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Related Music Theory Alchemy

“Hysteria” by Muse is a song with a heavy rock style, featuring a powerful bassline and distorted guitars. The chord progression mentioned is present in the first verse of the song. This progression is characterized by the use of standard tonal harmony and minor key tonality, with some slight variations that are typical in rock music.

Muse’s “New Born” is a rock composition with progressive and alternative elements. The harmonic structure is simple, making use of common chords and progressions. In the given chord progression from Verse 3, there is a sense of tension and release between the major and minor chords, creating a sense of dynamics and urgency. The chord progression itself is repetitive, with subtle variations added to keep interest.

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Feels Like We Only Go Backwards” by Tame Impala is a psychedelic pop song notable for its dreamy, lo-fi sound and use of unconventional chord progressions. Musically, the song is written in the key of F major, but creatively uses chromatic mediants, borrowed chords, and modal interchange to establish a unique harmony. The song also uses dynamic contrast to create a dreamlike atmosphere, increasing the song’s overall psychedelic effect.

Muse – Hysteria – Verse 2

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Chord Progression

E7, Dm, Am, E7, Dm, Am

Chord Progression Analysis

E7 (V7/vi), Dm (iv), Am (i), E7 (V7/vi), Dm (iv), Am (i)

* E7 is a borrowed chord from the E harmonic minor scale.

Similar Chord Progressions

1. Radiohead – Paranoid Android
Chord Progression: G#(b5) (V7/vi), Fm (iv), Cm (i), G#(b5) (V7/vi), Fm (iv), Cm (i)

2. Led Zeppelin – Stairway to Heaven (Verse)
Chord Progression: Em (i), D/F# (VII6), Gmaj7 (IVmaj7), D7 (VII7), C (bVI), G/B (IV6), Am (v), Am/C (v6)

Note that these chord progressions are not exact matches to Hysteria, but they share certain elements of harmonic interest and movement through the use of borrowed chords or secondary dominants.

Musical Analysis

This progression features a non-diatonic chord (E7) borrowed from the E harmonic minor scale that adds tension and unpredictability to the overall tonality of the song. The oscillation between the minor plagal cadence (Dm – Am) and interrupted cadence (Am – E7) creates a sense of instability and constantly fluctuating tonality, which complements the song’s intense and frantic atmosphere.

Overall Analysis

The chord progression in Muse’s Hysteria (verse 2) is a fairly unique progression that revolves around a minor tonality with some hints of E7 acting as a secondary dominant. It seems to have an ambiguous key center, fluctuating between E minor and A minor. The progression is repeated, providing a sense of tension and familiarity throughout the verse.

Style Analysis

Muse is known for blending rock, alternative, and electronic music with classical and orchestral elements, creating a distinctive and dramatic sound. The use of a secondary dominant and borrowed chords contribute to the emotional intensity and captivating nature of the song. This particular chord progression captures a dark and brooding nature often evident in Muse’s music.

Chords in the Verse 2 section of Hysteria by Muse are:

E7, Dm, Am, E7, Dm, Am