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“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album, “The Wall.” It is known for its haunting, ethereal quality, achieved through the use of predominantly minor chords, lush harmonies, and a slow, atmospheric tempo. The song’s lyrics and melancholic mood reflect feelings of loss and desolation.

The chord progression from verse 3 of Pink Floyd’s “Wish You Were Here” is in the key of C major and shows a mix of diatonic chords and borrowed chords. The progression creates a sense of smooth journey and has a certain melancholic yet uplifting character.

“Ceilings” by Lizzy McAlpine, draws its magic from a mix of interesting chord progressions and different rhythms. The use of added notes in several chords (Cadd9, Emadd9) introduces additional color into the mix, creating a rich and thoughtful atmosphere. The tonality of the song is in G Major, despite the liberal use of the Cadd9 in the progression. We’ll use this tonality for the Roman numerals.

“Today” by The Smashing Pumpkins, was released in 1993 on their second album, “Siamese Dream.” The song is classic-’90s alternative rock with its layered guitars and emotionally raw lyrics. key is “E minor.”

The song in question, “Endlessly” by Muse, is a reflective and emotional piece, featuring a fairly unique chord progression. The verse’s chord progression is not commonly heard in popular music, giving it a distinct sound that sets it apart from other songs. The use of suspended chords, the shift from Am to Bm, and the resolution to the E7 chord give the piece a floating, ethereal feel.

Pink Floyd – Goodbye Blue Sky – Verse 1

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Chord Progression

Am, B/A, Am, A7, D, A, D, Bm, D, Bm

Chord Progression Analysis

A minor (i) – B major/A (VI/iv) – A minor (i) – A dominant 7th (V7) – D major (IV) – A major (I) – D major (IV) – B minor (ii) – D major (IV) – B minor (ii)

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VI/iv = borrowed chord from the parallel minor of the relative major (A major)
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Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:
A minor (i) – A major (I) – G major (VII) – E minor (v) – D major (IV) – A major (I) – C# minor (iii) – F# minor (vi)

2. “Stairway to Heaven” by Led Zeppelin (intro section):
A minor (i) – G sharp diminished 7th (vii°7) – C major (III) – D major (IV) – F major (VI) – A minor (i) – G major (VII) – A minor (i)

While these progressions by The Beatles and Led Zeppelin are not exact matches to “Goodbye Blue Sky,” they share similar harmonic devices and modulations that create a similar sense of movement and emotion.

Musical Analysis

The progression starts with A minor, establishing the key as A minor. The second chord, B major/A, is a borrowed chord (VI/iv) from the parallel minor of the relative major (A major) that creates tension. The progression then returns to A minor before moving to A dominant 7th, functioning as a secondary dominant chord leading to D major, which is a common modulation from A minor to D major (IV).

The progression then moves to A major (I) before repeating D major (IV) and then going to B minor (ii), a diatonic chord in the key of A major. This suggests a shift to the relative major key of A major. Finally, the progression alternates between D major (IV) and B minor (ii) before continuing with the rest of the song.

Overall Analysis

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

Style Analysis

The chord progression used in “Goodbye Blue Sky” is an example of Pink Floyd’s innovative style when it comes to harmony and modulation. The borrowed chord and the modulation from A minor to D major and then to the relative major key (A major) makes the progression more complex and brings emotional depth to the song. This helps to create the overall haunting atmosphere of the piece.

Chords in the Verse 1 section of Goodbye Blue Sky by Pink Floyd are:

Am, B/A, Am, A7, D, A, D, Bm, D, Bm