A Week” by The Beatles, released in 1965, is renowned for its catchy melodic phrases, tight harmonies, and distinctive use of chords. The song is firmly rooted in the key of D major, but there is an interesting use of borrowed chords.

Verse 2

Pink Floyd – Breathe – Verse 2

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Chord Progression

Em, A7, Em, A7, Em, A7, Em, A7

Chord Progression Analysis

Em (i) – A7 (IV7)

Similar Chord Progressions

1. The Doors – “Riders on the Storm”
Chord progression: Em9 (i9) – A7 (IV7)
2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: Am (i) – G (bVII) – Am (i) – G (bVII)
3. Led Zeppelin – “Babe I’m Gonna Leave You”
Chord progression: Am (i) – C (III) – G (bVII) – Am (i) – C (III)

These examples follow a similar alternation between a minor chord (usually the tonic) and another chord, either borrowed from the parallel major (as in “Riders on the Storm”) or invoking a sense of tension and resolution (as in “While My Guitar Gently Weeps” and “Babe I’m Gonna Leave You”).

Musical Analysis

The chord progression consists of two chords: Em, which is the tonic or home chord, and A7, which is the dominant seventh chord built on the fourth scale degree in the key of E minor. The A7 chord is borrowed from the parallel major key (E major), which is why it is considered a borrowed chord in the progression. The alternation between these two chords creates a sense of movement throughout the entire verse. The dominant seventh chord (A7) brings tension and instability in the progression, making the listener eager to hear the resolution to the tonic chord (Em).

Overall Analysis

The given chord progression is from the verse of Pink Floyd’s “Breathe,” a song from their 1973 album, “The Dark Side of the Moon.” The progression consists of alternating Em and A7 chords throughout the entire verse. This creates a sense of movement and tension between the chords while also being relatively simple and repetitive. The harmonic back-and-forth between these two chords gives the song a dreamy and immersive quality that is a signature sound of Pink Floyd’s style.

Style Analysis

Pink Floyd’s music often delves into the realms of space rock, progressive rock, and psychedelic rock. The alternating Em and A7 chords in the “Breathe” verse serve as a perfect example of Pink Floyd’s ability to create an ethereal, otherworldly, and hypnotic atmosphere within their music. The simplicity and repetitiveness of the chord progression, combined with Pink Floyd’s trademark use of effects and atmospheric sounds, give “Breathe” its unique sonic character.

Chords in the Verse 2 section of Breathe by Pink Floyd are:

Em, A7, Em, A7, Em, A7, Em, A7